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Collection
Prints and Drawings
24
Paintings and Sculpture
5
Creator
Basire, James, 1769–1822
11
Stothard, Charles Alfred, 1786–1821
10
Turner, F. C. (Francis Calcraft), approximately 1782–1846
4
Boys, Thomas Shotter, 1803–1874
3
CUNDY, Thomas, 1790–1867
3
Mackenzie, Frederick, 1788–1854
3
Brandard, Robert, 1805–1862
2
Muller, William James, 1812–1845
2
Storm, G.F., active mid–19th century
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Callow, William, 1812–1908
1
Capon, William, 1757–1827
1
Jones, Horace, Sir, 1819–1887
1
Date
1796
333
1814
139
1785
104
1827
90
1960
83
1791
79
1790
74
1795
73
1800
71
1834
68
1818
65
1825
63
1820
56
1810
52
1799
51
1815
51
1830
48
1831
48
1792
47
1793
47
1772
46
1812
46
1817
43
1835
43
1806
39
1811
39
1823
38
1829
37
1833
37
1836
37
1859
36
1797
35
1740
34
1775
34
1798
33
1807
33
1770
32
1789
32
1813
31
1819
31
1784
30
1804
30
1805
30
1822
30
1832
30
1912
30
1794
29
1821
29
1842
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29
1755
28
1808
26
1845
26
1746
25
1816
25
1824
24
1860
24
1761
23
1754
22
1782
21
1809
21
1776
20
1786
20
1767
19
1802
19
1828
19
1863
19
1759
17
1762
17
1765
16
1801
16
1826
16
1887
16
1780
15
1788
15
1745
14
1751
14
1778
14
1787
14
1803
14
1839
14
1840
14
1864
14
1700
13
1773
13
1865
13
1890
13
1779
12
1837
12
1843
12
1871
12
1965
12
1717
11
1747
11
1760
11
1774
11
1861
10
1880
10
1968
10
1720
9
1736
9
On-site Access
Accessible by appointment in the Study Room
24
Not on view
5
Image Use
Free to Use
29
Image Available
Available
28
Unavailable
1
Classification
Prints
18
Paintings
5
Drawing & Watercolors-Architectural
3
Drawings & Watercolors
3
Creator Gender
male
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29
Collective Title
"Vetusta Monumenta", Society of Antiquaries of London, 1747-1906
10
Original Views of London As It Is, 1842
3
Vetusta Monumenta
3
Period
19th century
29
Materials & Techniques
wove paper
21
line engraving
12
hand coloring
8
graphite
6
canvas
5
oil paint
5
painting (technique)
5
black ink
4
etching (printing process)
4
pen
4
card
3
lithography
3
wash
3
tinting
2
chine collé
1
engraver's proof
1
engraving (printing process)
1
gouache
1
gray ink
1
gray wash
1
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Materials & Techniques
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Work Type
intaglio print
15
drawing
6
painting
5
planographic print
3
watercolor
2
Genre
architectural subject
21
landscape
7
religious and mythological subject
7
genre subject
5
sporting art
4
cityscape
3
historical subject
1
Subject Terms
architectural subject
21
landscape
9
men
8
religious and mythological subject
7
women
7
road
6
top hats
6
genre subject
5
path
5
animals
4
breeches
4
bridle
4
church
4
dogs (animals)
4
hills
4
hounds (dogs)
4
hunters
4
hunting
4
master
4
mountains
4
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Subject Terms
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Associated Places
England
29
United Kingdom
29
London
20
City of Westminster
15
Palace of Westminster
14
Europe
5
Berkeley
4
Gloucestershire
4
South Gloucestershire
4
Devon
3
Greater London
3
Tamar
3
House of Commons
2
St. Stephen's Chapel, Palace of Westminster
2
Buckingham Palace
1
City of London
1
Gillingham
1
Hampstead
1
Kent
1
Ludgate Hill
1
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Associated Places
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Exhibition History
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
25
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
3
Yale Center for British Art, Paul Mellon Fund
1
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1
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Meet
1842
Not on view
2
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: Full Cry
1842
Not on view
3
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Chase
1842
Not on view
4
Francis Calcraft Turner, active 1782–1846
The Berkeley Hunt, 1842: The Death
1842
Not on view
5
William James Muller, 1812–1845
Gillingham on the Medway
1842
Not on view
6
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
7
William James Muller, 1812–1845
Pines on Hampstead Heath
1842
8
William Callow, 1812–1908
The Royal Citadel and Cattewater, Plymouth
1842
9
Print made by Thomas Shotter Boys, 1803–1874
Westminster Abbey, Hospital &c
1842
10
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
11
Print made by Thomas Shotter Boys, 1803–1874
Buckingham Palace from St. James's Park
1842
12
Print made by Thomas Shotter Boys, 1803–1874
St. Paul's from Ludgate Hill
1842
13
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
14
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
15
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
16
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
17
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
18
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
19
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
20
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
21
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
22
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
23
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
24
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
25
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
26
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
27
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Elevation towards Grosvenor Street
1842
28
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan
1842
29
Thomas Cundy, 1790–1867
Design for Grosvenor House, London: Plan for the New Entrance to Grosvenor House
1842