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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
75
Paintings and Sculpture
3
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
70
Goodall, Edward, 1795–1870
28
Wallis, Robert, 1794–1878
12
Le, Keux Henry, 1787–1868
6
Pye, John, 1782–1874
6
Smith, William R., active 1819–1851
6
Cooke, William Bernard, 1778–1855
3
Jeavons, Thomas, ca. 1800–1867
2
Phillips, Thomas, 1770–1845
2
Willmore, James Tibbits, 1800–1863
2
Allen, Daniel, active 1830s
1
Brandard, Robert, 1805–1862
1
Browne, Hablot Knight, 1815–1882
1
Cope, Charles West, 1811–1890
1
Harding, James Duffield, 1798–1863
1
Jones, Samuel John Egbert, active 1820–1845
1
Kernot, James H., 1802–1858
1
Miller, William, 1796–1882
1
Rolls, Charles, 1800–active 1830
1
Stothard, Thomas, 1755–1834
1
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Creator
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Date
1827
89
1999
86
1830
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78
1794
49
1630
48
1791
37
1802
35
1792
33
1800
30
1823
26
1829
25
1764
23
1675
22
1799
22
1825
22
1834
22
1784
21
1816
21
1960
21
1776
20
1814
20
1820
20
1832
20
1836
20
1768
18
1795
18
1808
18
1817
18
1835
18
1818
17
1821
17
1963
17
1674
16
1811
16
1822
16
1679
15
1826
15
1828
15
1801
14
1831
14
1833
14
0
13
1789
13
1806
13
1810
13
1824
13
1955
13
1796
12
1813
12
1738
11
1763
11
1785
11
1793
11
1797
11
1798
11
1819
11
1840
11
1745
10
1748
10
1765
10
1777
10
1780
10
1788
10
1804
10
1839
10
1690
9
1751
9
1770
9
1772
9
1790
9
1807
9
1844
9
1908
9
1912
9
1996
9
2006
9
1700
8
1773
8
1786
8
1803
8
1815
8
1848
8
1896
8
1897
8
1921
8
1925
8
1752
7
1762
7
1778
7
1809
7
1837
7
1838
7
1880
7
1891
7
1898
7
1929
7
1932
7
1965
7
1715
6
1769
6
On-site Access
Accessible by appointment in the Study Room
75
Not on view
3
Image Use
Free to Use
78
Image Available
Available
77
Unavailable
1
Classification
Prints
72
Paintings
3
Drawings & Watercolors
2
Drawing & Watercolors-Architectural
1
Creator Gender
male
[remove]
78
Collective Title
Rogers's Italy
60
Picturesque Views in England and Wales
10
Fifty-six Engravings Illustrative of Italy: A Poem
2
Period
19th century
75
Materials & Techniques
wove paper
72
etching (printing process)
63
line engraving
63
chine collé
3
graphite
3
oil paint
3
painting (technique)
3
gouache
2
millboard
2
watercolor
2
black chalk
1
canvas
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
4
to
46
Width [cm]
Width [cm] range begin
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Current results range from
0
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38
Work Type
intaglio print
72
drawing
3
painting
3
watercolor
2
Genre
landscape
29
architectural subject
24
marine art
14
cityscape
13
historical subject
5
military art
5
genre subject
4
portrait
2
sporting art
2
animal art
1
literary theme
1
religious and mythological subject
1
still life
1
Subject Terms
marine art
13
landscape (representation)
9
lake
7
river
5
architectural subject
4
arcades
3
bridge (built work)
3
gulf
3
moon
3
night
3
railings
3
sea
3
statuary
3
terrace
3
volcano
3
bridge
2
castle
2
dockyard
2
portrait
2
sporting art
2
more
Subject Terms
»
Associated Places
Italy
17
Como, Lago di
7
Lombardy
7
England
5
Europe
5
United Kingdom
5
Naples
4
Amalfi
3
Gulf of Naples
3
Lazio
3
Mario, Monte
3
Mediterranean Sea
3
Roma
3
Tiber
3
Vesuvius
3
Villa Madama
3
Aln
2
Alnwick
2
Alnwick castle
2
Devonport
2
more
Associated Places
»
Associated People
Howard, Richard Baron (1807–1848), physician
1
Exhibition History
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Charles Hullmandel and James Duffield Harding - A Study of the English Art of Drawing on Stone 1818-1850 (Smith College Museum of Art, 1982-04-15 - 1982-05-30)
1
Edward Lear and the Art of Travel (Yale Center for British Art, 2000-09-20 - 2001-01-14)
1
Side - by - Side with Gun and Dog (National Sporting Library and Museum, 2015-09-25 - 2016-04-03)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
75
Yale Center for British Art, Gift of Mr. John D. Viener
2
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
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Creator Gender
male
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Date
1830
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25
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1
Samuel John Egbert Jones, active 1820–1845
Pheasant Shooting
mid-19th century
Not on view
2
Thomas Phillips, 1770–1845
Cosmo Richard Howard
ca. 1835
Not on view
3
Thomas Phillips, 1770–1845
Elizabeth Howard
ca. 1835
Not on view
4
Print made by Edward Goodall, 1795–1870
Marengo
1830
5
Print made by Edward Goodall, 1795–1870
Venice
1830
6
Print made by Henry Le Keux, 1787–1868
Aosta
1830
7
Print made by John Pye, 1782–1874
Tivoli
1830
8
Print made by Edward Goodall, 1795–1870
Perugia
1830
9
Print made by Robert Wallis, 1794–1878
Banditti
1830
10
Print made by Edward Goodall, 1795–1870
A Villa on the Night of a Festa di Ballo
1830
11
Print made by Edward Goodall, 1795–1870
Naples
1830
12
Print made by Robert Wallis, 1794–1878
Amalfi
1830
13
Print made by Robert Wallis, 1794–1878
A Farewell - Lake of Como, II
1830
14
Print made by Robert Wallis, 1794–1878
Cowes, Isle of Wight
1830
15
Print made by William Miller, 1796–1882
Stamford, Lincolnshire
1830
16
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1830
17
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
18
Print made by Henry Le Keux, 1787–1868
Villa Madama, Moonlight
1830
19
Print made by Edward Goodall, 1795–1870
The Forum
1830
20
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
21
Print made by John Pye, 1782–1874
Temples of Paestum
1830
22
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1830
23
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
24
Print made by William Bernard Cooke, 1778–1855
Martigny
1830
25
Print made by Edward Goodall, 1795–1870
Florence
1830
26
Hablot Knight Browne, 1815–1882
Mr. Hawks thinks he had Better Turn Back
undated
27
Print made by Charles Westwood, active 1819–1838
Carisbrook Castle, Isle of Wight
1830
28
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1830
29
Print made by Thomas Jeavons, ca. 1800–1867
Devonport and Dockyard, Devonshire
1830
30
Print made by Robert Brandard, 1805–1862
Dunstanborough Castle
1830
31
Print made by William Tombleson, ca.1795–1835
Holy Island, Northumberland
1830
32
Print made by James Tibbits Willmore, 1800–1863
Alnwick Castle, Northumberland
1830
33
Print made by James H. Kernot, 1802–1858
St. Mawes, Cornwall
1830
34
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
35
Print made by William Bernard Cooke, 1778–1855
Martigny
1830
36
Print made by Daniel Allen, active 1830s
A Bacchanalian Vase
1830
37
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
38
Print made by Edward Goodall, 1795–1870
Naples
1830
39
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard
1830
40
Print made by John Pye, 1782–1874
Temples of Paestum
1830
41
Print made by Edward Goodall, 1795–1870
Perugia
1830
42
Print made by Edward Goodall, 1795–1870
Venice
1830
43
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
44
Print made by Edward Goodall, 1795–1870
Lake of Como, I
1830
45
Print made by W. R. Smith, active 1819–1851
Hannibal Passing the Alps
1830
46
Print made by Edward Goodall, 1795–1870
Marengo
1830
47
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard
1830
48
Print made by Edward Goodall, 1795–1870
The Forum
1830
49
James Duffield Harding, 1798–1863
Naples from the Strada Nouva, Nov.26, 1830
1830
50
Print made by John Pye, 1782–1874
Tivoli
1830
51
Print made by Robert Wallis, 1794–1878
A Farewell - Lake of Como, II
1830
52
Print made by Edward Goodall, 1795–1870
A Villa on the Night of a Festa di Ballo
1830
53
Print made by Charles Rolls, 1800–active 1830
The Brides of Venice
1830
54
Print made by Henry Le Keux, 1787–1868
Villa Madama, Moonlight
1830
55
Print made by Robert Wallis, 1794–1878
A Farewell - Lake of Como, II
1830
56
Print made by William Bernard Cooke, 1778–1855
Martigny
1830
57
Print made by Edward Goodall, 1795–1870
Florence
1830
58
Print made by Edward Goodall, 1795–1870
Venice
1830
59
Print made by Henry Le Keux, 1787–1868
Villa Madama, Moonlight
1830
60
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
61
Print made by John Pye, 1782–1874
Temples of Paestum
1830
62
Print made by Robert Wallis, 1794–1878
Banditti
1830
63
Print made by Edward Goodall, 1795–1870
Perugia
1830
64
Print made by John Pye, 1782–1874
Tivoli
1830
65
Print made by Edward Goodall, 1795–1870
Marengo
1830
66
Print made by Robert Wallis, 1794–1878
Amalfi
1830
67
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
68
Print made by Robert Wallis, 1794–1878
Amalfi
1830
69
Print made by Edward Goodall, 1795–1870
Naples
1830
70
Print made by Edward Goodall, 1795–1870
Florence
1830
71
Print made by Edward Goodall, 1795–1870
Venice
1830
72
Print made by Henry Le Keux, 1787–1868
Aosta
1830
73
Print made by Henry Le Keux, 1787–1868
Aosta
1830
74
Print made by Edward Goodall, 1795–1870
Marengo
1830
75
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1830
76
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard II (The Dead-House)
1830
77
Print made by Edward Goodall, 1795–1870
A Villa on the Night of a Festa di Ballo
1830
78
Charles West Cope, 1811–1890
Entrance to the Tesoro, San Marco Basilica, Venice
ca. 1835