Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
4
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
5
Augustus Welby Northmore Pugin, 1812–1852
Designs for a Baptismal Font and a Tabernacle
undated
6
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church and Monastery
undated
7
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
8
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
undated
9
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
10
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
11
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
12
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
13
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
14
Print made by James C. Allen, active 1821–1831
The Custom House
1827
15
Print made by James C. Allen, active 1821–1831
The Custom House
1827
16
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
17
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
18
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
19
Print made by George Cooke, 1781–1834
Tooting Church
1827
20
Print made by Augustus Welby Northmore Pugin, 1812–1852
Five Sketches of: A Gothic Church, Spires, a Fortification and Decorative Objects
undated
21
Print made by Augustus Welby Northmore Pugin, 1812–1852
Four Figures: Sketches of Antient (sic) Roof with Framing Made Ornamental, Fig. 1: Modern Roof with the Framing Conceald (sic) by a Plastered Ceiling, Fig. 2; Blakeney Church Norfolk, Fig. 3; Bury St Edmunds, Fig. 4