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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
57
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
28
Dubourg, Matthew, active 1786–1838
6
Batty, Robert, 1788 or 1789–1848
5
Arnald, George, 1763–1841
4
Goodall, Edward, 1795–1870
4
Middiman, Samuel, ca. 1750–1831
4
Pollard, James, 1792–1867
4
Watson, Jonathan, 1820–1847
4
Cooke, George, 1781–1834
3
Cooke, William Bernard, 1778–1855
3
Heath, William, 1795–1840
3
Le, Keux Henry, 1787–1868
3
Smith, William R., active 1819–1851
3
Ackermann, Rudolph, 1764–1834
2
Bowyer, Robert, 1758–1834
2
Heath, Charles, 1785–1848
2
Le, Keux John, 1783–1846
2
McLean, Thomas, 1788–1875
2
Radclyffe, William, 1780–1855
2
Rodwell, & Martin, active 1819–1835
2
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Creator
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Date
1834
502
1835
265
1833
260
1546
247
1827
226
1782
223
1830
209
1836
202
1630
181
1793
161
1800
159
1808
147
1802
134
1792
129
1799
126
1837
124
1795
122
1832
121
1797
117
1794
116
1803
112
1789
111
1818
110
1859
110
1812
109
1814
107
1780
103
1811
103
1828
101
1807
98
1820
97
1999
97
1816
96
2000
92
1788
90
1825
89
1831
89
1745
88
1779
86
1810
86
1674
85
1785
84
1776
82
1784
82
1790
80
1826
80
1823
79
1809
77
1796
76
1775
75
1791
75
1778
74
1786
74
1773
73
1819
73
1838
72
1783
70
1739
69
1667
68
1787
68
1813
68
1781
66
1801
66
1824
66
1550
65
1896
65
1762
63
1771
63
1821
63
1755
62
1772
62
0
61
1738
61
1675
59
1806
59
1777
58
1822
[remove]
57
1839
57
1765
55
1769
55
1770
55
1990
54
1798
53
1804
52
1829
50
1925
50
1750
48
1680
46
1719
46
1754
46
1897
46
1743
43
1774
43
1700
42
1760
42
1805
42
1690
40
1735
40
1741
40
1764
39
On-site Access
Accessible by appointment in the Study Room
57
Image Use
Free to Use
57
Image Available
Available
53
Unavailable
4
Classification
Prints
57
Creator Gender
male
[remove]
57
unknown
2
Collective Title
Whitaker's History of Richmondshire
11
Provincial Antiquities of Scotland
9
Cooke's Picturesque Views of the Southern Coast of England
3
Picturesque Views in England and Wales
1
Period
19th century
57
Materials & Techniques
wove paper
48
etching (printing process)
37
line engraving
27
chine collé
18
hand coloring
9
laid paper
6
aquatint
5
watercolor
5
stipple engraving
3
brown ink
2
graphite
2
mezzotint
2
engraver's proof
1
engraving (printing process)
1
touched proof
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
81
Unknown
2
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
0
to
93
Unknown
2
Work Type
intaglio print
[remove]
57
Genre
landscape
31
architectural subject
18
genre subject
10
marine art
8
animal art
6
cityscape
6
sporting art
5
portrait
3
historical subject
2
military art
2
Subject Terms
river
11
architectural subject
9
castle
9
genre subject
9
landscape
9
landscape (representation)
9
marine art
9
trees
8
costume
7
sea
7
cityscape
6
hills
6
men
6
animal art
5
breeches (trousers)
5
church
5
hunting
5
mountains
5
sporting art
5
abbey
4
more
Subject Terms
»
Associated Places
United Kingdom
16
England
13
North Sea
7
Europe
5
Scotland
5
Forth
4
Forth, Firth of
4
Hornby
4
Hornby Castle
4
Lancashire
4
Meuse
4
North Berwick
4
North Yorkshire
4
Tantallon Castle
4
Tatham
4
Wenning
4
Belgium
3
Foreness Point
3
Kent
3
Margate
3
more
Associated Places
»
Associated People
George IV (1762–1830), king of the United Kingdom of Great Britain and Ireland, and king of Hanover
1
Hayter, George (1792–1871), British painter and printmaker
1
Hope, John, fourth earl of Hopetoun (1765–1823), army officer
1
Wilkinson, Tate (1739–1803), actor and theatre manager
1
Exhibition History
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
2
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Sir George Hayter and Victorian History Paintings (The Art Museum Princeton, 1995-02-04 - 1995-04-15)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
37
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art, Paul Mellon Fund
5
Yale Center for British Art, Gift of Godfrey Pearlson
3
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
1
Yale Center for British Art, Gift of David M. Doret
1
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
1
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Creator Gender
male
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Date
1822
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Work Type
intaglio print
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1
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
2
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1822
3
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
4
Print made by George Cooke, 1781–1834
Crichton Castle
1822
5
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
6
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
7
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
ca. 1827
8
Print made by William Bernard Cooke, 1778–1855
Margate
1822
9
Print made by W. R. Smith, active 1819–1851
Heriot's Hospital
1822
10
Print made by William Bernard Cooke, 1778–1855
Margate
1822
11
Print made by William Bernard Cooke, 1778–1855
Margate
1822
12
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
13
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
14
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1822
15
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
16
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1822
17
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
18
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
19
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
20
Print made by Robert Wallis, 1794–1878
Linlithgow Palace
1822
21
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
22
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
23
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
24
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
25
Anker Smith, 1759–1819
Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action
1822
26
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1822
27
Print made by William Radclyffe, 1780–1855
Hornby Castle, from Tatham Church
1822
28
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
29
Print made by Edward Goodall, 1795–1870
Tantallon Castle
1822
30
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1822
31
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1822
32
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
33
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1822
34
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
35
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
36
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
37
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
38
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
39
Print made by Robert Isaac Cruikshank, 1789–1856
Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
1822
40
Bartholomew Howlett, 1767–1827
North Front of Bedford House, Bloomsbury Square
1822
41
Sir George Hayter, 1792–1871
Sir George Hayter
1822
42
Print made by Robert Cooper, active ca. 1800–1836
Mr. Wilkinson as Michael in Free & Easy
1822
43
Print made by William Tombleson, ca.1795–1835
Frauen Capelle, Haupt Markt
1822
44
Published by Rudolf Ackermann, 1764–1834
The Castle of Isola, Italy
1822
45
Print made by H. Winkles, Active 1834–1840
Imperial Riding School, St. Michael's Platz, Vienna
1822
46
Print made by William Heath, 1795–1840
Druming Out. Or Making an Example of a Mutineer
ca. 1827
47
Print made by William Heath, 1795–1840
The New Petty Coat Administration
ca. 1827
48
Print made by William Heath, 1795–1840
Sailors on Shore at Navarino
ca. 1827
49
Print made by Josiah Henshall, 1806–1869
St. Stephan's Dom-Kirche, from Stock Am Eisen, Vienna
1822
50
Print made by William Tombleson, ca.1795–1835
St. Stephan's Dom-Kirche, Vienna
1822
51
Print made by William Woolnoth, active 1806–1830
Ulm Cathedral
1822
52
Print made by Samuel Howitt, 1756–1822
Fallow Deer
1822
53
Print made by unknown artist
Winding Silk
1822
54
Abraham Raimbach, 1784–1868
Blind-Man's Bluff
1822
55
Print made by John Le Keux, 1783–1846
St. Agatha’s Abbey, Easby (touched proof, unrecorded state between Rawlinson a and b)
1822
56
Print made by William Walker, 1791–1867
John, Earl of Hopetoun
1822
57
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, King George IV
1822