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Collection
Prints and Drawings
110
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
81
Hakewill, James, 1778–1843
35
Pye, John, 1782–1874
17
Cooke, George, 1781–1834
10
Heath, Charles, 1785–1848
7
Smith, William R., active 1819–1851
7
Arnald, George, 1763–1841
6
Murray, John, founded 1768
6
Byrne, John, 1786–1847
5
Cooke, William Bernard, 1778–1855
5
Hollis, George, 1792–1842
5
Le, Keux John, 1783–1846
5
Middiman, Samuel, ca. 1750–1831
5
Rawle, Samuel, 1771–1860
4
Unknown artist
4
Fittler, James, 1758–1835
3
Higham, Thomas, 1796–1844
3
Landseer, John, 1769–1852
3
Scott, John, 1774–1828
3
Smith, Charles John, 1803–1838
3
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Date
1834
503
1835
265
1833
260
1546
247
1782
226
1827
226
1830
210
1836
202
1630
181
1800
162
1793
161
1808
147
1802
135
1792
130
1799
128
1837
126
1795
125
1832
122
1794
120
1797
120
1789
114
1803
112
1828
112
1812
110
1818
[remove]
110
1859
109
1780
107
1814
107
1811
105
1788
100
1807
99
1820
99
1999
97
1816
96
2000
92
1745
89
1779
89
1831
89
1810
88
1825
88
1776
87
1785
86
1674
85
1784
84
1790
82
1796
82
1826
81
1823
80
1791
79
1775
78
1809
77
1786
76
1773
75
1778
75
1819
73
1838
73
1783
72
1787
72
1772
70
1739
69
1781
69
1813
69
1667
68
1824
68
1762
67
1801
66
1550
65
1771
65
1821
65
1896
65
0
63
1755
63
1770
62
1738
61
1777
60
1806
60
1675
59
1822
59
1769
58
1839
57
1765
55
1798
54
1925
54
1990
54
1916
53
1804
52
1754
50
1829
50
1750
48
1680
46
1719
46
1897
46
1700
45
1774
45
1743
43
1805
43
1760
42
1767
42
1764
41
1768
41
On-site Access
Accessible by appointment in the Study Room
110
Image Use
Free to Use
110
Image Available
Available
108
Unavailable
2
Classification
Prints
110
Creator Gender
male
[remove]
110
unknown
4
Collective Title
A Picturesque Tour of Italy
35
Whitaker's History of Richmondshire
33
Cooke's Picturesque Views of the Southern Coast of England
5
Liber Studiorum
2
Picturesque Views of the Antiquities of Pola in Istria
2
Cooke's Views in Sussex
1
Period
19th century
110
Materials & Techniques
etching (printing process)
88
wove paper
85
line engraving
64
chine collé
45
laid paper
22
engraving (printing process)
16
mezzotint
10
stipple engraving
7
brown ink
3
colored ink
3
sepia
2
aquatint
1
engraver's proof
1
graphite
1
lithography
1
soft-ground etching
1
Height [cm]
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72
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89
Work Type
intaglio print
[remove]
110
frontispiece
2
Genre
landscape
67
architectural subject
49
cityscape
27
genre subject
14
marine art
12
animal art
4
portrait
4
botanical subject
1
military art
1
religious and mythological subject
1
sporting art
1
Subject Terms
river
41
landscape (representation)
33
architectural subject
29
cityscape
20
church
15
genre subject
12
bridge
11
men
10
castle
9
trees
8
waterfall
8
abbey
7
boats
7
buildings
6
canoes
6
cliffs
6
labor
6
poles
6
riverbanks
6
ruin
6
more
Subject Terms
»
Associated Places
England
33
United Kingdom
32
Europe
24
Italy
15
Durham
14
Tees
13
North Yorkshire
10
Richmond
9
Swale
7
Meuse
6
Greta
5
Grand Canal
4
Lazio
4
Ponte di Rialto
4
Rokeby
4
San Bartolomeo church
4
Veneto
4
Venezia
4
Wycliffe
4
Wycliffe Hall
4
more
Associated Places
»
Associated People
West, Benjamin (1738–1820), American history painter active in Britain
2
Royal Academy
1
Venus
1
Exhibition History
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
90
Yale Center for British Art, Paul Mellon Fund
9
Yale Center for British Art; Yale University Art Gallery Collection
7
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale Art Gallery Collection, A. Conger Goodyear, B.A. 1899, Fund
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957
1
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Creator Gender
male
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Date
1818
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intaglio print
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1
Etched by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1818
2
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
3
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
4
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
5
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
6
Print made by John Byrne, 1786–1847
Rome from Monte Testaccio
1818-1820
7
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
8
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
9
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
10
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
11
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
12
Print made by J. C. Varrall, active 1815–1827
Merrick Abbey, Swaledale
1818-1823
13
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1818-1823
14
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
15
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
16
Print made by William Radclyffe, 1780–1855
Hornby Castle from Tatham Church
1818-1823
17
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
18
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
19
Print made by George Cooke, 1781–1834
Tintagel Castle, Cornwall
1818
20
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
21
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
22
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
23
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
24
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
25
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
26
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
27
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
28
Print made by Charles Heath, 1785–1848
Kirkby Lonsdale Churchyard
1818-1823
29
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
30
Print made by W. R. Smith, active 1819–1851
Heysham and Cumberland Mountains
1818-1823
31
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1818
32
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
33
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
34
Print made by John Pye, 1782–1874
The Rialto, Venice
1818-1820
35
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
36
Print made by John Byrne, 1786–1847
Rome from Monte Mario
1818-1820
37
Print made by John Byrne, 1786–1847
Tomb of Cecilia Metella
1818-1820
38
Etched by Samuel Middiman, ca. 1750–1831
Lake of Nemi
1818-1820
39
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818-1820
40
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
41
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
1818
42
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818-1820
43
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
44
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1818-1823
45
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
46
Print made by John Le Keux, 1783–1846
St. Agatha's Abbey, Easby
1818-1823
47
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
48
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
49
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
50
Print made by John Landseer, 1769–1852
High Force or Fall of Tees
1818-1823
51
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
52
Print made by Samuel Rawle, 1771–1860
Brignall Church
1818-1823
53
Print made by John Pye, 1782–1874
Junction of the Greta and Tees at Rokeby
1818-1823
54
Print made by John Pye, 1782–1874
Wycliffe, near Rokeby
1818-1823
55
Print made by John Scott, 1774–1828
Aysgarth Force
1818-1823
56
Engraved by George Hollis, 1792–1842
The Forum Romanum
1818-1820
57
Print made by W. R. Smith, active 1819–1851
Florence, from Fiesoli
1818-1820
58
Print made by John Le Keux, 1783–1846
Rome from the Farnesean Gardens
1818-1820
59
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
60
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
61
Print made by Thomas Goff Lupton, 1791–1873
Ploughing, Eton
1818, printed after 1851
62
William James Ward, ca. 1800–1840
David Wilkie, R.A
1818
63
Robert Havell, 1769–1832
Clifton Spring and Woods near Maidenhead
1818
64
Print made by William Ward, 1766–1826
Filho da Puta and Sir Joshua
1818
65
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
66
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
67
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
68
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
69
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
70
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
71
Print made by James Johnson, 1803–1834
Venus Bathing
undated
72
Print made by James Johnson, 1803–1834
Music Has Charms
undated
73
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
74
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
75
Print made by François-Séraphin Delpech, 1778–1825
Ratisbonne
between 1818 and 1825
76
Print made by James Fittler, 1758–1835
Isola Bella, on the Lago Maggiore
1818
77
Print made by Thomas Higham, 1796–1844
Egglestone Abbey, near Barnard Castle
1818-1823
78
Print made by Samuel Middiman, ca. 1750–1831
Moss Dale Fall
1818-1823
79
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
80
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
81
Print made by William Bernard Cooke, 1778–1855
Ilfracombe, North Devon
1818
82
Print made by William Bernard Cooke, 1778–1855
East and West Looe, Cornwall
1818
83
Print made by John Landseer, 1769–1852
Cascade of Terni
1818-1820
84
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
85
Print made by Samuel Middiman, ca. 1750–1831
Bridge at Narni
1818-1820
86
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
87
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
88
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
89
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
90
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
91
Print made by William Richardson, active 1842–1877
The Roman Forum, from the Tower of the Capitol
1818-1820
92
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818-1820
93
Charles Turner, 1774–1857
The Right Honorable Edward Lord Viscount Exmouth
1818
94
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
95
Print engraved by John Pye, 1782–1874
Hardraw Fall
1818
96
Print made by George Hollis, 1792–1842
Rome, Bridge, and Castle of St. Angelo, on the Tyber
1818
97
Print made by George Cooke, 1781–1834
The Roman Forum, from the Tower of the Capitol
1818
98
Print made by George Cooke, 1781–1834
Naples, from the Mole
1818-1820
99
Print made by Samuel Rawle, 1771–1860
Florence, from the Ponte alla Carraia
1818
100
Etched by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1818
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