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Collection
Prints and Drawings
149
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
72
Cooke, William Bernard, 1778–1855
27
Havell, Robert, 1769–1832
8
Hill, John, 1770–1850
8
Turner, Charles, 1774–1857
8
Unknown artist
8
Nash, Frederick, 1782–1856
7
Dawe, Henry E., 1790–1848
6
Green, William, 1760–1823
6
Nuttall,, Fisher & Dixon, active 1818
5
Smirke, Robert, 1752–1845
5
Allen, James C., active 1821–1831
4
Havell, Daniel, 1785–1826
4
Marks, J. L., active 1787–1799
4
Rawle, Samuel, 1771–1860
4
Say, William, 1768–1834
4
Smith, Anker., 1759–1819
4
Beechey, William, Sir, 1753–1839
3
Cousins, Samuel, 1801–1887
3
Lupton, Thomas Goff, 1791–1873
3
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Creator
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Date
1834
583
1789
401
1800
392
1802
348
1827
348
1794
331
1835
326
1833
293
1830
290
1793
289
1825
289
1792
287
1795
286
1797
277
1782
276
1808
257
1804
255
1799
252
1836
251
1546
247
1820
244
1803
228
1791
224
1796
219
1775
215
1823
208
1832
204
1780
193
1790
192
1821
190
1739
189
1809
187
1824
185
1798
182
1630
181
1812
180
1801
179
1828
177
1783
174
1826
172
1807
171
1788
165
1811
165
1837
163
1814
159
1818
158
1784
154
1810
151
1813
150
1816
[remove]
149
1831
145
1754
139
1819
136
1786
135
1787
135
1785
132
1805
131
1778
128
1745
125
1806
124
1822
118
1779
117
1859
114
1817
111
2000
110
1838
108
1989
108
1755
106
1776
106
1781
106
1829
106
1815
105
1771
101
1999
101
1770
97
1772
96
1839
95
1900
95
1750
92
0
90
1674
88
1762
88
1768
88
1738
86
1777
86
1751
85
1896
85
1773
84
1882
82
1876
80
1897
79
1758
78
1767
78
1850
78
1743
75
1880
74
1904
74
1765
73
1769
73
1855
73
On-site Access
Accessible by appointment in the Study Room
149
Image Use
Free to Use
148
Under Certain Circumstances
1
Image Available
Available
128
Unavailable
21
Classification
Prints
[remove]
149
Creator Gender
male
[remove]
149
unknown
8
female
1
Collective Title
Liber Studiorum
23
Cooke's Views in Sussex
21
'History of Cassiobury Park,' 1816 and 1837
8
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete'
6
Illustrations from Camden's 'The imperial history of England'
5
Cooke's Picturesque Views of the Southern Coast of England
3
Iconographie Anglaise par Reynolds et Autres
2
Studies of, 167 Drawings, and 1 Print, for Oil Paintings, by Benjamin R. Haydon
1
Surtees' History of Durham
1
The British Gallery of Contemporary Portraits
1
Period
19th century
149
Materials & Techniques
etching (printing process)
63
wove paper
44
laid paper
38
mezzotint
35
line engraving
28
brown ink
23
aquatint
11
hand coloring
8
chine collé
5
engraving (printing process)
3
letterpress printing
3
stipple engraving
2
gray wash
1
progressive proofs
1
proof before letters
1
soft-ground etching
1
watercolor
1
Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
0
to
73
Unknown
34
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
0
to
71
Unknown
34
Work Type
intaglio print
95
relief print
3
frontispiece
1
Genre
landscape
61
architectural subject
32
portrait
12
historical subject
11
marine art
8
animal art
7
genre subject
7
military art
4
religious and mythological subject
3
cityscape
2
cartographic material
1
literary theme
1
still life
1
Subject Terms
architectural subject
7
landscape (representation)
6
portrait
6
river
6
bridge
4
frame (furnishing)
4
historical subject
4
marine art
4
channel (water body component)
3
death
3
religious and mythological subject
3
abbey
2
estate
2
king (person)
2
landscape
2
mourning
2
park
2
people
2
plague
2
prince
2
more
Subject Terms
»
Associated Places
United Kingdom
8
England
6
France
6
Alps
4
Europe
4
Arve
3
Bonneville
3
Calais
3
Cornwall
3
Devon
3
Dover, Strait of
3
English Channel
3
Tamar
3
City of Westminster
2
Dunblane
2
Dunblane Cathedral
2
London
2
Mount Edgcumbe Country Park Estate
2
Palace of Westminster
2
Plymouth Sound
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Cupid
1
Edward I (1239–1307), king of England and lord of Ireland, and duke of Aquitaine
1
Edward IV (1442–1483), king of England and lord of Ireland
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
Leopold I (1790–1865), king of the Belgians
1
Psyche
1
Sumner, Charles Richard (1790–1874), bishop of Winchester
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Darkness Visible - The Prints of John Martin (Clark Art Institute, 1986-09 - 1987-07-21)
1
Egypt - The Legacy (Sarah Lawrence College Art Gallery, 1990-02-13 - 1990-04-22)
1
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
124
Yale Center for British Art, Paul Mellon Fund
7
Yale Center for British Art, Gift of James Wilson, YCBA Docent
5
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Frederick W. Hilles
2
Yale Center for British Art
1
Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery
1
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Mr. J. Richardson Dilworth
1
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art, Gift of Stephen Parks, Yale BA 1961
1
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Creator Gender
male
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Date
1816
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Prints
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1
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
2
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
6
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
7
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
9
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
10
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
11
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
12
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
15
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
19
Print made by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
22
J. L. Marks, active 1787–1799
Adventures in a Snoozing Cellar
ca. 1821
23
J. L. Marks, active 1787–1799
Disagreeable Adventures of Brian Boru and Captain Grammachree in an Irish Whiskey Parlour (from: Caricature, vol. 6)
ca. 1821
24
J. L. Marks, active 1787–1799
His Majesty Landing on the Pier at Howth
ca. 1821
25
J. L. Marks, active 1787–1799
Going to the Levee
ca. 1821
26
Attributed to Richard Dighton, 1795–1880
A Discharged Fifer
ca. 1821
27
Charles Turner, 1774–1857
John, Earl of St. Vincent, Admiral of the Red
1816
28
Robert William Smart, active 1820–1834
A Perspective View of the Royal Hospital for Seamen at Greenwich
1816
29
unknown artist
Ceiling Plan of Crosby Hall
1816
30
Daniel Havell, 1785–1826
A View of the London Dock, from St. Georges in the East
1816
31
William Wise, Active 1823–1876
Interior of Crosby Hall (Looking South)
1816
32
Samuel Rawle, 1771–1860
Interior of Part of Crosby Hall, Called the Council Room
1816
33
Samuel Rawle, 1771–1860
Elevation of Part of the Interior of Crosby Hall (Council Room)
1816
34
William Wise, Active 1823–1876
Plan and View of the Vaults of Crosby Hall
1816
35
William Wise, Active 1823–1876
Northeast View of Crosby Hall
1816
36
Robert Wallis, 1794–1878
Interior of the Royal Exchange
1816
37
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
38
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
39
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
40
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
41
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
42
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
43
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
44
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
45
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
46
Robert Havell, 1769–1832
View of the Royal Artillery Barracks, Woolwich
1816
47
Print made by Robert Havell, 1769–1832
View of the Royal Military Academy, Woolwich
1816
48
Samuel Rawle, 1771–1860
A Southwest View of the Principal Quadrangle or Court Yard of Crosby Hall
1816
49
S. Jenkins, active 1814–1818
St. Leonard, Shoreditch
1816
50
John Chapman, active ca. 1792–1823
St. Botolphs
1816
51
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
52
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
53
Print made by John Scott, 1774–1828
Harewood House
1816
54
Print made by William Say, 1768–1834
Cupid and Psyche
1816
55
William Say, 1768–1834
Mrs. Litchfield
1816
56
Joseph Constantine Stadler, active 1780–1812
A View of Horse Guards from Whitehall
1816
57
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
58
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
59
Print made by John Martin, 1789–1854
A Classical City
1816
60
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
61
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
62
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
63
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
64
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
65
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
66
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
67
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
68
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
69
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
70
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
71
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
72
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
73
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
74
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
75
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
76
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
77
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
78
Print made by John Hill, 1770–1850
West Front, Cassiobury
1816
79
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
80
Thomas Sutherland, ca. 1785–1838
Ante Chamber Leading to the Throne Room, Carlton House
1816
81
William Thomas Fry, 1789–1843
Thos. Jephson, Camberwell
1816
82
Daniel Havell, 1785–1826
A View of the Bank of England
1816
83
Giovanni Vendramini, 1769–1839
Sir Francis Bourgeois
1816
84
Richard Gilson Reeve, 1803–1889
The King's Presence Chamber
1816
85
Daniel Havell, 1785–1826
London, taken near the New Custom House
1816
86
Daniel Havell, 1785–1826
A View of London from the Queen's Palace
1816
87
John Young, 1755–1825
Christ giving sight to the blind
1816
88
Henry R. Cook, active 1802–1849
Proscenium of the Opera House
1816
89
Henry R. Cook, active 1802–1849
Interior and Exterior Views of the Olympic Theatre near Drury Lane
1816
90
Print made by John Scott, 1774–1828
Harewood House
1816
91
Print made by George Cooke, 1781–1834
Gledhow
1816
92
Print made by George Cooke, 1781–1834
Gledhow
1816
93
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
94
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
95
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
96
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
97
Thomas Higham, 1796–1844
The Excise Office
1816
98
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
99
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
100
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
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