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Collection
Prints and Drawings
84
Paintings and Sculpture
11
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
60
Cooke, William Bernard, 1778–1855
23
Constable, John, 1776–1837
10
Dawe, Henry E., 1790–1848
6
Allen, James C., active 1821–1831
4
Cooper, Edwin W. of Beccles, 1785–1833
4
Turner, Charles, 1774–1857
4
Havell, Robert, 1769–1832
3
Hill, John, 1770–1850
3
Lupton, Thomas Goff, 1791–1873
3
Scott, John, 1774–1828
3
Unknown artist
3
Cooke, George, 1781–1834
2
Cox, David, 1783–1859
2
Haygarth, William, active 1810–1816
2
Hodgetts, Thomas, active 1801–1846
2
Martin, John, 1789–1854
2
Robinson,, Son & Holdsworth, active 1813–1816
2
Say, William, 1768–1834
2
Vigne, Godfrey Thomas, 1801–1863
2
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Creator
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Date
1791
716
1834
339
1867
255
1836
201
1826
189
1835
189
1827
183
1814
175
1800
171
1802
155
1830
146
1825
138
1820
133
1833
129
1764
124
1767
122
1793
113
1775
107
1818
107
1784
98
1816
[remove]
95
1832
94
1772
91
1745
88
1758
83
1792
79
1790
76
1837
75
1799
74
1829
71
1811
69
1801
68
1828
68
1795
66
1762
65
1841
65
1859
65
1808
64
1821
64
1805
62
1819
61
1847
60
1812
59
1810
58
1813
57
1823
57
1831
57
1789
55
1803
54
1822
52
1838
51
1783
49
1993
49
1786
48
1860
48
1776
47
1804
47
1845
47
1824
46
1857
46
1817
45
1850
44
2000
44
1774
43
1780
43
1815
43
1785
42
1782
41
1807
41
1778
40
1840
40
1755
38
1777
38
1797
38
1809
38
1851
38
2003
38
1839
37
1794
36
1992
34
1787
33
1788
33
1796
33
1880
33
1771
31
1861
31
1864
31
1896
31
1925
31
1996
29
1842
28
1855
28
1865
28
2002
28
1748
27
1844
27
1994
27
1746
26
1773
26
1846
26
On-site Access
Accessible by appointment in the Study Room
84
Not on view
11
Image Use
Free to Use
95
Image Available
Available
95
Classification
Prints
61
Drawings & Watercolors
23
Paintings
11
Creator Gender
male
[remove]
95
unknown
3
Collective Title
Liber Studiorum
20
Cooke's Views in Sussex
17
'History of Cassiobury Park,' 1816 and 1837
6
Cooke's Rivers of Devon
6
Whitaker's 'Loidis and Elmete'
5
Cooke's Picturesque Views of the Southern Coast of England
3
Surtees' History of Durham
1
Period
19th century
94
18th century-19th century
1
Materials & Techniques
wove paper
53
etching (printing process)
49
brown ink
28
laid paper
23
line engraving
21
mezzotint
20
watercolor
16
graphite
15
oil paint
11
painting (technique)
11
pen
10
black ink
7
aquatint
6
paper
6
gray ink
5
hand coloring
5
brown wash
4
gouache
4
panel (wood)
4
canvas
3
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
53
Unknown
6
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
15
to
60
Unknown
6
Work Type
intaglio print
61
drawing
23
watercolor
22
painting
11
Genre
landscape
[remove]
95
architectural subject
27
genre subject
14
animal art
7
marine art
6
cityscape
4
sporting art
4
historical subject
2
religious and mythological subject
2
Subject Terms
landscape
26
trees
12
river
10
men
8
science
8
clouds
7
genre subject
7
architectural subject
6
landscape (representation)
6
meteorology
6
dogs (animals)
5
houses
5
road
5
bridge
4
fence
4
fox hunting
4
gray (color)
4
horseback riders
4
horseback riding
4
horses (animals)
4
more
Subject Terms
»
Associated Places
United Kingdom
17
England
15
Europe
9
Alps
4
Devon
4
Arve
3
Bonneville
3
Cornwall
3
Dorset
3
France
3
Tamar
3
Central America
2
Dunblane
2
Dunblane Cathedral
2
Jamaica
2
Mount Edgcumbe Country Park Estate
2
Plymouth Sound
2
Scotland
2
Africa
1
Aldbury
1
more
Associated Places
»
Exhibition History
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01)
8
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
5
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
3
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
3
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
3
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
2
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
2
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
2
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
Art, Artifact, Artifice (Yale University Art Gallery, 2020-02-14 - 2021-03-15)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
92
Yale Center for British Art, Gift of James Langhorne
1
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
1
Yale Center for British Art, Paul Mellon Fund
1
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Creator Gender
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1816
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1
Francis Danby, 1793–1861
The Avon Gorge
between 1816 and 1818
Not on view
2
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
3
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
4
John Constable, 1776–1837
Extensive Landscape with Grey Clouds
ca. 1821
Not on view
5
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
6
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
7
Attributed to John Constable, 1776–1837
A View on Hampstead Heath, Early Morning
ca. 1821
Not on view
8
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
9
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
10
John Constable, 1776–1837
Rushes by a pool
ca. 1821
Not on view
11
John Linnell, 1792–1882
Landscape with Figures
1816
Not on view
12
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
15
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
16
Etched by Joseph Mallord William Turner, 1775–1851
Raglan Castle
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
18
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
20
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
21
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
22
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
23
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
24
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
25
Joseph Mallord William Turner, 1775–1851
Leeds
1816
26
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
27
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
28
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
29
Print made by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
30
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
31
John Varley, 1778–1842
The Thames Near the Penitentiary, Millbank, London
1816
32
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
33
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
34
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
35
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
36
Print made by John Scott, 1774–1828
Harewood House
1816
37
Print made by George Cooke, 1781–1834
Gledhow
1816
38
Print made by George Cooke, 1781–1834
Gledhow
1816
39
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
40
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
41
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
42
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
43
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
44
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
45
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
46
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
47
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
48
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
49
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
50
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
51
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
52
Print made by unknown artist
Little Devil's Bridge
between 1816 and 1820
53
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
54
Print made by John Martin, 1789–1854
A Classical City
1816
55
William Haygarth, active 1810–1816
Mount Soratte from Civita Castellana
1816
56
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
57
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
58
unknown artist
View of Swanage Bay, Dorset
1816
59
Godfrey Thomas Vigne, 1801–1863
Clifton Mount
undated
60
Godfrey Thomas Vigne, 1801–1863
Greytown
undated
61
Print made by John Scott, 1774–1828
Harewood House
1816
62
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
63
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
64
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
65
William West of Clifton near Bristol, 1801–1861
An Island with Returning Birds at Nightfall
undated
66
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
67
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
68
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
69
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
70
Print made by John Scott, 1774–1828
Harewood House
1816
71
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
72
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
73
John Harden, 1772–1847
From the Church Hill, Ambleside
1816
74
Sir George Hayter, 1792–1871
Stormy Sunset, Legh Park, Wiltshire
1816
75
William West of Clifton near Bristol, 1801–1861
Bowmen at a Moonlit Lake Shooting Wildfowl
undated
76
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
77
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
78
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
79
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
80
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
81
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
82
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
83
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Full Cry
1816
84
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Unkennelling the Pack
1816
85
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: The Death
1816
86
Edwin W. Cooper of Beccles, 1785–1833
Foxhunting: Near the Death
1816
87
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
88
Print made by William Bernard Cooke, 1778–1855
Source of the Tamer and Torridge
1816
89
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
90
John Martin, 1789–1854
Classical City in Landscape
1816
91
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
92
Print made by John Byrne, 1786–1847
A View of Hall-head Sugar Plantation, Jamaica
1816
93
unknown artist
Sheet of Composition Studies of River Scenes
after 1816
94
George Cumberland, 1754–1848
Near Weston-Super-Mare with Steep Holme Island
1816
95
Samuel Davis, 1760–1819
A Country House with Figures on the Drive
undated