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Creator Gender male

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Date 1815

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Subject Terms horse (animal)

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A Gentleman Driving Tandem to a Jaunting Car
Creator:
Edwin W. Cooper of Beccles, 1785–1833
Date:
ca. 1820
Materials & Techniques:
Oil on canvas
Dimensions:
20 1/8 × 25 7/8 inches (51.1 × 65.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Landscape with a Castle
Creator:
John Martin, 1789–1854
Date:
between 1815 and 1820
Materials & Techniques:
Oil on panel
Dimensions:
6 1/8 × 8 1/2 inches (15.6 × 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Dagnall Lane, St. Albans
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 11 5/8 inches (23.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frederick William III King of Prussia
Creator:
Print made by Charles James Canton, active 19th century
Date:
1815
Materials & Techniques:
Etching hand-colored with watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
A Potter Going Out
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by George Graham, active 1786–1813
Date:
1815
Materials & Techniques:
Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund