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Collection
Prints and Drawings
3
Creator
Girtin, Thomas, 1775–1802
2
Downman, John, 1750–1824
1
Harraden, James, active 1801–1814
1
Harraden, Richard Banks, 1778–1862
1
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1814
142
1827
91
1742
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49
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38
1794
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1834
36
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1802
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1748
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1833
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1960
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1825
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1764
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1818
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1820
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1829
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2002
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14
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1831
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2003
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1679
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1739
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1768
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1810
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1778
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1796
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1804
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1808
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1812
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1979
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1760
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1630
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1782
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1927
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1730
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1752
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1758
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1797
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1811
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1824
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1859
6
1864
6
1913
6
1961
6
1737
5
1738
5
1751
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1759
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1770
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1776
5
On-site Access
Accessible by appointment in the Study Room
3
Image Use
Free to Use
3
Image Available
Available
3
Classification
Prints
2
Drawings & Watercolors
1
Creator Gender
male
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3
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
1
Period
19th century
3
Materials & Techniques
aquatint
2
wove paper
2
black chalk
1
etching (printing process)
1
graphite
1
red chalk
1
soft-ground etching
1
stumping
1
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Work Type
intaglio print
2
drawing
1
Genre
architectural subject
2
cityscape
2
portrait
1
Subject Terms
architectural subject
2
bridge (built work)
2
cityscape
2
river
2
curls
1
dress
1
lady
1
portrait
1
woman
1
Associated Places
Charenton-le-Pont
2
Europe
2
France
2
Marne
2
Pont de Charenton-le-Pont
2
Val-de-Marne
2
Île-de-France
2
Exhibition History
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Creator Gender
male
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Date
1803
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24
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Masonry
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1
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
2
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
3
John Downman, 1750–1824
Miss Campbell
1803