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Collection
Prints and Drawings
117
Creator
Blake, William, 1757–1827
41
Edwards, Richard, active 1796–1797
41
Young, Edward, 1683–1765
41
Bartolozzi, Francesco, 1727–1815
15
Gaugain, Thomas, 1748–1812
13
Northcote, James, 1746–1831
11
Hellyer, Thomas, active 1800
10
Turner, J. M. W. (Joseph Mallord William), 1775–1851
9
Walker, James, 1748–1808
8
Wheatley, Francis, 1747–1801
6
Hoppner, John, 1758–1810
5
Unknown artist
5
Reynolds, Joshua, Sir, 1723–1792
4
Ward, William, 1766–1826
4
Cotman, John Sell, 1782–1842
3
Abbot, John, 1751–ca. 1840
2
Carracci, Lodovico, 1555–1619
2
Colnaghi,, established 1760, active ca. 1785–1911
2
Cosway, Richard, 1742–1821
2
Gainsborough, Thomas, 1727–1788
2
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Date
1834
502
1835
265
1833
260
1546
247
1827
226
1782
223
1830
209
1836
202
1630
181
1793
161
1800
159
1808
147
1802
134
1792
129
1799
126
1837
124
1795
122
1832
121
1797
[remove]
117
1794
116
1803
112
1789
111
1818
110
1859
110
1812
109
1814
107
1780
103
1811
103
1828
101
1807
98
1820
97
1999
97
1816
96
2000
92
1788
90
1825
89
1831
89
1745
88
1779
86
1810
86
1674
85
1785
84
1776
82
1784
82
1790
80
1826
80
1823
79
1809
77
1796
76
1775
75
1791
75
1778
74
1786
74
1773
73
1819
73
1838
72
1783
70
1739
69
1667
68
1787
68
1813
68
1781
66
1801
66
1824
66
1550
65
1896
65
1762
63
1771
63
1821
63
1755
62
1772
62
0
61
1738
61
1675
59
1806
59
1777
58
1822
57
1839
57
1765
55
1769
55
1770
55
1990
54
1798
53
1804
52
1829
50
1925
50
1750
48
1680
46
1719
46
1754
46
1897
46
1743
43
1774
43
1700
42
1760
42
1805
42
1690
40
1735
40
1741
40
1764
39
On-site Access
Accessible by appointment in the Study Room
117
Image Use
Free to Use
117
Image Available
Available
115
Unavailable
2
Classification
Prints
117
Creator Gender
male
[remove]
117
unknown
5
female
3
Collective Title
Young's Night Thoughts
41
'The Copper-Plate Magazine' and 'The Itinerant,' 1794-1798
7
Iconographie Anglaise par Reynolds et Autres
4
Cries of London
2
The Natural History of the Rare Lepidopterious insects of Georgia, London: 1797. Volume 2
2
Howlett's 'Selection of Views in the County of Lincoln,' 1797-1801
1
The Copper-Plate Magazine and The Itinerant
1
The Cries of London
1
Period
18th century
106
18th century-19th century
6
19th century
5
Materials & Techniques
wove paper
69
line engraving
61
etching (printing process)
53
watercolor
43
stipple engraving
31
mezzotint
12
aquatint
9
laid paper
6
hand coloring
5
soft-ground etching
4
color printing
2
colored ink
2
Engraving
1
brown ink
1
card
1
chine collé
1
drypoint
1
proofs: prints
1
Height [cm]
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66
Unknown
11
Width [cm]
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80
Unknown
11
Work Type
intaglio print
[remove]
117
watercolor
42
ticket
2
Genre
literary theme
56
religious and mythological subject
46
portrait
24
genre subject
13
architectural subject
12
landscape
10
cityscape
5
historical subject
5
marine art
5
military art
4
animal art
2
botanical subject
2
Subject Terms
literary theme
51
religious and mythological subject
41
text
37
men
32
man
27
women
23
nudes
13
beard
12
clouds
11
woman
11
landscape
10
nude
10
portrait
10
river
10
children
9
grass
9
trees
8
wings
8
angels
7
castle
7
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Subject Terms
»
Associated Places
United Kingdom
13
England
11
Greater London
3
London
3
Europe
2
Hampton Court
2
Hereford and Worcester
2
Herefordshire
2
Leominster
2
Lugg
2
Thames
2
Wales
2
Westminster
2
Westminster bridge
2
Caernarfonshire and Merionethshire
1
Cambridgeshire
1
Carlisle
1
Carlisle Cathedral
1
Cumbria
1
Cymru
1
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Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
2
Dundas, Lady Jane, Viscountess Melville (1766–1829)
1
Dyck, Sir Anthony Van (1599–1641), painter and etcher
1
Fox, Charles James (1749–1806), politician
1
Kemble, Stephen (1758–1822), actor and entertainer
1
Medina, Sir John Baptiste de (1659–1710), painter
1
Rebecca, Lady Northwick (nee Bowles, married Sir John Rushout; d. 1818)
1
Rushout, Anne (d. 1849)
1
angel
1
Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
Art in Focus: John Goto's High Summer (Yale Center for British Art, 2018-04-06 - 2018-08-19)
1
Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
1
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
1
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
1
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
1
Thomas Gainsborough (Tate) (Musée du Louvre, 1981-02-07 - 1981-04-26)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
93
Yale Center for British Art, Paul Mellon Fund
18
Yale Center for British Art, Gift of John D. Viener, Yale AB 1961
2
Yale Center for British Art, Gift of Dr. Ruth Ivor
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art; Yale University Art Gallery Collection
1
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey
1
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Creator Gender
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Date
1797
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1
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
2
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
3
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
4
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
5
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
6
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
7
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
8
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
9
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
10
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
11
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
12
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
13
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
14
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
15
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
16
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
17
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
18
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
19
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
20
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
21
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
22
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
23
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
24
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
25
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
26
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
27
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
28
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
29
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
30
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
31
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
32
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
33
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
34
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
35
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
36
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
37
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
38
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
39
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
40
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
41
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
42
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
43
Print made by James Walker, 1748–1808
Ely
1797
44
Print made by James Walker, 1748–1808
Westminster Bridge
1797
45
Print made by James Walker, 1748–1808
Flint, from Park-Gate
1797
46
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
47
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
48
Print made by James Walker, 1748–1808
Carlisle
1797
49
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
50
Print made by Joseph Stannard, 1797–1830
Fisherfolk Mending Their Nets
undated
51
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
52
Print made by Francesco Bartolozzi, 1728–1815
Queen Catherine Howard
1797
53
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
54
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
55
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
56
Print made by Charles Wilkin, 1750–1814
The Right Honourable Charlotte Viscountess St. Asaph
1797
57
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
58
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
59
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
60
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
61
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
62
William Woollett, 1735–1785
The Rural Cott
1797
63
Edward Harding, 1755–1840
Sir John Medina
1797
64
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
65
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales
1797
66
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
67
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
68
John Murphy, ca. 1748–1820
The Encampment at Brighton
1797
69
John Whessell, 1760–ca. 1823
The Itinerant Potters
1797
70
John Whessell, 1760–ca. 1823
The Woodman's Return
1797
71
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
72
Print made by Samuel William Reynolds, 1773–1835
Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
1797
73
James Gillray, 1756–1815
Le Coup de Maitre
1797
74
Print made by unknown artist
Portrait de Van-Dyck
undated
75
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
76
Print made by Charles Knight, 1743–c.1826
Lady Hamilton as a Bacchante
1797
77
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
78
Print made by Francesco Bartolozzi, 1728–1815
The Right Honorable Lady Jane Dundas
ca. 1802
79
Print made by William Ward, 1766–1826
The Daughters of Sir Thomas Frankland
1797
80
Richard Earlom, 1743–1822
Vice Admiral Colpoys
1797
81
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
82
William Evans, active 1797–1856
Sir Henry Charles Englefield, 7th Baronet
undated
83
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
84
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
85
unknown artist
North Front of the Bank
1797
86
John Raphael Smith, 1752–1812
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
1797
87
Print made by John Sell Cotman, 1782–1842
Castle Above a Rocky Gorge
undated
88
Print made by John Sell Cotman, 1782–1842
Harlech Castle
undated
89
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
90
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
91
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
92
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
93
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
94
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
95
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
96
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
97
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
98
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
99
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
100
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
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