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Collection
Prints and Drawings
53
Paintings and Sculpture
2
Creator
Varley, John, 1778–1842
23
Carter, John, 1748–1817
11
Girtin, Thomas, 1775–1802
7
Harraden, Richard Banks, 1778–1862
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Unknown artist
2
Alexander, William, 1767–1816
1
Anderson, William, 1757–1837
1
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Cockburn, James Pattison, 1779–1847
1
Cozens, John Robert, 1752–1797
1
Edwards, Edward, 1738–1806
1
Ellice, Jane Lady, 1813–1864
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Selwyn, H. C.
1
Smirke, Robert, 1752–1845
1
Smith, Joseph Clarendon, 1778–1810
1
Date
1796
344
1814
170
1960
110
1785
101
1827
91
1800
89
1795
83
1834
74
1836
71
1820
69
1818
67
1825
65
1790
63
1810
61
1797
57
1799
56
1793
[remove]
55
1815
55
1817
54
1772
52
1831
51
1835
51
1812
48
1830
48
1792
46
1791
44
1808
42
1833
41
1806
40
1811
40
1859
39
1784
38
1813
38
1775
37
1798
37
1822
37
1829
37
1805
36
1823
36
1740
35
1807
35
1789
34
1794
34
1819
34
1770
33
1912
33
1804
32
1821
32
1832
30
1842
30
1965
30
1755
28
1802
28
1809
28
1826
28
1860
28
1746
27
1816
27
1761
26
1824
26
1782
24
1776
23
1845
23
1754
22
1788
21
1759
20
1762
20
1786
20
1801
20
1840
20
1767
19
1778
19
1864
19
1780
18
1765
17
1773
17
1803
17
1837
16
1787
15
1828
15
1890
15
1901
15
1700
14
1745
14
1843
14
1850
14
1751
13
1764
13
1771
13
1774
13
1839
13
1865
13
1717
12
1779
12
1871
12
1887
12
1923
12
1747
11
1760
11
1863
11
On-site Access
Accessible by appointment in the Study Room
53
Not on view
2
Image Use
Free to Use
55
Image Available
Available
55
Classification
Drawings & Watercolors
51
Paintings
2
Prints
2
Creator Gender
male
[remove]
55
unknown
2
female
1
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century-19th century
28
18th century
27
Materials & Techniques
graphite
43
watercolor
35
wove paper
35
laid paper
19
black ink
11
pens
7
gouache
5
black chalk
3
pen
3
scratching out
3
brown ink
2
etching (printing process)
2
gray wash
2
painting (technique)
2
board
1
canvas
1
card
1
cartridge paper
1
gray ink
1
gum
1
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
7
to
224
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
185
Work Type
drawing
49
watercolor
36
intaglio print
2
painting
2
Genre
architectural subject
34
landscape
26
cityscape
6
genre subject
6
marine art
4
military art
2
figure study
1
Subject Terms
architectural subject
34
trees
29
landscape
26
figures
13
clouds
12
hills
10
river
10
boats
8
buildings
8
castle
7
cityscape
7
houses
7
mountains
7
bridge (built work)
6
rivers
5
ruins
5
sky
5
walking
5
arches
4
church
4
more
Subject Terms
»
Associated Places
United Kingdom
[remove]
55
England
47
Europe
19
London
14
City of Westminster
11
Palace of Westminster
11
Cymru
7
Wales
7
Thames
6
Greater London
4
Cambridge
3
Cambridgeshire
3
Kent
3
Northumberland
3
York
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Norwich
2
more
Associated Places
»
Associated People
Montagu, Edward, first earl of Sandwich (1625–1672), army and naval officer and diplomat
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
7
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
All The Queen's Horses (National Horse Racing Museum, 2003-04-26 - 2003-08-23)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
52
Yale Center for British Art, Bequest of Richard L. Purdy
1
Yale Center for British Art, Gift of R. W. Hutton and J. S. Cogswell
1
Yale Center for British Art, Paul Mellon Fund
1
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Creator Gender
male
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Date
1793
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Associated Places
United Kingdom
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1
William Anderson, 1757–1837
Hussars Embarking at Deptford
1793
Not on view
2
Robert Smirke, 1752–1845
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay
1793
Not on view
3
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
4
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
5
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
6
John Varley, 1778–1842
Barnard Castle, County Durham
undated
7
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
8
John Varley, 1778–1842
London from the Thames
undated
9
John Varley, 1778–1842
Norwich
undated
10
John Varley, 1778–1842
Romantic Composition
undated
11
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
12
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
13
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
14
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
15
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
16
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
17
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
18
John Varley, 1778–1842
Ludlow, Shropshire
undated
19
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
20
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
21
John Varley, 1778–1842
Linlithgow Palace
undated
22
pupil of John Varley, 1778–1842
On the Thames
undated
23
John Varley, 1778–1842
View of New Street, near London Bridge
undated
24
John Varley, 1778–1842
View of York
undated
25
John Varley, 1778–1842
Millbank
undated
26
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
27
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
28
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
29
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
30
John Varley, 1778–1842
On the Thames
undated
31
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
32
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
33
John Varley, 1778–1842
Carnarvon Castle
undated
34
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
35
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
36
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
37
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
38
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
39
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
40
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
41
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
42
John Varley, 1778–1842
Ouse Bridge, York
undated
43
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
44
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
45
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
46
unknown artist
A Barge on the Thames near Fulton
undated
47
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
48
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
49
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
50
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
51
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
52
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
53
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
54
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
55
Edward Edwards, 1738–1806
Barn Elmes
1793