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Collection
Prints and Drawings
35
Paintings and Sculpture
1
Creator
Blake, William, 1757–1827
15
Edwards, Richard, active 1796–1797
15
Young, Edward, 1683–1765
15
Cruikshank, Isaac, 1764–1811
7
Newton, Richard, 1777–1798
4
Fores, S. W., 1761–1838
3
Girtin, Thomas, 1775–1802
2
Opie, John, 1761–1807
2
Townley, Charles, 1746–c.1800
2
Barnard, William Henry, 1767–1818
1
Bartolozzi, Francesco, 1727–1815
1
Dickinson, William, 1746–1823
1
Gillray, James, 1756–1815
1
Howitt, Samuel, 1756–1822
1
Ibbetson, Julius Caesar, 1759–1817
1
Reynolds, Joshua, Sir, 1723–1792
1
Rowlandson, Thomas, 1756–1827
1
Date
1791
630
1960
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1797
41
1792
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1833
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1779
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1784
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1802
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1786
3
On-site Access
Accessible by appointment in the Study Room
35
Not on view
1
Image Use
Free to Use
36
Image Available
Available
36
Classification
Prints
31
Drawings & Watercolors
4
Paintings
1
Creator Gender
male
[remove]
36
Collective Title
Young's Night Thoughts
15
Period
18th century
36
Materials & Techniques
watercolor
18
etching (printing process)
15
line engraving
15
wove paper
15
laid paper
5
graphite
3
pen
3
brown ink
2
mezzotint
2
black chalk
1
black ink
1
gray ink
1
hand coloring
1
oil paint
1
painting (technique)
1
panel (wood)
1
stipple engraving
1
Height [cm]
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52
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41
Work Type
watercolor
18
intaglio print
15
drawing
11
painting
1
Genre
literary theme
14
landscape
3
architectural subject
1
genre subject
1
historical subject
1
marine art
1
portrait
1
sporting art
1
Subject Terms
literary theme
14
text
14
men
11
women
7
clouds
4
angels
3
crowns
3
nudes
3
pointing
3
vines
3
angel
2
children
2
dead
2
death
2
grass
2
horses (animals)
2
house
2
landscape
2
sky
2
sun
2
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Subject Terms
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Associated Places
Dartmouth
1
Devon
1
England
1
Europe
1
Kingswear
1
United Kingdom
1
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
14
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
2
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
1
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
1
Roads to Rails - Revolution in British Transport (Yale Center for British Art, 1992-04-15 - 1992-06-28)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
29
Yale Center for British Art
4
Yale Center for British Art; Gift of Herman W. Liebert
2
Yale Center for British Art, Paul Mellon Fund
1
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Creator Gender
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1792
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33
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1
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
2
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
3
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
4
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
5
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
6
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
7
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
8
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
9
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
10
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
11
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
12
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
13
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
14
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
15
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
16
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
17
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
18
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
19
Isaac Cruikshank, 1764–1811
A Necessary War or Quixotism Revived, or The Knight of the Little House
1792
20
Charles Townley, 1746–c.1800
Samuel Johnson
1792
21
Print made by Isaac Cruikshank, 1764–1811
Sedition, Levelling and Plundering
1792
22
Charles Townley, 1746–c.1800
Dr. Samuel Johnson
1792
23
Isaac Cruikshank, 1764–1811
The Renversement, Buffon Says That The Great Grey Goat Is So Rank That After Long Abstinence It Will Court Any Thing
1792
24
Richard Newton, 1777–1798
A Visit to the Grandfather, How Do Grand Pa?
1792
25
Richard Newton, 1777–1798
Scene in the Road to Ruin
1792
26
Richard Newton, 1777–1798
Psalm Singing at the Chapel XXXXX (Royal)
1792
27
Richard Newton, 1777–1798
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm
1792
28
Print made by Isaac Cruikshank, 1764–1811
Resignation the Greatest of all Virtues
1792
29
Isaac Cruikshank, 1764–1811
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
1792
30
Isaac Cruikshank, 1764–1811
The Antiquities of Malmsbury
1792
31
Thomas Rowlandson, 1756–1827
A Lying-In Visit, or a Short-Sighted Mistake
1792
32
Print made by Isaac Cruikshank, 1764–1811
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply
1792
33
James Gillray, 1756–1815
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
34
Samuel Howitt, 1756–1822
Racing Scene
1792
35
Thomas Girtin, 1775–1802
Country House
ca. 1797
36
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797