Skip to splash images
Yale Center for British Art Home Page
<< YCBA Home
Yale Center for British Art
Yale Center for British Art
<< YCBA Home
Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
    Search Options:
Search in
Simple Search
All Fields
Title
Creator
Subject Terms
Call Number
Search Provenance
Fielded
search for
Search
YCBA Collections Search
Toggle facets
Refine your search
Collection
Prints and Drawings
129
Creator
Blake, William, 1757–1827
38
Edwards, Richard, active 1796–1797
38
Young, Edward, 1683–1765
38
Bartolozzi, Francesco, 1727–1815
31
Holbein, Hans the Younger, ca. 1497–1543
9
Reynolds, Joshua, Sir, 1723–1792
9
Chamberlaine, John, 1745–1812
8
Boydell, John, 1720–1804
7
Ellis, William, 1747–1810
7
Unknown artist
7
Boydell, Josiah, 1752–1817
6
Browne, John, 1741–1801
6
Johnson, Joseph, 1738–1809
5
Wheatley, Francis, 1747–1801
5
Witton, P. H. Jr., Active 1792
5
Burney, Edward Francis, 1760–1848
4
Cosway, Richard, 1742–1821
4
Jones, John, ca. 1745–1797
4
Opie, John, 1761–1807
4
Condé, John, 1765–1794
3
more
Creator
»
Date
1834
502
1835
265
1833
260
1546
247
1827
226
1782
223
1830
209
1836
202
1630
181
1793
161
1800
159
1808
147
1802
134
1792
[remove]
129
1799
126
1837
124
1795
122
1832
121
1797
117
1794
116
1803
112
1789
111
1818
110
1859
110
1812
109
1814
107
1780
103
1811
103
1828
101
1807
98
1820
97
1999
97
1816
96
2000
92
1788
90
1825
89
1831
89
1745
88
1779
86
1810
86
1674
85
1785
84
1776
82
1784
82
1790
80
1826
80
1823
79
1809
77
1796
76
1775
75
1791
75
1778
74
1786
74
1773
73
1819
73
1838
72
1783
70
1739
69
1667
68
1787
68
1813
68
1781
66
1801
66
1824
66
1550
65
1896
65
1762
63
1771
63
1821
63
1755
62
1772
62
0
61
1738
61
1675
59
1806
59
1777
58
1822
57
1839
57
1765
55
1769
55
1770
55
1990
54
1798
53
1804
52
1829
50
1925
50
1750
48
1680
46
1719
46
1754
46
1897
46
1743
43
1774
43
1700
42
1760
42
1805
42
1690
40
1735
40
1741
40
1764
39
On-site Access
Accessible by appointment in the Study Room
129
Image Use
Free to Use
129
Image Available
Available
120
Unavailable
9
Classification
Prints
129
Creator Gender
male
[remove]
129
unknown
7
female
3
Collective Title
Young's Night Thoughts
38
Iconographie Anglaise par Reynolds et Autres
5
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
5
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
5
A Long String of Resolutions for the New Year
2
Antiquities of London and Environs
1
British Theatre
1
The Winter's Tale
1
Period
18th century
118
18th century-19th century
7
19th century
2
Materials & Techniques
etching (printing process)
74
wove paper
64
line engraving
58
watercolor
45
stipple engraving
42
laid paper
40
aquatint
10
mezzotint
10
hand coloring
8
colored ink
2
Engraving
1
color printing
1
drypoint
1
engraving (printing process)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
75
Unknown
10
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Unknown
10
Work Type
intaglio print
[remove]
129
watercolor
38
drawing
27
ticket
3
Genre
literary theme
48
portrait
37
genre subject
20
architectural subject
18
landscape
15
religious and mythological subject
8
historical subject
6
sporting art
3
animal art
1
cityscape
1
marine art
1
military art
1
Subject Terms
literary theme
42
text
37
men
36
women
29
trees
18
architectural subject
17
portrait
17
nudes
16
landscape
13
woman
13
children
12
clouds
12
costume
12
genre subject
12
man
10
angels
9
hats
9
river
8
ruins
8
wings
8
more
Subject Terms
»
Associated Places
England
9
United Kingdom
9
Birmingham
5
Asia
2
Greater London
2
India
2
Lucknow
2
Uttar Pradesh
2
Baskerville House
1
Beddington
1
Beddington Park
1
Berkshire
1
Boeotia
1
Bordesley
1
Bordesley Hall
1
Carew Manor
1
Centenary Square
1
Clapham
1
Clapham Common
1
Clumber House
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
6
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Apollo
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Elizabeth
1
Falstaff
1
Farren, Elizabeth (1759x62–1829), actress
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Henry VI (1421–1471), king of England and lord of Ireland, and duke of Aquitaine
1
Hercules
1
Jesus
1
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
1
John the Baptist (c. 6 BC–c. AD 36)
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)
1
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
1
Figures of Empire: Slavery and Portraiture in Eighteenth-Century Atlantic Britain (Yale Center for British Art, 2014-10-02 - 2014-12-14)
1
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
The Black Figure in the European Imaginary (Cornell Fine Arts Museum, 2017-01-20 - 2017-05-15)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
101
Yale Center for British Art, Paul Mellon Fund
12
Yale Center for British Art, Bequest of William S. Konecky
3
Yale Center for British Art; Yale University Art Gallery Collection
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Gift of Godfrey Pearlson
2
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Frederick W. Hilles
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Gift of David Bindman
1
Search Constraints
Start Over
You searched for:
Creator Gender
male
Remove constraint Creator Gender: male
Date
1792
Remove constraint Date: 1792
Work Type
intaglio print
Remove constraint Work Type: intaglio print
« Previous |
1
-
100
of
129
|
Next »
Sort by collection
collection
relevance
artist (A-Z)
date
title (A-Z)
Number of results to display per page
100 per page
100
per page
50
per page
15
per page
View results as:
List
Masonry
Search Results
1
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
2
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
3
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
4
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
5
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
6
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
7
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
8
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
9
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
10
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
11
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
12
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
13
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
14
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
15
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
16
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
17
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
18
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
19
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
20
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
21
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
22
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
23
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
24
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
25
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
26
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
27
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
28
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
29
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
30
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
31
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
32
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
33
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
34
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
35
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
36
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
37
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
38
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
39
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
40
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
41
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
42
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
43
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
44
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
45
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
46
John Raphael Smith, 1752–1812
Eloisa
1792
47
Francesco Bartolozzi, 1728–1815
Thais
1792
48
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
49
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
50
William Ellis, 1747–1810
The New Meeting
1792
51
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
52
William Ellis, 1747–1810
Beddington
1792
53
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
54
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
55
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
56
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
57
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
58
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
59
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
60
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
61
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
62
Print made by Francesco Bartolozzi, 1728–1815
Margaret, Lady Elyot
1792
63
John Eginton, active 1763–1800
The Affectionate Daughter
1792
64
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
65
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
66
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
67
Print made by John Condé, 1765–1794
Melania
1792
68
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
69
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
70
Print made by John Chapman, active ca. 1792–1823
Angelica Kauffmann
undated
71
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
72
Francesco Bartolozzi, 1728–1815
Meditation
1792
73
Francesco Bartolozzi, 1728–1815
Admiration
1792
74
Francesco Bartolozzi, 1728–1815
Georgius Johannes Commes, Spencer
1792
75
John Eginton, active 1763–1800
Setting out for the Fair
1792
76
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
77
Print made by Francesco Bartolozzi, 1728–1815
Miss Price
1792
78
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
79
John Eginton, active 1763–1800
The Fairings
1792
80
Print made by James Fittler, 1758–1835
The Winter's Tale, Act IV, Scene III
1792
81
Figures engraved by William Sharp, 1749–1824
Niobe
1792
82
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
83
Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
84
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
85
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
86
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
87
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
88
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
89
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
90
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
91
unknown artist
Falstaff Reproved by King Henry
1792
92
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
93
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
94
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
95
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
96
unknown artist
Arundel House in London 1646
1792
97
Print made by John Browne, 1741–1801
Morning
ca. 1797
98
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
99
unknown artist
The Bank
1792
100
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
« Previous
Next »
1
2