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Collection
Prints and Drawings
461
Paintings and Sculpture
11
Creator
Moore, James, 1762–1799
86
Blake, William, 1757–1827
39
Edwards, Richard, active 1796–1797
39
Young, Edward, 1683–1765
39
Bartolozzi, Francesco, 1727–1815
29
Newton, Richard, 1777–1798
26
Cruikshank, Isaac, 1764–1811
24
Gillray, James, 1756–1815
24
Dent, William, active 1784–1793
22
Unknown artist
19
Girtin, Thomas, 1775–1802
16
Ellis, William, 1747–1810
14
Thirtle, John, 1777–1839
11
Bunbury, Henry William, 1750–1811
9
Reynolds, Joshua, Sir, 1723–1792
9
Chamberlaine, John, 1745–1812
8
Holbein, Hans the Younger, ca. 1497–1543
8
Boydell, John, 1720–1804
7
Morland, George, 1763–1804
7
Parish, Henry William, active 1792
7
more
Creator
»
Date
1800
693
1802
646
1834
635
1796
615
1745
599
1749
547
1791
523
1789
502
1771
501
1795
496
1775
495
1804
491
1793
478
1827
477
1792
[remove]
472
1832
453
1835
444
1790
438
1797
420
1825
416
1772
411
1784
411
1830
408
1794
393
1826
386
1836
384
1799
382
1820
378
1833
371
0
351
1814
351
2004
327
1785
325
1803
325
1960
315
1818
314
1812
313
1867
306
1767
302
1780
291
1808
288
1801
281
1798
280
1768
271
1748
270
1823
263
1807
260
1770
256
1788
254
1764
252
1805
252
1811
251
1787
250
1828
242
1821
241
1817
239
1783
235
1810
233
1813
232
1809
228
1782
217
1831
216
1815
212
1819
210
1786
206
1837
204
1755
201
1778
201
1824
201
1839
198
1752
197
1945
193
1816
183
1806
181
1630
177
1765
176
1822
174
1829
171
1738
166
1762
166
1758
163
1777
159
1781
158
1838
158
1846
157
1740
155
1779
150
1763
145
1774
140
2000
137
1776
136
1773
133
1840
133
1760
131
1859
125
1893
125
1999
123
1855
120
1750
117
1753
117
On-site Access
Accessible by appointment in the Study Room
461
Not on view
11
Image Use
Free to Use
470
Under Certain Circumstances
2
Image Available
Available
[remove]
472
Classification
Prints
275
Drawings & Watercolors
182
Paintings
10
Drawing & Watercolors-Architectural
2
Drawings & Watercolors-Miniatures
2
Sculptures
1
Creator Gender
male
[remove]
472
unknown
19
female
4
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
83
Young's Night Thoughts
39
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
7
Views in the South Seas 1776-1780
7
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
Iconographie Anglaise par Reynolds et Autres
4
The Winter's Tale
2
A Midsummer Night's Dream
1
Antiquities of London and Environs
1
British Theatre
1
The Merry Wives of Windsor
1
The Tragedy of Macbeth
1
Views in the Province of Kiang Nan, China
1
Period
18th century
442
18th century-19th century
25
19th century
3
Materials & Techniques
wove paper
203
graphite
167
watercolor
115
laid paper
72
etching (printing process)
71
line engraving
59
stipple engraving
40
black ink
20
brown ink
20
pen
16
mezzotint
12
painting (technique)
10
aquatint
9
oil paint
9
canvas
7
hand coloring
7
gray wash
6
gouache
5
soft ground
5
gray ink
4
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
166
Unknown
35
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
160
Unknown
35
Work Type
drawing
209
intaglio print
121
watercolor
115
painting
10
ticket
3
miniature
2
bust
1
relief print
1
sculpture
1
Genre
architectural subject
130
landscape
75
literary theme
54
genre subject
48
portrait
40
marine art
20
figure study
12
religious and mythological subject
9
historical subject
8
sporting art
8
cityscape
7
animal art
5
military art
2
Subject Terms
architectural subject
59
men
57
landscape
49
literary theme
49
trees
42
women
42
text
37
genre subject
29
portrait
22
clouds
21
man
19
costume
18
ruins
18
river
17
nudes
16
woman
15
hats
14
buildings
13
marine art
13
children
12
more
Subject Terms
»
Associated Places
England
46
United Kingdom
44
Europe
31
Northumberland
7
Asia
6
Birmingham
6
Devon
6
India
6
Scotland
6
China
4
London
4
Wales
4
Greater London
3
Thames
3
Berkshire
2
Bristol
2
Cumbria
2
Cymru
2
Dartmouth
2
Hertfordshire
2
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
18
Asaf-ud-Daulah (1748–1797), nawab wazir of Oudh
2
Colonel Mordaunt (fl. 1786)
2
Humphry, Ozias (1742–1810), miniature and portrait painter
2
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
2
Robinson, Mary (1756/1758?–1800), author and actress
2
Zoffany, Johan Joseph (1733–1810), portrait painter
2
Affleck, Philip (b. after 1725?, d. 1799), naval officer
1
Anne Page (character in The Merry Wives of Windsor)
1
Apollo
1
Carl Bernhard Wadström (1746–1799), abolitionist
1
Cleopas
1
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Diana
1
Falstaff
1
Farren, Elizabeth (1759x62–1829), actress
1
Fenton (character in The Merry Wives of Windsor)
1
Fitzherbert, [née Smythe; other married name Weld] Maria Anne (1756–1837), unlawful wife of George IV by a marriage invalid under the Royal Marriages Act of 1772
1
Fox, Charles James (1749–1806), politician
1
Henry IV (1367–1413), king of England and lord of Ireland, and duke of Aquitaine
1
more
Associated People
»
Exhibition History
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
40
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
15
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
7
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
7
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
6
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
5
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
4
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
4
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
3
Making History - Antiquaries in Britain 1707-2007 (Yale Center for British Art, 2012-02-02 - 2012-05-27)
3
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14)
2
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
2
Wilde Americk - Discovery and Exploration of the New World, 1500-1850 (Yale Center for British Art, 2001-09-27 - 2001-09-27)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
390
Yale Center for British Art
36
Yale Center for British Art, Paul Mellon Fund
21
Yale Center for British Art, Gift of Paul F. Walter
4
Yale Center for British Art, Gift of Frederick W. Hilles
3
Yale Center for British Art; Gift of Herman W. Liebert
3
Yale Center for British Art; Yale University Art Gallery Collection
3
Yale Center for British Art, Gift of Chauncey Brewster Tinker
2
Yale Center for British Art, Bequest of William S. Konecky
1
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey
1
Yale Center for British Art, Gift of Godfrey Pearlson
1
Yale Center for British Art, Gift of Herman W. Liebert
1
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
1
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
1
Yale Center for British Art, Yale University Art Gallery Collection
1
Yale Center for British Art; Gift of David Bindman
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932
1
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1
Joseph Mallord William Turner, 1775–1851
A Limekiln, Possibly at Briton Ferry in South Wales
ca. 1795-96
Not on view
2
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
3
Philippe-Jacques de Loutherbourg, 1740–1812
The Great Fire of London
ca. 1797
Not on view
4
Sawrey Gilpin, 1733–1807
A Horse Frightened by a Snake
1792
Not on view
5
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
6
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
7
William Redmore Bigg, 1755–1828
The Benevolent Heir or the Tenant Restored to his Family
ca. 1797
Not on view
8
Julius Caesar Ibbetson, 1759–1817
A Stage Coach on a Country Road
1792
Not on view
9
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
10
Henry Fuseli, 1741–1825
Christ Disappearing at Emmaus
1792
Not on view
11
Joseph Nollekens, 1737–1823
Charles James Fox
1792
Not on view
12
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
13
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
14
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
15
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
16
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
17
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
18
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
19
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
20
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
21
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
22
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
23
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
24
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
25
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
26
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
27
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
28
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
29
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
30
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
31
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
32
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
33
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
34
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
35
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
36
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
37
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
38
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
39
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
40
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
41
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
42
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
43
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
44
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
45
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
46
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
47
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
48
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
49
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
50
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
51
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
52
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
53
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
54
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
55
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
56
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
57
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
58
John Thirtle, 1777–1839
Castle Acre Priory
undated
59
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
60
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
61
Andrew Robertson, 1777–1845
Lady Bective
undated
62
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
63
George Walker, active 1792–died 1795
Man Toasting Another Man . .
undated
64
unknown artist
The Archiepiscopal Palace of Lambeth
1792
65
Isaac Cruikshank, 1764–1811
A Right Honorable (sic) Alias a sans Culotte
1792
66
Isaac Cruikshank, 1764–1811
A Ward of Chancery
1792
67
Isaac Cruikshank, 1764–1811
Mad Tom's First Practical Essay on the Rights of Man
1792
68
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
69
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
70
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
71
Richard Newton, 1777–1798
A Saviour of the Nation between Two Thieves
ca. 1797
72
Print made by Isaac Cruikshank, 1764–1811
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply
1792
73
Attributed to William Dent, active 1784–1793
The High-German Quack...and choice Assistant, or, a Weak Attempt to cure the French
1792
74
Print made by William Dent, active 1784–1793
The Oriental Orpheus, or, Scotch Conjurer Charming John Bull with the Idea of Eastern Resources
1792
75
William Dent, active 1784–1793
A Promising Budget, Or, John Bull
1792
76
Print made by William Dent, active 1784–1793
A National Beggar On Horseback, Or, An Illustrious Overshot At Newmarket..
1792
77
Print made by William Dent, active 1784–1793
A Jord-n for the Duke's Chamber
1792
78
Print made by William Dent, active 1784–1793
The Imperial Quixote and Generalissimo Sancho's Grand, Joyfull and Triumphant return to Germany after the Conquest of France
1792
79
William Dent, active 1784–1793
Flying News; Or, Seringapatam taken by Stratagem..
1792
80
Sir Robert Ker Porter, 1777–1842
Caernarvon Castle
undated
81
Thomas Rowlandson, 1756–1827
A Lying-In Visit, or a Short-Sighted Mistake
1792
82
Thomas Rowlandson, 1756–1827
An Essay on the Sublime and Beautiful, The Maiden Speech
1792
83
Richard Newton, 1777–1798
Pluck'd Pigeons
1792
84
Richard Newton, 1777–1798
Ca Ira - or John Bull studying the Graces!!---
1792
85
Richard Newton, 1777–1798
An Old Maid, Treating a Favorite Cat to a Duck and Green Peas
1792
86
Richard Newton, 1777–1798
A Shot at a Cock; or, An Alarm of Assassination
1792
87
Richard Newton, 1777–1798
Scene in the Road to Ruin
1792
88
James Sayer, 1748–1823
Monsieur Francois introduces Master Pr----------tly to the National Assembly
1792
89
Thomas Rowlandson, 1756–1827
Flying Breakfast, or the Contents of a Night Coach
1792
90
Print made by William Dent, active 1784–1793
The Fall of Wolsey, or, turning a Great Man out of Office
1792
91
Print made by William Dent, active 1784–1793
New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens
1792
92
Richard Newton, 1777–1798
Psalm Singing at the Chapel XXXXX (Royal)
1792
93
Richard Newton, 1777–1798
The False Alarm
1792
94
Richard Newton, 1777–1798
The Windsor Milkman or, Anything to turn a Penny
1792
95
Richard Newton, 1777–1798
A Proclamation in Lilliput
1792
96
Richard Newton, 1777–1798
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm
1792
97
Richard Newton, 1777–1798
Contributing to the Sinking Fund
1792
98
Richard Newton, 1777–1798
Political Boxing; or an Attack, at the Woolsack
1792
99
Richard Newton, 1777–1798
The Duke of Brunswick Attacking the Rear of the Sans Culottes
1792
100
Richard Newton, 1777–1798
Prussian Bobadils, Returning to Berlin!!!!!!!
1792
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