Creator Gender: male / Date: 1785 - YCBA Collections Search Search Results

201. Cobham Hall, Kent: Great Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Pen and black ink over traces of graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 16 1/4 inches (34.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Cobham Hall, Kent: Ceiling Decoration

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 20 9/16 inches (34.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Cobham Hall, Kent: Plan of Stables

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Pen and black ink and watercolor on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 4 1/2 x 5 7/8 inches (11.4 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Cobham Hall, Kent: Plan of Stables and Part of Brewhouse

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on thick, smooth beige laid paper
Dimensions:: Sheet: 4 1/4 x 4 1/4 inches (10.8 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Cobham Hall, Kent: Design for Paneling of a Pew

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 14 1/4 inches (24.1 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Cobham Hall, Kent: Plan and Elevation of Lodge

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink and brown wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 8 5/8 inches (30.2 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Cobham Hall, Kent: Section of a Turret

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Cobham Hall, Kent: Section of the Anteroom

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/4 inches (36.8 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Cobham Hall, Kent: Section of a Courtyard with Balconies

Creator:: George Shakespear, active 1752, died 1797
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 21 1/4 inches (34 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Cobham Hall, Kent: Section of a Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 x 20 1/4 inches (37.8 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Emma, Lady Hamilton

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1785
Materials & Techniques:: Stipple engraving (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

212. Rear Admiral Lord Hood

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1785
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 14 inches (50.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

213. A Shower

Creator:: Print made by John Hoppner, 1758–1810
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/16 × 11 inches (38.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

214. Holland House, Kensington

Creator:: George Samuel, active 1785–died 1823
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. A Band of Savoyards

Creator:: Charles Knight, 1743–c.1826
Date:: 1785
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 7/8 x 18 1/16in. (35.2 x 45.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Vaux-Hall

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. The Royal Dockyard at Plymouth

Creator:: Robert Dodd, 1748–1816
Date:: ca. 1790
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 13/16 x 25 5/8in. (37.6 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The Royal Dockyard at Portsmouth

Creator:: Robert Dodd, 1748–1816
Date:: ca. 1790
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 7/8 x 15 5/8in. (37.8 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. View of Westminster Bridge Including Westminster Abbey

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1790
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Tett

Creator:: James Heath, 1757–1834
Date:: ca. 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. The Gilpin Whigs Return to Rochester without their Candidate

Creator:: Print made by unknown artist
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 18in. (17.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Salus in Fugâ - La France se Purge Petit à Petit

Creator:: Isaac Cruikshank, 1764–1811
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 7/8 x 27 1/2in. (20 x 69.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates

Creator:: James Gillray, 1756–1815
Date:: 1785
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Samuel Johnson

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 7 1/2 x 5 1/4in. (19.1 x 13.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

225. Samuel Johnson

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 7 1/2 x 9 1/2in. (19.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

226. Matlock Tor

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1785
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. A Military Encampment in Hyde Park

Creator:: James Malton, 1761–1803
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Langworth

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 8 inches (21.6 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. The Front of a Town House

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 19 1/4 inches (29.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Pigs at a Trough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. South West View of Old Burleigh Hall near Stamford, Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Ground Plan of Cobham Hall, Kent; The Seat of the Right Honourable the Earl of Darnley

Creator:: John Buckler FSA, 1770–1851
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight

Creator:: Francis Jukes, 1747–1812
Date:: 1785
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 x 20 7/8in. (38.1 x 53cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Lieu(tenan)t Gove(rne)r Gallston's Monkey Breaking of Sir Sydney's Ape

Creator:: Isaac Cruikshank, 1764–1811
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 12 7/8in. (21 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Ulanding of a Cutter

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1785
Materials & Techniques:: Engraving with watercolor
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Dissolution of a Cutter

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1785
Materials & Techniques:: Engraving with watercolor
Dimensions:: Sheet: 9 x 12in. (22.9 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. A View Near Briton Causway

Creator:: Francis Jukes, 1747–1812
Date:: 1785
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 10 5/8in. (22.9 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Horsemen Colliding

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and brown, black, and gray ink with gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. A Review in a Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Horses and a Cart at a Sandpit

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 13 7/16 inches (27.8 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. South View of the Abbey Church, Westminster, Taken from Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: 1785
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. The First of April or, A Meeting of Creditors

Creator:: Samuel Collings, active 1784–1795
Date:: 1785
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 7/8 x 11 7/8in. (20 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. No Grumbling

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1785
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13in. (21.6 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Hell in an Uproar: or an Express from the Committee

Creator:: Isaac Cruikshank, 1764–1811
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 15 5/8in. (22.5 x 39.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Three Actors in a Play

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1785
Materials & Techniques:: Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 16 7/8 inches (49.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. A Whisper across the Channel

Creator:: James Sayer, 1748–1823
Date:: 1785
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/4 x 6 5/8in. (21 x 16.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. The Doctor Indulged with his Favorite Scene ---

Creator:: James Gillray, 1756–1815
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 13 5/8in. (22.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Snipe Shooting

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. S.E. Fakeer's (Fakir's) Rock in the River Ganges near Sultaungunge (Sultanganj)

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1790
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/16 × 23 5/8 inches (41.8 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

254. Statue Bust

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1790
Materials & Techniques:: Graphite with gray wash on medium, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 7 x 5 inches (17.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

255. Venus Sleeping

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. John Yenn, Architect

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1785
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. A Satirical View of the Stock Exchange

Creator:: Francis Jukes, 1747–1812
Date:: 1785
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Sleeping Child

Creator:: Francesco Bartolozzi, 1728–1815
Date:: c.1785
Materials & Techniques:: Line engraving and stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. John Foster, 1st Baron Oriel

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: between 1785 and 1800
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. The Flower Girl

Creator:: John Young, 1755–1825
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 x 13 1/8 inches (41 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Venus Attired by the Graces

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 50 13/16 × 11 5/16 inches (129.1 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Venus Attired by the Graces

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. The Judgement of Paris

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 11 9/16 inches (22.9 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. G. B. Cipriani, R.A.

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Samuel Johnson

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 7/8 inches (26 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval)

Creator:: Isaac Cruikshank, 1764–1811
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 9/16 x 14 7/8in. (26.8 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. The Claudian Aquaduct, Rome

Creator:: Francis Towne, 1740–1816
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 x 18 1/2 inches (32.1 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Folio of Views in Norfolk and Suffolk Flixton Old Chapel, near Lowestoft, Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1785
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 inches (14 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

269. The Bay of Naples from Capodimonte, Italy

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

270. Samuel Johnson

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Line engraving and stipple engraving
Dimensions:: Sheet: 10 x 7 1/2in. (25.4 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Herman W. Liebert

271. G. B. Cipriani, R. A.

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 5 15/16 inches (20.7 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Hardwick Hall, Derbyshire

Creator:: John Buckler FSA, 1770–1851
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Tett

Creator:: James Heath, 1757–1834
Date:: ca. 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Tett

Creator:: James Heath, 1757–1834
Date:: ca. 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Tett

Creator:: James Heath, 1757–1834
Date:: ca. 1790
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. A Potter Returning from Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, slightly textured, light blue, laid paper
Dimensions:: Sheet: 8 9/16 x 11 5/16 inches (21.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. [A Soft Tumble after a Hard Ride]

Creator:: Engraved by Richard Earlom, 1743–1822
Date:: ca. 1790
Materials & Techniques:: Mezzotint on laid paper
Dimensions:: Sheet: 14 1/4 × 10 1/4 inches (36.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. A Review on Blackheath, May 1785

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. A Timber Waggon

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 9/16 x 7 5/16 inches (11.6 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Newark Castle, Nottinghamshire

Creator:: James Moore, 1762–1799
Date:: ca. 1790
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 15/16 × 9 inches (17.6 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Jedburgh Abbey

Creator:: James Moore, 1762–1799
Date:: ca. 1790
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Kenilworth Castle, Warwickshire

Creator:: James Moore, 1762–1799
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 8 1/2in. (14 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Illustration to Fielding's Amelia

Creator:: George Chinnery, 1774–1852
Date:: between 1785 and 1802
Materials & Techniques:: Graphite, pen and black ink, brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/8 inches (9.5 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Lake Windermere from Calgarth with Belle Isle

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1790
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper in contemporary line mount
Dimensions:: Sheet: 13 5/8 × 20 1/8 inches (34.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Venus and Mars

Creator:: Richard Cosway, 1742–1821
Date:: ca. 1790
Materials & Techniques:: Brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 7 1/8 inches (22.5 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. A Cow

Creator:: John Crome, 1768–1821
Date:: undated
Materials & Techniques:: Graphite on medium, lightly textured, beige laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. The Creation of the Heavens

Creator:: John Flaxman, 1755–1826
Date:: ca. 1790
Materials & Techniques:: Gray ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 inches (23.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Wooded Landscape with Castle

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Black chalk and stumping with white chalk on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 10 3/8 x 12 7/8 inches (26.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Wooded Landscape with Herdsman, Cows and Cottage

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Black chalk, white chalk, brown chalk, blue chalk, and stumping on moderately thick, slightly textured, light blue laid paper
Dimensions:: Sheet: 12 7/8 x 10 3/8 inches (32.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Mountain Landscape with Figures, Sheep and Fountain

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Gray wash, black wash, white wash and black chalk with varnish on medium, slightly textured, cream laid paper, laid onto wove paper
Dimensions:: Sheet: 8 1/2 x 11 7/8 inches (21.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Wooded Landscape with Figures, Cottage and Cow

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Gray wash and gray chalk, heightened with white gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 15 1/4 inches (26.7 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Akbarpur Gaut, near Rhotas, India

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1790
Materials & Techniques:: Blue wash, gray wash, graphite, and black chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 19 5/16 inches (34.6 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Fakir's Rock at Sultanganj, on the Ganges River

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 29 7/8 inches (54.3 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Head of Diana

Creator:: Print made by Samuel Ireland, died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

295. Head of a Female Moor

Creator:: Print made by Samuel Ireland, died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

296. Head of Diana

Creator:: Print made by Samuel Ireland, died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

297. Head of Diana

Creator:: Print made by Samuel Ireland, died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

298. Head of a Female Moor

Creator:: Print made by Samuel Ireland, died 1800
Date:: 1785
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

299. Head of Diana

Creator:: Print made by Samuel Ireland, died 1800
Date:: 1785
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

300. Young Woman

Creator:: Henry Bone, 1755–1834
Date:: ca. 1790
Materials & Techniques:: Watercolor on ivory
Dimensions:: Overall: 3 5/8 × 2 9/16 × 1/4 inches (9.2 × 6.5 × 0.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

YCBA Collections Search

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Creator Gender male

Date 1785

Search Results

201. Cobham Hall, Kent: Great Dressing Room

202. Cobham Hall, Kent: Ceiling Decoration

203. Cobham Hall, Kent: Plan of Stables

204. Cobham Hall, Kent: Plan of Stables and Part of Brewhouse

205. Cobham Hall, Kent: Design for Paneling of a Pew

206. Cobham Hall, Kent: Plan and Elevation of Lodge

207. Cobham Hall, Kent: Section of a Turret

208. Cobham Hall, Kent: Section of the Anteroom

209. Cobham Hall, Kent: Section of a Courtyard with Balconies

210. Cobham Hall, Kent: Section of a Room

211. Emma, Lady Hamilton

212. Rear Admiral Lord Hood

213. A Shower

214. Holland House, Kensington

215. A Band of Savoyards

216. Vaux-Hall

217. The Royal Dockyard at Plymouth

218. The Royal Dockyard at Portsmouth

219. View of Westminster Bridge Including Westminster Abbey

220. Tett

221. The Gilpin Whigs Return to Rochester without their Candidate

222. Salus in Fugâ - La France se Purge Petit à Petit

223. Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates

224. Samuel Johnson

225. Samuel Johnson

226. Matlock Tor

227. A Military Encampment in Hyde Park

228. Langworth

229. The Front of a Town House

230. Pigs at a Trough

231. South West View of Old Burleigh Hall near Stamford, Lincolnshire

232. Ground Plan of Cobham Hall, Kent; The Seat of the Right Honourable the Earl of Darnley

233. The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight

234. Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman

235. Lieu(tenan)t Gove(rne)r Gallston's Monkey Breaking of Sir Sydney's Ape

236. Ulanding of a Cutter

237. Dissolution of a Cutter

238. A View Near Briton Causway

239. Horsemen Colliding

240. A Review in a Market Place

241. Horses and a Cart at a Sandpit

242. South View of the Abbey Church, Westminster, Taken from Dean's Yard

243. The First of April or, A Meeting of Creditors

244. No Grumbling

245. Hell in an Uproar: or an Express from the Committee

246. Three Actors in a Play

247. A Whisper across the Channel

248. The Doctor Indulged with his Favorite Scene ---

249. Breakfast before the Hunt

250. Snipe Shooting

251. Travelling in France

252. The Stable of an Inn

253. S.E. Fakeer's (Fakir's) Rock in the River Ganges near Sultaungunge (Sultanganj)

254. Statue Bust

255. Venus Sleeping

256. John Yenn, Architect

257. A Satirical View of the Stock Exchange

258. Sleeping Child

259. John Foster, 1st Baron Oriel

260. The Flower Girl

261. Venus Attired by the Graces

262. Venus Attired by the Graces

263. The Judgement of Paris

264. G. B. Cipriani, R.A.

265. Samuel Johnson

266. A S(t)rath Spey, or New Highland Reel as Danced at Seaton D___L (Delaval)

267. The Claudian Aquaduct, Rome

268. Folio of Views in Norfolk and Suffolk Flixton Old Chapel, near Lowestoft, Suffolk

269. The Bay of Naples from Capodimonte, Italy

270. Samuel Johnson

271. G. B. Cipriani, R. A.

272. Hardwick Hall, Derbyshire

273. Tett

274. Tett