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Collection
Prints and Drawings
41
Paintings and Sculpture
2
Creator
Serres, John Thomas, 1759–1825
18
Monro, Thomas Dr., 1759–1833
11
Cozens, John Robert, 1752–1797
3
Boydell, John, 1720–1804
2
Earlom, Richard, 1743–1822
2
Grimm, Samuel Hieronymus, 1733–1794
2
Ibbetson, Julius Caesar, 1759–1817
2
Lorrain, Claude, 1600–1682
2
Dickinson, William, 1746–1823
1
Hills, Robert, 1769–1844
1
Linnell, John, 1729–1796
1
Monro, School
1
Renton, John, 1774–c.1841
1
Reynolds, Joshua, Sir, 1723–1792
1
Serres, Dominic, 1722–1793
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Wright, Joseph, 1734–1797
1
Date
1791
716
1834
339
1867
255
1836
201
1826
189
1835
189
1827
183
1814
175
1800
171
1802
155
1830
146
1825
138
1820
133
1833
129
1764
124
1767
122
1793
113
1775
107
1818
107
1784
98
1816
95
1832
94
1772
91
1745
88
1758
83
1792
79
1790
76
1837
75
1799
74
1829
71
1811
69
1801
68
1828
68
1795
66
1762
65
1841
65
1859
65
1808
64
1821
64
1805
62
1819
61
1847
60
1812
59
1810
58
1813
57
1823
57
1831
57
1789
55
1803
54
1822
52
1838
51
1783
49
1993
49
1786
48
1860
48
1776
47
1804
47
1845
47
1824
46
1857
46
1817
45
1850
44
2000
44
1774
[remove]
43
1780
43
1815
43
1785
42
1782
41
1807
41
1778
40
1840
40
1755
38
1777
38
1797
38
1809
38
1851
38
2003
38
1839
37
1794
36
1992
34
1787
33
1788
33
1796
33
1880
33
1771
31
1861
31
1864
31
1896
31
1925
31
1996
29
1842
28
1855
28
1865
28
2002
28
1748
27
1844
27
1994
27
1746
26
1773
26
1846
26
On-site Access
Accessible by appointment in the Study Room
41
Not on view
2
Image Use
Free to Use
43
Image Available
Available
43
Classification
Drawings & Watercolors
38
Prints
3
Paintings
2
Creator Gender
male
[remove]
43
Collective Title
Liber Veritatis
2
History of the Acorn
1
Period
18th century-19th century
32
18th century
10
Materials & Techniques
wove paper
30
watercolor
28
graphite
26
black chalk
9
gray wash
9
black ink
7
laid paper
7
brown ink
5
mezzotint
3
canvas
2
etching (printing process)
2
gray ink
2
oil paint
2
painting (technique)
2
black wash
1
charcoal
1
gouache
1
pen
1
scratching out
1
white chalk
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
3
to
117
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
8
to
141
Work Type
drawing
38
watercolor
36
intaglio print
3
painting
2
Genre
landscape
[remove]
43
architectural subject
3
genre subject
3
marine art
2
portrait
1
sporting art
1
Subject Terms
landscape
41
sea
20
cliffs
18
hills
18
trees
17
coast
14
rocks (landforms)
9
beach
5
men
5
Grand Tour
4
castle
4
mountains
4
bushes
3
forest
3
lake
3
marine art
3
water
3
architectural subject
2
buildings
2
cattle
2
more
Subject Terms
»
Associated Places
United Kingdom
9
England
8
Europe
5
Italy
5
Campagna
3
Devon
2
Gibraltar
2
Kent
2
Addington
1
Albano, Lago
1
Brentford
1
Cader Idris
1
Castel Gandolfo
1
Chiavenna
1
Chiswick
1
Cornwall
1
Dorset
1
Dover
1
Dover castle
1
Falmouth
1
more
Associated Places
»
Associated People
Edgcumbe, Richard, second earl of Mount Edgcumbe (1764–1839), writer on opera
1
Locker (née Parry), Lucy ( -1780)
1
Locker, Edward Hawke (1777–1849), hospital administrator and watercolour painter
1
Locker, Elizabeth (b. 1776)
1
Locker, Lucy (b. 1771)
1
Locker, William (1731–1800), Royal Navy Officer
1
Exhibition History
The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
3
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
2
50th Anniversary Exhibition (Winterthur Museum, Garden and Library, 2001-09-01 - 2002-05-31)
1
Alexander and J. R. Cozens (Art Gallery of Ontario, 1987-01-30 - 1987-03-29)
1
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
1
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
British Painting and the European Continent (Haus der Kunst Munich, 1979-11-20 - 1980-01-27)
1
Classic Ground - British Artists and the Landscape of Italy, 1740-1830 (Yale Center for British Art, 1981-07-29 - 1981-09-20)
1
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
1
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
1
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)
1
Romance and Reality (Wildenstein) (Wildenstein & Company, Inc., 1978-09-22 - 1978-12-07)
1
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
1
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
39
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Bequest of Pamela Askew
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer
1
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Creator Gender
male
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Date
1774
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Genre
landscape
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1
Dominic Serres, 1722–1793
Saint Vincents, near West Malling, Kent
ca. 1779
Not on view
2
Joseph Wright of Derby, 1734–1797
Cavern, near Naples
1774
Not on view
3
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
4
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
undated
5
Attributed to John Renton, 1774–c.1841
Lake and Mountains
undated
6
Print made by Richard Earlom, 1743–1822
View of a Portico by the Side of a River, with Herdsmen and Cattle
1774
7
Print made by Richard Earlom, 1743–1822
View with several Vessels lying close to the Shore
1774
8
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
undated
9
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
10
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
11
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
undated
12
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
13
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
undated
14
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
15
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
16
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
17
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
18
John Thomas Serres, 1759–1825
The Start, West North West
undated
19
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
undated
20
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
21
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
22
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
23
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
24
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
25
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
26
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
27
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
28
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
29
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
30
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
31
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
32
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
33
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
34
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
35
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
36
Julius Caesar Ibbetson, 1759–1817
Salmon Spearing
undated
37
Dr. Thomas Monro, 1759–1833
Landscape
undated
38
John Robert Cozens, 1752–1797
The Lake and Town of Nemi
ca. 1779
39
John Robert Cozens, 1752–1797
The Lake of Albano and Castle Gandolfo
ca. 1779
40
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779
41
attributed to Robert Hills, 1769–1844
Landscape with Trees
undated
42
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
43
Samuel Hieronymus Grimm, 1733–1794
Landscape with Cottage, Bridge and Figures
1774