III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
9
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
10
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
11
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
12
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
13
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
14
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
15
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
16
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
17
Thomas Hearne, 1744–1817
Cottage
undated
18
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
19
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
20
attributed to Peter DeWint, 1784–1849
Study of Burdocks
undated
21
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
22
James Ward, 1769–1859
Study of Undergrowth
undated
23
unknown artist
Study of a Thistle and Other Plants, Sept. 8
early 19th century
24
unknown artist
Docks, September 6, 1777
1777
25
James Ward, 1769–1859
Studies of Plants, August 2, 1815
1815
26
John Henry Mole, 1814–1886
Study of a Cottage Interior
undated
27
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
28
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
29
Print made by Alfred Henry Forrester, 1804–1872
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
30
Wyndham Lewis, 1882–1957
Illustration to "Beyond This Limit"
undated
31
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
32
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
33
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
34
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
35
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
36
Francis Barlow, 1622–1704
Hare Hunting
undated
37
unknown artist
38
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
39
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
40
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
41
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
42
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
43
Print made by Gabriel Charton, active 1810
Paysanne d'Ukraine; Juive
ca. 1810
44
Print made by George Bickham the Elder, 1683/4–1758
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
45
Print made by George Bickham the Elder, 1683/4–1758
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
46
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
47
Print made by George Cruikshank, 1792–1878
Mr Crump's Extreme Politeness
undated
48
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
49
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
50
Print made by Henry Bonnart, 1642–1711
Mater Purissima
undated
51
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737
52
Print made by George Bickham the Elder, 1683/4–1758
Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)
1730
53
Print made by George Bickham the Elder, 1683/4–1758
Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)
undated
54
Print made by George Bickham the Elder, 1683/4–1758
Title page for ' A New Drawing Book...of Various Kinds of Birds, Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
55
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
56
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
57
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
58
Samuel Woodforde, 1763–1817
A Rocky Stream
undated
59
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
60
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
61
Print made by Richard Parkes Bonington, 1802–1828
Le Repos
1826
62
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827
63
Print made by Richard Parkes Bonington, 1802–1828
Tour aux Archives a Vernon
1824
64
Frederick Goulding, 1842–1909
Ruins of the Old Bridge, Vernon
1879
65
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
66
John Robert Cozens, 1752–1797
Virgil's Tomb, August 1
undated
67
John Minton, 1917–1957
Landscape, Corsica
1947
68
Print made by Richard Parkes Bonington, 1802–1828
Edinbourgh vu de la Chapelle S. Antoine
ca. 1826
69
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
70
Print made by Thomas Bewick, 1753–1828
Dog and the Shadow
1909
71
Print made by Thomas Bewick, 1753–1828
The Mastif Fox
1909
72
Print made by unknown artist
Illustrations used for 17th Century Chapbook
1909
73
Print made by unknown artist
The Merry Tales of the Wise Man of Gotham
1909
74
Print made by Richard Parkes Bonington, 1802–1828
Brackline
1826
75
Print made by Richard Parkes Bonington, 1802–1828
Lac de Killin
1826
76
Print made by William Byrne, 1743–1805
View of Leiston Abbey
1781
77
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 1 (small plate)
1860
78
Print made by William Havell, 1782–1857
Landscape with Trees, Girl Crossing a Footbridge
1804
79
Sir Francis Seymour Haden, 1818–1910
Encombe Woods, no. 2
1881-1882
80
Print made by Sir Francis Seymour Haden, 1818–1910
Mytton Hall
1859
81
Alexander van Haecken, 1701–1758
In Her Love-Darting Eyes Awakes the Fires
between 1735 and 1757
82
Print made by Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
83
Print made by William Woollett, 1735–1785
Solitude
1778
84
Christian Friedrich Duttenhoffer, 1778–1846
Solitude
1802
85
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
ca. 1793
86
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
87
Sir Walter Thomas Monnington, 1902–1976
Still Life with Fruit and Geraniums
undated
88
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
89
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
90
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
91
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
92
Henry Monro, 1791–1814
A Wooded Track
1813
93
William Wyld, 1806–1889
View of Gibraltar
undated
94
John Henry Dearle, 1860–1932
Design for a tapestry hanging
undated
95
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
1778
96
Print made by Samuel Buck, 1696–1779
The South-West View of Battel-Abbey, in the County of Sussex
1737
97
Print made by Austin, Robert, 1895-1973, 1895–1973
Early Spring, Gloucestershire
1922
98
John Hamilton Mortimer, 1740–1779
Edgar, from King Lear, Act III, Scene iii
99
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
100
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance