A Perspective View of the Foundling Hospital with Emblematic Figures
1749
4
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
5
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
6
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
7
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 3
1773
8
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
9
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
10
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
11
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
12
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
13
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
14
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
15
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
16
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
1735
17
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
1735
18
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
1735
19
Pierre Charles Canot, ca. 1710–1777
The New Building on Shrubs Hill
1772
20
L. Truchy, 1721–1764
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
1735
21
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
22
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
23
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
24
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
25
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
26
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
1735
27
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
28
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
29
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
30
Pierre Charles Canot, ca. 1710–1777
The Stag at Bay
undated
31
Pierre Charles Canot, ca. 1710–1777
Burton Constable; page 53 (Volume One)
32
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
33
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
34
Pierre Charles Canot, ca. 1710–1777
Representation of the Glarious Defeat of the French Fleet off Belleisle on the 20 November 1759
1759
35
Pierre Charles Canot, ca. 1710–1777
A View from One Tree Hill in Greenwich Park
1746
36
Pierre Charles Canot, ca. 1710–1777
View of the Canal in St. James's Park
1746
37
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South East View of the City of New York in North America
1763
38
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758
1762
39
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A Southwest View of the City of New York, in North America
1758-1760
40
Pierre Charles Canot, ca. 1710–1777
A Brisk Gale
ca. 1765
41
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, Deptford
1755
42
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, near Plymouth
1756
43
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Woolwich
1753
44
Pierre Charles Canot, ca. 1710–1777
The Great Bridge over the Taafe
1775
45
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's dockyard, at Sheerness
1755
46
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical plan of his Majesty's Dockyard near Portsmouth
1754
47
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Chatham
1755
48
Pierre Charles Canot, ca. 1710–1777
Fresh Gale
49
Pierre Charles Canot, ca. 1710–1777
Night & a Ship on fire
50
Pierre Charles Canot, ca. 1710–1777
Shipwrack
51
Pierre Charles Canot, ca. 1710–1777
Lambeth. The Archbishop of Canterbury's Palace
52
Pierre Charles Canot, ca. 1710–1777
Evening, or Sun setting
53
Pierre Charles Canot, ca. 1710–1777
A View from one Tree-Hill in Greenwich Park
54
Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
55
Pierre Charles Canot, ca. 1710–1777
A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
56
Pierre Charles Canot, ca. 1710–1777
Storm, Representing that Violent one, which drove his Majesty King George I into Rye
57
Pierre Charles Canot, ca. 1710–1777
Morning, or Sun rising
58
Pierre Charles Canot, ca. 1710–1777
A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew
ca. 1764
59
Pierre Charles Canot, ca. 1710–1777
At Deptford with part of the town
1753
60
Pierre Charles Canot, ca. 1710–1777
At Portsmouth with part of the Common
1754
61
Pierre Charles Canot, ca. 1710–1777
At Chatham with Village of Brompton adjacent
1755
62
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
63
Pierre Charles Canot, ca. 1710–1777
At Chatham with Village of Brompton adjacent
1755
64
Pierre Charles Canot, ca. 1710–1777
At Woolwich with part of the Town
1753
65
Pierre Charles Canot, ca. 1710–1777
At Sheerness
1755
66
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
67
Pierre Charles Canot, ca. 1710–1777
Views of Montreal and Louisburg: An East View of Montreal in Canada
1762
68
Pierre Charles Canot, ca. 1710–1777
Taymouth; page 68 (Volume Three)
69
Pierre Charles Canot, ca. 1710–1777
Classical landscape with cow herd and cows fording a stream
1744
70
Pierre Charles Canot, ca. 1710–1777
Vent Frais
published 1754
71
Pierre Charles Canot, ca. 1710–1777
View of the City of New York: A South West View of the City of New York in North America
1763
72
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A South East View of the City of New York in North America
1758-1760
73
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A View of Louisburg in North America, taken near the Light House when that City was besieged in 1758
1758-1760
74
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A View at the Entrance of the Harbour of the Havana, taken from within the Wrecks
1758-1760
75
Pierre Charles Canot, ca. 1710–1777
Views in the River and Gulph of St. Lawrence: A View of Pierced Island, a Rock in the Gulf of St. Lawrence
1760
76
Pierre Charles Canot, ca. 1710–1777
Scenographia Americana: A View of the Market - Place in the City of the Havana