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Creator Gender female

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Date 1756

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Portrait of a Lady
Creator:
Attributed to Angelica Kauffmann, 1741–1807
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 7 5/16in. (24.4 x 18.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self Portrait
Creator:
Angelica Kauffmann, 1741–1807
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/8 inches (20 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Frieze: Men Planting Trees, Women Gathering Blossoms and Watering Flowers
Creator:
Angelica Kauffmann, 1741–1807
Date:
undated
Materials & Techniques:
Red wash, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 19 7/8 inches (19.1 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Self-Portrait
Creator:
Angelica Kauffmann, 1741–1807
Date:
undated
Materials & Techniques:
Black chalk, blue wash, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 x 7 1/8in. (25.6 x 18.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene in a Roman Prison
Creator:
attributed to Angelica Kauffmann, 1741–1807
Date:
undated
Materials & Techniques:
Brown wash with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 16 13/16in. (29.2 x 42.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fair Alsatian
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 x 8 3/4 inches (29.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection