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1
- Owl Standing, Anterior View
- 1795 to 1806
2
- Owl Standing, Anterior View
- 1795 to 1806
3
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
4
- Aged Ignorance (Plate 13)
- 1826
5
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
6
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
7
- 'O treacherous conscience!' (Page 27)
- ca. 1797
8
- The Angel (Plate 40)
- 1794
9
- Aged Ignorance (Plate 13)
- 1793
10
- Night (Plate 30)
- 1789
11
- Infant Joy (Plate 28)
- 1789
12
- Songs of Experience, Frontispiece (Plate 32)
- 1794
13
- Spring (Plate 12)
- 1789
14
- The Little Boy Lost (Plate 16)
- 1789
15
- Frontispiece, Europe. A Prophecy
- ca. 1820
16
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
17
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
18
- "To chase the rolling circle's speed..." (Design 17)
- between 1797 and 1798
19
- "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
- 1804 to 1820
20
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
21
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
22
- "Cytherea's Day..." (Design 45)
- between 1797 and 1798
23
- The Serpent who Girds the Earth (Design 77)
- between 1797 and 1798
24
- Fame (Design 93)
- between 1797 and 1798
25
- Infant Joy (Plate 14)
- 1789
26
- Night (Plate 16)
- 1789
27
- The Little Boy Lost (Plate 20)
- 1789
28
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
29
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
30
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
31
- The Three Fatal Sisters (Design 67)
- between 1797 and 1798
32
- The Lamb (Plate 8)
- 1789
33
- Spring (Plate 26)
- 1789
34
- 'We censure nature for a span too short' (Page 23)
- 1797
35
- 'Measuring his motions by revolving spheres' (Page 26)
- 1797
36
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
37
- The Christian Triumph; Title Page
- 1797
38
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
39
- "To the Public. After my three years slumber..." (Plate 3)
- 1804 to 1820
40
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
41
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
42
- "By Satan's Watch-fiends tho' they search..." (Plate 39)
- 1804 to 1820
43
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
44
- "Bath, mild Physician of Eternity..." (Plate 46)
- 1804 to 1820
45
- "These were his last words, and the merciful Saviour in his arms..." (Plate 48)
- 1804 to 1820
46
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
47
- The Christian Triumph; Title Page
- ca. 1797
48
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
49
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
50
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
51
- A Prophecy. "The deep of winter came..." (Plate 5)
- 1794
52
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
53
- For the Sexes: The Gates of Paradise, Title Page (Plate 1)
- 1826
54
- "To The Accuser who is The God of This World..." (Plate 19)
- 1826
55
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
56
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
57
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
58
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
59
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
60
- 'O treacherous conscience! while she seems to sleep" (Page 27)
- 1797
61
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
62
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
63
- "Nor fear the rocks, nor seek the shore..." (Design 101)
- between 1797 and 1798
64
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
65
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
66
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
67
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
68
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
69
- 'We censure nature for a span too short' (Page 23)
- ca. 1797
70
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
71
- Mary Magdalen at the Sepulchre
- ca. 1805
72
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
73
- An Allegory of Love
- Undated
74
- Angel
- undated
75
- Vulcan's Forge
- 1802
76
- Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
- 1853
77
- The Destruction of Job's Sons
- undated
78
- Tobit and the Angel
- undated
79
- Iris
- 1808
80
- Annuciation
- undated
81
- The Annunciation (Luke 1:26)
- before 1836
82
- The Birth of Christ (Luke 2:15)
- before 1836
83
- Joshua and the Angel (Joshua 5:13)
- before 1835
84
- The Web
- undated
85
- Intemperance
- undated
86
- Cupid Disarmed by Venus
- 1804
87
- Ticket: For the Benefit of Mr. Salomon
- 1794
88
- Ticket: For the Benefit of Mr. Salpietro
- 1799
89
- Romance
- 1922
90
- Allegorical Scene
- undated
91
- Figure Study of a Bacchanalia Celebration in a Wooded Landscape
- undated
92
- Study of a Woman, being Taken Away by a Winged Being
- undated
93
- Five Vignettes of Scenes from Antiquity
- undated
94
- Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
- undated
95
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
96
- Design for a Ceiling Decoration
- 1723
97
- Cleopatra on the Cydnus to Meet Antony
- ca. 1821
98
- Queen Katherine's Dream
- 1807
99
- The Meeting of a Family in Heaven
- 1808, published 1813
100
- The Death of the Good Old Man
- 1808, published 1813