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Materials & Techniques wove paper

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William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake My Son! My Son! (Plate 10)
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake "My son! my Son!" (Plate 10)
Print made by William Blake, 1757–1827
"My son! my Son!" (Plate 10)
1826
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
Print made by William Blake, 1757–1827
"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
Richard Parkes Bonington L'Eglise de St. Gervais et St. Protais
Print made by Richard Parkes Bonington, 1802–1828
L'Eglise de St. Gervais et St. Protais
1824
Robert Barnes Boy Tying a Girl's Shoe
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
Austin, Robert, 1895-1973 Hilltop Rest
Print made by Austin, Robert, 1895-1973, 1895–1973
Hilltop Rest
1936
John Bell The Assault
Print made by John Bell, 1811–1895
The Assault
between 1838 and 1850
Richard Parkes Bonington Lillebonne - Château d'Harcourt
Print made by Richard Parkes Bonington, 1802–1828
Lillebonne - Château d'Harcourt
1824
Richard Parkes Bonington Ancienne Tour Près de Lanark
Print made by Richard Parkes Bonington, 1802–1828
Ancienne Tour Près de Lanark
1826
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850
Robert Barnes Two Girls, One Crying
Print made by Robert Barnes, 1840–1895
Two Girls, One Crying
undated
David Allan Glaud and Symon
Print made by David Allan, 1744–1796
Glaud and Symon
1808
John Bell The City of the Pestilence
Print made by John Bell, 1811–1895
The City of the Pestilence
between 1826 and 1852
Austin, Robert, 1895-1973 Early Spring, Gloucestershire
Print made by Austin, Robert, 1895-1973, 1895–1973
Early Spring, Gloucestershire
1922
Austin, Robert, 1895-1973 Hero's Widow
Print made by Austin, Robert, 1895-1973, 1895–1973
Hero's Widow
1932
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
Sir Charles D'Oyly Brahmins at a Toolsee Altar
Print made by Sir Charles D'Oyly, 1781–1845
Brahmins at a Toolsee Altar
ca. 1830
John Doyle ('H.B.') A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
unknown artist Commemorative Stones of the Hindus
Print made by unknown artist
Commemorative Stones of the Hindus
undated
Gilbert Spencer The Ten Commandments V
Gilbert Spencer, 1892–1979
The Ten Commandments V
1934
Stanley Roy Badmin Swinbrook Bridge
Print made by Stanley Roy Badmin, 1906–1989
Swinbrook Bridge
1931
George Percival Gaskell Forfecle
George Percival Gaskell, 1868–1934
Forfecle
1868