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The Hurries: Coal Boats Loading, Whitehaven
Creator:
attributed to Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 14 inches (21.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Loading Sacks into a Cart
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Men Loading a Cart Beside a River
Creator:
Thomas Gisborne, active 1798
Date:
undated
Materials & Techniques:
Watercolor with gray and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 x 13 1/2in. (24.3 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unloading Pit Props at Coalbrookdale
Creator:
Thomas Hearne, 1744–1817
Date:
after 1790
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/2 inches (21.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boats Loading in a River
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, white wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 5 inches (7.6 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Loading a Waggon
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-brown and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 12 inches (20.8 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection