Materials & Techniques: wove paper / Subject Terms: crowd - YCBA Collections Search Search Results

1. Possibly an Antediluvian Subject

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. Possibly "The Effects of Pride" or "Injustice"

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 5 3/4 inches (10.5 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Hell

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 7/8 inches (12.7 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

4. The Walls of Jericho

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:: Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Rescue of Lot

Creator:: John Martin, 1789–1854
Date:: 1833
Materials & Techniques:: Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. A Christening at the Vatican with Swiss Papal Guard, etc.

Creator:: Attributed to James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 x 18 5/8 inches (32.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Christ in the Temple

Creator:: Henry Singleton, 1766–1839
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Chelsea Pensioners Reading the Waterloo Dispatch

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1822
Materials & Techniques:: Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Title page for "The Guardian"

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 4 1/2 inches (15.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Fireworks Display

Creator:: John Wilson Carmichael, 1799–1868
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 5 3/4in. (10.8 x 14.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Hypatia Teaching at Alexandria

Creator:: Robert Trewick Bone, 1790–1840
Date:: undated
Materials & Techniques:: Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. View of Castle Cornet, Guernsey, Channel Islands, with Shipping

Creator:: John Thomas Serres, 1759–1825
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 26 1/4 inches (23.8 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Street Stall

Creator:: Henry Lamb, 1883–1960
Date:: after 1945
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

14. Study for the Proclamation of Don Carlos

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1834 and 1838
Materials & Techniques:: Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Liverpool Street A.M.

Creator:: Paul Arthur Hogarth, 1917–2001
Date:: undated
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 18 9/16 inches (34 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

16. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 15/16 inches (27.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Return of the Fleet to Great Yarmouth in 1797

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Black chalk and white chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 5 3/4 × 10 9/16 inches (14.6 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Study of a Religious Ceremony Scene

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814
Materials & Techniques:: Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Christ Church College, Oxford

Creator:: Print made by James Redway, active 1827–1838
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 × 14 11/16 inches (27.9 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "We Met"

Creator:: Adelaide Claxton, 1858–1905
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 4 inches (10.2 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

23. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Illustration to "Beyond This Limit"

Creator:: Wyndham Lewis, 1882–1957
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 7 3/8 inches (27.3 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

25. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. And This Was Caesar

Creator:: Print made by John Bell, 1811–1895
Date:: between 1838 and 1850
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 6 5/16 x 8 1/16 inches (16 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. The Crucifixion

Creator:: John Martin, 1789–1854
Date:: 1834
Materials & Techniques:: Mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 5/8 × 30 15/16 inches (54.9 × 78.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Mordecai

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Mezzotint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 23 5/8 inches (49.2 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 5/16 × 8 9/16 inches (16.1 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. Costume of the Reign of King Henry III, 1250

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1814
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. Marcus Curtius

Creator:: John Martin, 1789–1854
Materials & Techniques:: Mezzotint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 1/4 inches (56.8 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Dandies Having a Treat

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1818
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 15 11/16 inches (25.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A Persian Bazaar

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/16 x 20 inches (38.9 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Creator:: Print made by John Franklin, c.1800–1868
Date:: ca. 1825
Materials & Techniques:: Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

36. Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793

Creator:: William Alexander, 1767–1816
Date:: 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 14 5/8 inches (26.5 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Private View of the Royal Academy

Creator:: William Payne, active 1850s
Date:: 1858
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/8 inches (9.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Opening of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Coventry Cathedral Service, Good Friday, 1943

Creator:: Print made by Miriam Garratt
Date:: after 1943
Materials & Techniques:: Photomechanical process on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 15/16 x 8 3/4 inches (30.4 x 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph C. Garratt

43. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 15/16 × 9 3/8 inches (10 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Study of a Woman, being Taken Away by a Winged Being

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 2 1/2 × 4 7/16 inches (6.4 × 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Rialto

Creator:: William Callow, 1812–1908
Date:: 1846
Materials & Techniques:: Watercolor with pen in brown and black ink, with graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Composition Study

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/4 × 4 3/8 inches (7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Grand Field Day at Chobham Camp

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Study for The Wedding Feast of Sir Degrevaunt

Creator:: Edward Burne-Jones, 1833–1898
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Angry Scene in a Street

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Epsom

Creator:: unknown artist
Date:: 1896
Materials & Techniques:: Watercolor with graphite and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Newmarket - Pulling Up

Creator:: Lionel Edwards, 1878–1966
Date:: 1933
Materials & Techniques:: Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Horse Fair in East Anglia

Creator:: Sir Alfred J. Munnings, 1878–1959
Date:: 1899
Materials & Techniques:: Watercolor and gouache, over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 5/8 x 20 5/8 inches (34.6 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The St. Leger, Doncaster: The Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Race Meeting (Weighing In)

Creator:: Charles Turner, 1774–1857
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, red ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 7/16 inches (21 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 x 7 5/16 inches (21.5 x 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

63. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Fist Fight, With the Prince Regent Among the Spectators

Creator:: George Dance, 1741–1825
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/16 × 16 3/4 inches (28.4 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1833
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

67. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1822 and 1827
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Crowded Race Meeting

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Jack Sheppard Accuses Thames Darrell of the Theft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 x 7 5/16 inches (22.5 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

73. The Show

Creator:: Print made by Rowney & Forster, active 1820–1822
Date:: after 1821
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 12 1/4 inches (22.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Vicar Preaching to the Prisoners

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 inches (21.8 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

79. An Awkward Post

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

80. Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1839
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 x 7 3/16 inches (21.7 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

81. Lismahago's Retaliation

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 × 5 3/4 inches (23.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

82. A Professional Storyteller at Kashgar

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood-engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 10 1/2 inches (21.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

83. King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

Creator:: Upper print made by unknown artist
Date:: 1862
Materials & Techniques:: Wood-engraving and letterpress with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

84. New Steine and Rock Gardens

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Covent Garden Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Review of the Northapmton Militia at Brackley

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Selling Fish on a Beach

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 8 15/16 inches (14 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Figure Study

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Pen and black ink with gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 10 1/2 inches (15.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Estate of Brian Sewell

93. Widow with the Burning Corpse of her Husband Becoming a Sati, Patna

Creator:: Unknown artist (Company style)
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 3/4 inches (40.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. A Muslim Wedding Procession by Night, Patna

Creator:: Unknown artist (Company style)
Date:: between 1820 and 1830
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 3/4 inches (40 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Being Pulled by a Crowd

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 x 3 1/4 inches (10.2 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

96. Delhi

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream board
Dimensions:: Mount: 9 3/4 x 12 1/8 inches (24.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

97. Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 x 17 15/16 inches (30.8 x 45.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Strong Case for Shortening the Hours of Labour

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Subject Terms crowd

Search Results

1. Possibly an Antediluvian Subject

2. Possibly "The Effects of Pride" or "Injustice"

3. Hell

4. The Walls of Jericho

5. The Rescue of Lot

6. A Christening at the Vatican with Swiss Papal Guard, etc.

7. Christ in the Temple

8. The Chelsea Pensioners Reading the Waterloo Dispatch

9. Title page for "The Guardian"

10. A Fireworks Display

11. Hypatia Teaching at Alexandria

12. View of Castle Cornet, Guernsey, Channel Islands, with Shipping

13. Street Stall

14. Study for the Proclamation of Don Carlos

15. Liverpool Street A.M.

16. St. Catherine's Hill, near Guildford, Surrey

17. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

18. The Return of the Fleet to Great Yarmouth in 1797

19. Study For, Christ's Entry into Jerusalem

20. Study of a Religious Ceremony Scene

21. Christ Church College, Oxford

22. "We Met"

23. The Ceremony of Opening London Bridge, August 1, 1831

24. Illustration to "Beyond This Limit"

25. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

26. And This Was Caesar

27. The Crucifixion

28. Mordecai

29. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

30. Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

31. Costume of the Reign of King Henry III, 1250

32. Marcus Curtius

33. Dandies Having a Treat

34. A Persian Bazaar

35. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

36. Barges of the Embassy Being Raised from One Canal to Another on Their Way from Han-Tcheou-Foo to Tchu-San, 16 November 1793

37. Private View of the Royal Academy

38. Opening of the Liverpool and Manchester Railway

39. Funeral of the Late Duke of Wellington

40. The Great Exhibition: Exterior View from the Southwest

41. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

42. Coventry Cathedral Service, Good Friday, 1943

43. Ferdinand Reunited with his Father

44. Christopher Sly and the Page, as His Wife

45. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

46. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

47. Study of a Woman, being Taken Away by a Winged Being

48. The Rialto

49. Isabella and Mariana Kneeling Before the Duke

50. Composition Study

51. Grand Field Day at Chobham Camp

52. Study for The Wedding Feast of Sir Degrevaunt

53. Angry Scene in a Street

54. Epsom

55. Newmarket - Pulling Up

56. The North Country Mails at The Peacock Inn, Islington

57. Horse Fair in East Anglia

58. Racing Scene

59. The St. Leger, Doncaster: The Finish

60. A Race on the Knavesmire at York

61. A Race Meeting (Weighing In)

62. Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

63. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

64. The Annual Sculling Race for Doggett's Coat and Badge

65. A Fist Fight, With the Prince Regent Among the Spectators

66. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

67. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

68. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

69. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

70. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

71. A Crowded Race Meeting

72. Jack Sheppard Accuses Thames Darrell of the Theft

73. The Show

74. Doctor Syntax loses his Money on the Race Ground at York