Materials & Techniques: wove paper / Image Use: Free to Use / Topic subjectplace ss: Greater London

Robert Polhill Bevan, 1865–1925

The Bayhorse, Tattersall’s

1921

Samuel Palmer, 1805–1881

Kensington Gardens

ca. 1848

John Constable, 1776–1837

Fulham Church from across the River

1818

Joseph Mallord William Turner, 1775–1851

Interior of St. John's Palace, Eltham

ca. 1793

John Gendall, 1790–1865

Fulham Palace, Porter's Lodge

undated

Joseph Murray Ince, 1806–1859

A Picnic on Richmond Hill

undated

John Linnell, 1792–1882

Figures on a Bank, Kensington Gravel Pits

1812

William Henry Hunt, 1790–1864

The Portico of St. Martin-in-the-Fields

ca. 1862

William Henry Hunt, 1790–1864

View of Old London Bridge

1825

John Linnell, 1792–1882

Edgware Road, London

1806

John Linnell, 1792–1882

A Scene in the Edgware Road, London

1806

Patrick Nasmyth, 1787–1831

Part of Regent's Park

1805

William Parrott, 1813–ca. 1869

Waterloo Bridge from the Garden of M. A. Taylor, Esq

undated

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Charles Tomkins, 1757–1823

Shrewsbury House, Isleworth, Middlesex

undated

Sir John Soane, 1753–1837

Design for Hyde Park and St. James' Park Entrance

ca. 1826

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Print made by Sir Robert Smirke the younger, 1781–1867

Design for London Bridge Approach

between 1827 and 1835

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Charles Heath, 1785–1848

Tower Hill

1825

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salomon

1794

Print made by George Cooke, 1781–1834

Tooting Church

1827

Print made by Day & Co., 1824–1913

South East View, Lincoln's Inn

between 1845 and 1850

George Gladwin, active 1820s–1830s

York House: Plan of Principle Floor

1827

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study for Mural

1912

Print made by Thomas Allom, 1804–1872

The Ceremony of Opening London Bridge, August 1, 1831

undated

Print made by J. Blore

Window in St. Dunstan's in the West, London

1834

Print made by George Cruikshank, 1792–1878

London. A Street: 'Henry IV Part II,' Act II, Scene I

after 1857

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836 to 1838

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

James Gillray The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Print made by James Gillray, 1756–1815

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

1805

Print made by George Cruikshank, 1792–1878

Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II

after 1857

Print made by William John Cooke, 1797–1865

The Thames at Mortlake

1836-1838

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study of Dancers

1912

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750