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Materials & Techniques wove paper
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1
- Grotesque Female Head
- undated
2
- Camel studies
- 1867
3
- "Help! Help!" (Plate 12)
- 1826
4
- "I want! I want!" (Plate 11)
- 1826
5
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
6
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
7
- Alas! (Plate 9)
- 1793
8
- Death's Door (Plate 17)
- 1793
9
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
10
- I Want! I Want! (Plate 11)
- 1793
11
- Help! Help! (Plate 12)
- 1793
12
- Death's Door (Plate 17)
- 1826
13
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
14
- "At length for hatching ripe he breaks the shell" (Plate 8)
- 1826
15
- Alas! (Plate 9)
- 1826
16
- Larchant near Fontainebleau
- undated
17
- Thumbnail Sketch of Port City
- undated
18
- A Picture Puzzle
- undated
19
- A Bell on a Notched Post
- undated
20
- Two Mermaids
- undated
21
- Self-Portrait
- undated
22
- Madonna and Child
- undated
23
- Head of the Thorough-bred Horse "Phantom"
- undated
24
- Head of a Horse
- undated
25
- Sir Henry Englefield
- undated
26
- Column of the Court of Lions
- 1775 to 1776
27
- Cottage in a Cornfield
- 1844
28
- Cottage in a Cornfield
- 1844
29
- Figures in a Doorway
- undated
30
- Two Cows
- undated
31
- A Brig at Anchor, Trees Beyond
- undated
32
- The Fatal Bellman
- 1827
33
- Peter Vanderbank (1649–1697)
- undated
34
- Head of a Girl
- undated
35
- Sir John Everett Millais
- undated