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Materials & Techniques wove paper

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1. The Meet

The Meet
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Who-o-p!

Who-o-p!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Opening the Fold

Opening the Fold
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1880
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Cornfields with Barn, Shoreham

Cornfields with Barn, Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1829
Materials & Techniques:
Pen and brown ink with gray wash over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Human Skeleton, Lateral View

Human Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Tiger, Recumbent, Viewed Ventrally

Tiger, Recumbent, Viewed Ventrally
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk, with evidence of black print media, possibly ink or soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 10 1/4 x 13 1/8 inches (26 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)

Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Black and red chalk, and graphite; verso: black chalk and graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 19 1/4 x 13 inches (48.9 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Plate VII, Human Body, Lateral View

Plate VII, Human Body, Lateral View
Creator:
Print made after George Stubbs, 1724–1806
Date:
1804
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 1/4 inches (67.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George and Olga Kenney

11. Sheep-Washing, Windsor

Sheep-Washing, Windsor
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching with graphite; touched early proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Mer de Glace, Valley of Chamouni, Savoy

Mer de Glace, Valley of Chamouni, Savoy
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 12 7/8 inches (25.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Autumn Sowing of the Grain

Autumn Sowing of the Grain
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Ruined Tower House

A Ruined Tower House
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite with white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 1/8 x 12 15/16 inches (23.2 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

15. Calder Abbey, September 12. 1836

Calder Abbey, September 12. 1836
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite with stumping and white gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 9 1/8 x 13 1/8 inches (23.2 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

16. Gebel Sheikh Eredi

Gebel Sheikh Eredi
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, and pen and ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 9/16 x 12 7/8 inches (11.6 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

17. The Capo Sant' Angelo, Amalfi

The Capo Sant' Angelo, Amalfi
Creator:
Edward Lear, 1812–1888
Date:
ca. 1885
Materials & Techniques:
Pen in gray and black ink with gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 13/16 x 13 1/8 inches (22.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. 'And vapid; sense and reason shew the door' (Page 72)

'And vapid; sense and reason shew the door' (Page 72)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. 'The Sun beheld it – No, the shocking scene' (Page 75)

'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. 'His hand the good man fastens on the skies' (Page 86)

'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

'Ungrateful, shall we grieve their hovering shades' (Page 55)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. 'Is lost in love! thou great Philanthropist' (Page 87)

'Is lost in love! thou great Philanthropist' (Page 87)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. 'That touch, with charm celestial heals the soul' (Page 90)

'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. 'When faith is virtue, reason makes it so' (Page 92)

'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. 'If angels tremble, 'tis at such a sight' (Page 93)

'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. 'Emblem of that which shall awake the dead' (Page 19)

'Emblem of that which shall awake the dead' (Page 19)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. 'Measuring his motions by revolving spheres' (Page 26)

'Measuring his motions by revolving spheres' (Page 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. 'One radiant mark, – the death-bed of the just' (Page 41)

'One radiant mark, – the death-bed of the just' (Page 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. 'What, though my soul fantastick measures trod' (Page 4)

'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. 'Till death, that mighty hunter, earths them all' (Page 70)

'Till death, that mighty hunter, earths them all' (Page 70)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. 'Death! great proprietor of all! 'tis thine' (Page 8)

'Death! great proprietor of all! 'tis thine' (Page 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Night the First. On Life, Death and Immortality; Title Page

Night the First. On Life, Death and Immortality; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. 'Oft bursts my song beyond the bounds of life' (Page 16)

'Oft bursts my song beyond the bounds of life' (Page 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. 'We censure nature for a span too short' (Page 23)

'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. 'Time, in advance, behind him hides his wings' (Page 24)

'Time, in advance, behind him hides his wings' (Page 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. 'Behold him, when past by; what then is seen' (Page 25)

'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. 'Tis greatly wise to talk with our past hours' (Page 31)

'Tis greatly wise to talk with our past hours' (Page 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. 'Swift on his downy pinion flies from woe' (Page 1)

'Swift on his downy pinion flies from woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. 'Love, and love only, is the loan for love' (Page 37)

'Love, and love only, is the loan for love' (Page 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. 'Ungrateful, shall we grieve their hovering shades' (Page 55)

'Ungrateful, shall we grieve their hovering shades' (Page 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The Christian Triumph; Title Page

The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. 'His hand the good man fastens on the skies' (Page 86)

'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. 'That touch, with charm celestial heals the soul' (Page 90)

'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. 'If angels tremble, 'tis at such a sight' (Page 93)

'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. 'The present moment terminates our sight' (Page 13)

'The present moment terminates our sight' (Page 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. 'Its favours here are trials, not rewards' (Page 12)

'Its favours here are trials, not rewards' (Page 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Baffled Devils Fighting (Plate 3)

The Baffled Devils Fighting (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. 'The thunder, if in that the Almighty dwells' (Page 80)

'The thunder, if in that the Almighty dwells' (Page 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. 'When faith is virtue, reason makes it so' (Page 92)

'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. 'The goddess bursts in thunder and in flame' (Page 95)

'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. 'The longest night though longer far, would fail' (Page 15)

'The longest night though longer far, would fail' (Page 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. 'Like that, the dial speaks; and points to thee' (Page 33)

'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. 'Angels should paint it, angels ever there' (Page 40)

'Angels should paint it, angels ever there' (Page 40)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. 'Teaching, we learn; and giving, we retain' (Page 35)

'Teaching, we learn; and giving, we retain' (Page 35)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. 'Disease invades the chastest temperence' (Page 10)

'Disease invades the chastest temperence' (Page 10)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. 'Till at Death's toll, whose restless iron tongue' (Page 7)

'Till at Death's toll, whose restless iron tongue' (Page 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

67. The Widow Embracing Her Husband's Grave

The Widow Embracing Her Husband's Grave
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Study of a Bust

Study of a Bust
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wasn and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 18 13/16 × 12 15/16 inches (47.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. "Then go, bid the huntsmen wake them with their horns"

"Then go, bid the huntsmen wake them with their horns"
Creator:
James Heath, 1757–1834
Date:
1802
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

70. "Mark your divorce young sir, whom son I dare not call"

"Mark your divorce young sir, whom son I dare not call"
Creator:
James Heath, 1757–1834
Date:
1804
Materials & Techniques:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 x 13 1/16 inches (42.7 x 33.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

71. "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
Creator:
James Heath, 1757–1834
Date:
1802
Materials & Techniques:
Etching, line engraving and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 13 inches (42.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

72. Costume of the Reign of King Henry III, 1250

Costume of the Reign of King Henry III, 1250
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1814
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

73. The Right Honourable Spencer Perceval

The Right Honourable Spencer Perceval
Creator:
Charles Turner, 1774–1857
Date:
1812
Materials & Techniques:
Mezzotint and steel engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/16 × 13 1/8 inches (48.7 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. King Henry VI, Second Part, Act 3, Scene 3

King Henry VI, Second Part, Act 3, Scene 3
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 13 inches (42.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Mantilla

The Mantilla
Creator:
John Henry Robinson, 1796–1871
Date:
1838
Materials & Techniques:
Engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Traveling in France -or, -Le départ de la diligence

Traveling in France -or, -Le départ de la diligence
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1818
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Reverend Beilby Porteus, Lord Bishop of London

Reverend Beilby Porteus, Lord Bishop of London
Creator:
Charles Picart, c.1780–1837
Date:
1809
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/8 × 12 7/8 inches (46 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Specimens of Waltzing

Specimens of Waltzing
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1817
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 13/16 inches (24.7 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Gems of the Great Exhibition No. 4: The Foreign Department

Gems of the Great Exhibition No. 4: The Foreign Department
Creator:
Print made by George Baxter, 1804–1867
Date:
1852 or 1854
Materials & Techniques:
Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Vue Generale de l'Eglise de l'Abbaye de Tournus

Vue Generale de l'Eglise de l'Abbaye de Tournus
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Landscape with Group of Trees

Landscape with Group of Trees
Creator:
Print made by Richard Cooper the Younger, 1740–1814
Date:
1802, published 1806
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Bridge near Loweswater Church, 2 August 1835

Bridge near Loweswater Church, 2 August 1835
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Crummock Water, 1 August 1835

Crummock Water, 1 August 1835
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 13 inches (22.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. In Crewkerne Church Yard, June 1833

In Crewkerne Church Yard, June 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Church of Saint Bartholomew, Crewkerne

Church of Saint Bartholomew, Crewkerne
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Just out of Shaftesbury

Just out of Shaftesbury
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. On Hampstead Heath, 22 August 1818

On Hampstead Heath, 22 August 1818
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1818
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Lord Clifford's, Ugbrooke Park

Lord Clifford's, Ugbrooke Park
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. In Bradley Vale, May 1833

In Bradley Vale, May 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Holne Chase Bridge

Holne Chase Bridge
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Holne Chase, May 1833

Holne Chase, May 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Holne Chase on the Dart, 30 May 1833

Holne Chase on the Dart, 30 May 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Holne Chase, 30 May 1833

Holne Chase, 30 May 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. In the Fish Ponds near Hastings

In the Fish Ponds near Hastings
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Holne Bridge, 30 May 1833

Holne Bridge, 30 May 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Skiddaw at Mr. Whiteside's, June 30 1835

Skiddaw at Mr. Whiteside's, June 30 1835
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Derwent Water, 20 June 1835

Derwent Water, 20 June 1835
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 12 7/8 inches (22.9 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Holne Chase Bridge and River, 30 May 1833

Holne Chase Bridge and River, 30 May 1833
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1833
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 1/8 inches (23.8 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Bridge near Loweswater Church, 2 August 1835

Bridge near Loweswater Church, 2 August 1835
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 × 13 inches (22.9 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. From the Public House near Scale Hill, 2 August 1835

From the Public House near Scale Hill, 2 August 1835
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1835
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection