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John Constable Borrowdale: Evening after a Fine Day, 1 October 1806
John Constable, 1776–1837
Borrowdale: Evening after a Fine Day, 1 October 1806
1806
Samuel Palmer Guildford
Samuel Palmer, 1805–1881
Guildford
1844
Samuel Palmer The Rock Slip near Boscastle
Samuel Palmer, 1805–1881
The Rock Slip near Boscastle
undated
Samuel Palmer Study of Old Buildings
Samuel Palmer, 1805–1881
Study of Old Buildings
undated
Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
George Stubbs Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
George Stubbs Plate X, Fowl Body, Lateral View
Print made after George Stubbs, 1724–1806
Plate X, Fowl Body, Lateral View
1804
Joseph Mallord William Turner The Drawing of the Clyde
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
Joseph Mallord William Turner Frontispiece to the 'Liber Studiorum'
Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece to the 'Liber Studiorum'
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Calm
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
Joseph Mallord William Turner London from Greenwich
Print made by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner London from Greenwich
Print made by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner Calm
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
Joseph Mallord William Turner Calm
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
Joseph Mallord William Turner Crowhurst
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
Joseph Mallord William Turner River Wye
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
Joseph Mallord William Turner Rivaux Abbey, Yorkshire
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
Joseph Mallord William Turner Apuleia in Search of Apuleius
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Dumbarton Rock
Print made by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
Joseph Mallord William Turner The Temple of Jupiter in the Island of Aegina
Print made by Joseph Mallord William Turner, 1775–1851
The Temple of Jupiter in the Island of Aegina
between 1813 and 1823
Joseph Mallord William Turner Stonehenge at Daybreak
Print made by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
Joseph Mallord William Turner The Stork and Aqueduct
Print made by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Rivaux Abbey, Yorkshire
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
Joseph Mallord William Turner River Wye
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner Interior of a Church
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner The Bridge over the River Rye at Helmsley, with the Castle Beyond
Joseph Mallord William Turner, 1775–1851
The Bridge over the River Rye at Helmsley, with the Castle Beyond
between 1798 and 1799
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Edward Lear Windsor Castle
Edward Lear, 1812–1888
Windsor Castle
ca. 1834
Edward Lear Near Gamille
Edward Lear, 1812–1888
Near Gamille
1867
Edward Lear Near Abu Simbel
Edward Lear, 1812–1888
Near Abu Simbel
1867
Edward Lear Near Wady Halfeh
Edward Lear, 1812–1888
Near Wady Halfeh
1867
Edward Lear Abu Seer, Wady Halfeh
Edward Lear, 1812–1888
Abu Seer, Wady Halfeh
1867
Edward Lear Faras Westbank
Edward Lear, 1812–1888
Faras Westbank
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Dawn on the Nile
Edward Lear, 1812–1888
Dawn on the Nile
1867
Edward Lear Near Tapha, 9:45 am, 31 January 1867 (287)
Edward Lear, 1812–1888
Near Tapha, 9:45 am, 31 January 1867 (287)
1867
Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
Edward Lear Near Sabooa
Edward Lear, 1812–1888
Near Sabooa
1867
Edward Lear Korosko
Edward Lear, 1812–1888
Korosko
1867
Edward Lear Between Derr and Ibreem
Edward Lear, 1812–1888
Between Derr and Ibreem
1867
Edward Lear Ibreem
Edward Lear, 1812–1888
Ibreem
1867
Edward Lear Aswan
Edward Lear, 1812–1888
Aswan
1867
Edward Lear Dehmyt, 7:30 am, 31 January 1867 (278)
Edward Lear, 1812–1888
Dehmyt, 7:30 am, 31 January 1867 (278)
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Rizaghat
Edward Lear, 1812–1888
Rizaghat
1867
Edward Lear Dendera, 9:15 am, 15 January 1867 (157)
Edward Lear, 1812–1888
Dendera, 9:15 am, 15 January 1867 (157)
1867
Edward Lear Opposite Beni Hassan, Looking North
Edward Lear, 1812–1888
Opposite Beni Hassan, Looking North
1867
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Dendera, 9:00 am, 15 January 1867 (156)
Edward Lear, 1812–1888
Dendera, 9:00 am, 15 January 1867 (156)
1867
Edward Lear Leonessa, 3 October 1844
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
Edward Lear Villa d'Este
Edward Lear, 1812–1888
Villa d'Este
1866
George Romney Unidentified Subject
George Romney, 1734–1802
Unidentified Subject
undated
William Blake Frontispiece. Albion's Angel (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake Title Page. America, A Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Title Page, Europe a Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
Hubert-François Gravelot Study of a Seated Lady
Hubert-François Gravelot, 1699–1773
Study of a Seated Lady
ca. 1740