Materials & Techniques: wove paper / Width [cm]: 26 / Subject Terms: women - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques wove paper

Width [cm] 26

Subject Terms women

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Print made by William Blake, 1757–1827

"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Print made by William Blake, 1757–1827

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "Condens'd his Emanations..." (Plate 9)

Print made by William Blake, 1757–1827

"Condens'd his Emanations..." (Plate 9)

1804 to 1820

William Blake "His western heaven with rocky clouds..." (Plate 31)

Print made by William Blake, 1757–1827

"His western heaven with rocky clouds..." (Plate 31)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

Thomas Girtin The Guildhall, Exeter

Thomas Girtin, 1775–1802

The Guildhall, Exeter

ca. 1797

Sir David Wilkie On the Pier, Calais

Attributed to Sir David Wilkie, 1785–1841

On the Pier, Calais

ca. 1810

John Massey Wright Falstaff Disguised as Herne

John Massey Wright, 1777–1866

Falstaff Disguised as Herne

undated

George Fennell Robson Macbeth and Banquo on the Heath

George Fennell Robson, 1788–1833

Macbeth and Banquo on the Heath

ca. 1830

unknown artist Solitude, The Reading Magdalene

unknown artist

Solitude, The Reading Magdalene

undated

Bernard Lens II The Four Elements

Print made by Bernard Lens II, 1659–1725

The Four Elements

undated

Sir David Wilkie Grace Before Meat

Sir David Wilkie, 1785–1841

Grace Before Meat

1839

Sir George Howland Beaumont seventh Baronet The Picnic

attributed to Sir George Howland Beaumont seventh Baronet, 1753–1827

The Picnic

undated

Luigi Schiavonetti Death of the Strong Wicked Man

Print made by Luigi Schiavonetti, 1765–1810

Death of the Strong Wicked Man

1808, published 1813

Richard Parkes Bonington Ruines de Château d'Arlay

Print made by Richard Parkes Bonington, 1802–1828

Ruines de Château d'Arlay

1827

Robert Smirke Scene of a Bacchanalia

Robert Smirke, 1752–1845

Scene of a Bacchanalia

undated

Luigi Schiavonetti The Death of the Good Old Man

Print made by Luigi Schiavonetti, 1765–1810

The Death of the Good Old Man

1808, published 1813

Edward Radclyffe Calais Pier

Print made by Edward Radclyffe, 1809–1863

Calais Pier

after 1832

Edward Radclyffe Peat-Gatherers

Print made by Edward Radclyffe, 1809–1863

Peat-Gatherers

undated

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

Pieter van den Berge Girls Singing

Print made by Pieter van den Berge, active 1689–1737

Girls Singing

undated

James Johnson Venus Bathing

Print made by James Johnson, 1803–1834

Venus Bathing

undated

John Frederick Lewis Study for the Proclamation of Don Carlos

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

Aaron Edwin Penley Sheet of Studies of Deer, Figures and Landscape

Aaron Edwin Penley, 1807–1870

Sheet of Studies of Deer, Figures and Landscape

undated

John Nixon Study for, In Mr. Barnard's Boat, Kingston

John Nixon, ca. 1760–1818

Study for, In Mr. Barnard's Boat, Kingston

undated

George Arnald Meuse and Sambre, from the Gate of the Sambre

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

John Hill Pass-Room Bridewell

John Hill, 1770–1850

Pass-Room Bridewell

1808

John Bluck Saint Stephen's, Walbrook

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

John Hill Dining Hall, Asylum

John Hill, 1770–1850

Dining Hall, Asylum

1808

Austin, Robert, 1895-1973 Early Spring, Gloucestershire

Print made by Austin, Robert, 1895-1973, 1895–1973

Early Spring, Gloucestershire

1922

Robert Smirke Study of a Woman, being Taken Away by a Winged Being

Robert Smirke, 1752–1845

Study of a Woman, being Taken Away by a Winged Being

undated

Sir William Russell Flint Bagno della Marchese

Sir William Russell Flint, 1880–1969

Bagno della Marchese

1930

Wyndham Lewis Blue Nudes

Wyndham Lewis, 1882–1957

Blue Nudes

1912 to 1913

Thomas Rowlandson Picking Mulberries

Thomas Rowlandson, 1756–1827

Picking Mulberries

undated

Charles Claude Pyne The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

Charles Claude Pyne, 1802–1878

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

1872

Thomas Rowlandson How to Vault in the Saddle

Thomas Rowlandson, 1756–1827

How to Vault in the Saddle

1813

Thomas Rowlandson Netting a Salmon Pool

Thomas Rowlandson, 1756–1827

Netting a Salmon Pool

undated

James Gillray Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

James Gillray, 1756–1815

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

1802

Guillaume Sulpice Chevalier Intemperance

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

James Charles Armytage The Balcony

Print made by James Charles Armytage, 1802–1897

The Balcony

between 1835 and 1854

Thomas Rowlandson A Review of the Northapmton Militia at Brackley

Thomas Rowlandson, 1756–1827

A Review of the Northapmton Militia at Brackley

undated

Thomas Rowlandson The Angling Party

Thomas Rowlandson, 1756–1827

The Angling Party

undated

Charles Grignion A View from Richmond Hill Up the River

Charles Grignion, 1717–1810

A View from Richmond Hill Up the River

1794

Thomas Rowlandson View of the Church and Village of St. Cue, Cornwall

Thomas Rowlandson, 1756–1827

View of the Church and Village of St. Cue, Cornwall

ca. 1812

Thomas Rowlandson Scene Outside an Inn

Thomas Rowlandson, 1756–1827

Scene Outside an Inn

undated

William Gauci The Sea Walls, from the Leigh Wood Quarry, Clifton

William Gauci, active 1825–1854

The Sea Walls, from the Leigh Wood Quarry, Clifton

undated

William Gauci Dundry Tower, Leigh Wood, Hotwell House, Clifton

William Gauci, active 1825–1854

Dundry Tower, Leigh Wood, Hotwell House, Clifton

undated

Richard Dadd Sketch for the Passions: Pride

Richard Dadd, 1817–1886

Sketch for the Passions: Pride

ca. 1854

Augustus Edwin John Figure Study

Augustus Edwin John, 1878–1961

Figure Study

undated

Arthur William Devis Native Women from Bengal

Arthur William Devis, 1762–1822

Native Women from Bengal

undated

unknown artist The Judgement of Paris

unknown artist

The Judgement of Paris

undated