Materials & Techniques: wove paper / Width [cm]: 17 / Subject Terms: men

1. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "Then the Divine hand found the Two Limits..." (Plate 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Frontispiece, Europe. A Prophecy

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching prined in brown ink; proof; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "And Rahab Babylon the Great..." (Plate 75)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Frontispiece, The Ancient of Days (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "The shrill winds wake!..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Now comes the night of Enitharmons joy!..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. A Prophecy. "The deep of winter came..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Enitharmon slept. ..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Plague (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Shot from the heights of Enitharmon..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Title Page. America, A Prophecy (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Appear to the Americans upon the cloudy night..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Frontispiece. Albion's Angel (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Silent as despairing love, and strong as jealousy..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Millbank

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 x 6 5/8 inches (21.9 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 13/16 × 6 11/16 inches (12.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Chelsea Pensioners Reading the Waterloo Dispatch

Creator:: Sir David Wilkie, 1785–1841
Date:: before 1822
Materials & Techniques:: Brown ink on medium, slightly textured, cream wove paper, mounted in moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 10 1/2 x 12 5/16 inches (26.6 x 31.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. For the Triumph of Britannia

Creator:: Thomas Stothard, 1755–1834
Date:: undated
Materials & Techniques:: Pen and gray ink; verso: pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Holbein's Gateway and Jones's Banqueting House, Whitehall...

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 1/2in. (12.1 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Study for Fishermen and Bathers

Creator:: Keith Vaughan, 1912–1977
Date:: ca. 1951
Materials & Techniques:: Gouache, watercolor and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:: Sheet: 6 1/4 x 7 9/16 inches (15.9 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

39. London. A Street: 'Henry IV Part II,' Act II, Scene I

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Eaton Hall

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 7/16 × 7 3/8 inches (13.8 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Newstead Abbey

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Les Pendus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 8 3/8 inches (17.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

Creator:: Print made by George Cruikshank, 1792–1878
Date:: after 1857
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 7/16 × 8 1/8 inches (16.4 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Bacharach and View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Bacharach

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. View near Bingen

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Tour aux Archives a Vernon

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:: Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Coventry Cathedral Service, Good Friday, 1943

Creator:: Print made by Miriam Garratt
Date:: after 1943
Materials & Techniques:: Photomechanical process on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 15/16 x 8 3/4 inches (30.4 x 22.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph C. Garratt

49. The Light Dragoons

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 6 3/4 inches (7.6 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Farmers Harvesting

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 x 6 3/4 inches (10.8 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Ruins on the Coast

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 7/8 x 8 5/8 inches (14.9 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, class of 1935

52. La rue des Prouvaires et l'église saint Eustache, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Corner of the Palais de Justice, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. I Will Pay No More Debts of Her Contracting

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1772
Materials & Techniques:: Etching on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/16 x 9 1/2 inches (33.1 x 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Manse and Church of Cults, the Birthplace of Wilkie

Creator:: John Cousen, 1804–1880
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Baron's Hall

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1844
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Plate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hunting Scene: The Meet

Creator:: possibly John Frederick Tayler, 1802–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 13/16 inches (10.3 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 15/16 × 6 13/16 inches (12.5 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Views in the Levant: Death of Wolfe, Study of a Gem

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper,
Dimensions:: Sheet: 8 13/16 × 6 13/16 inches (22.4 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Study for Bacchanal

Creator:: Giulio Aristide Sartorio, 1860–1932
Date:: ca. 1894
Materials & Techniques:: Pen and brown ink on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 1/4 x 6 5/8 inches (21 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

67. Oh an Ill Wind that Blows Nobody Good

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, blue wove paper
Dimensions:: Mount: 14 1/8 x 10 3/8 inches (35.8 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

68. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 13/16 x 10 1/4 inches (22.4 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

69. Sketch of Three Laborers

Creator:: Sir George Clausen, 1852–1944
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, beige wove paper mounted on thick, smooth, cream board
Dimensions:: Mount: 10 1/8 × 7 1/8 inches (25.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

70. We Went Back to Our Inn...

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 6 3/4 inches (22.2 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

71. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/8 x 9 3/16 inches (30.2 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

72. The Smith's Yard

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: ca. 1895
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 x 7 3/8 inches (27.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

73. Nuts or Indian Jugglers

Creator:: Print made by Sir Charles D'Oyly, 1781–1845
Date:: ca. 1830
Materials & Techniques:: Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 5/8 x 6 9/16 inches (24.5 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Drawing Cover

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 3 3/16 x 5 9/16 inches (8.1 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Benacre Hall, Suffolk

Creator:: Thomas Higham, 1796–1844
Date:: 1819
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/16 x 6 9/16 inches (11 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Cupid Overpowering a Satyr

Creator:: Richard Cosway, 1742–1821
Date:: undated
Materials & Techniques:: Watercolor and graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 x 6 1/2 inches (27.6 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

78. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Fruit and Nut Picking

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, smooth, cream wove paper, mounted on board
Dimensions:: Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Diners in a Chop Shop

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1805
Materials & Techniques:: Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 6 5/8 inches (11.3 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Ships of the Line off Dover

Creator:: Samuel Atkins, active 1787–1808
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 × 6 5/8 inches (11.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Three- Masted Ship

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, wove paper mounted to thick card
Dimensions:: Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Mourning at a Tomb

Creator:: William Alexander, 1767–1816
Date:: between 1792 and 1794
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Girl and Youth at a Table

Creator:: Henry Fuseli, 1741–1825
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 6 1/2 inches (23.5 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Width [cm] 17

Subject Terms men

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1. "What have I said? What have I done?..." (Plate 24)

2. "Then the Divine hand found the Two Limits..." (Plate 35)

3. Frontispiece, Europe. A Prophecy

4. "Why wilt thou give to her a Body..." (Plate 12)

5. "One hair nor particle of dust..." (Plate 14)

6. "And Rahab Babylon the Great..." (Plate 75)

7. Frontispiece, The Ancient of Days (Plate 1)

8. "Albions Angel rose upon the Stone of Night..." (Plate 12)

9. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

10. "The shrill winds wake!..." (Plate 6)

11. "Now comes the night of Enitharmons joy!..." (Plate 7)

12. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

13. A Prophecy. "The deep of winter came..." (Plate 5)

14. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

15. "Enitharmon slept. ..." (Plate 10)

16. Plague (Plate 13)

17. "Shot from the heights of Enitharmon..." (Plate 17)

18. Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

19. Title Page. America, A Prophecy (Plate 2)

20. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

21. "Appear to the Americans upon the cloudy night..." (Plate 6)

22. "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

23. Frontispiece. Albion's Angel (Plate 1)

24. "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

25. "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)

26. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

27. A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

28. "Silent as despairing love, and strong as jealousy..." (Plate 4)

29. "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)

30. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

31. "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)

32. Millbank

33. Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

34. The Chelsea Pensioners Reading the Waterloo Dispatch

35. For the Triumph of Britannia

36. Holbein's Gateway and Jones's Banqueting House, Whitehall...

37. The Descent of Man into the Vale of Death

38. Study for Fishermen and Bathers

39. London. A Street: 'Henry IV Part II,' Act II, Scene I

40. Eaton Hall

41. Newstead Abbey

42. Les Pendus

43. London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV

44. Bacharach and View near Bingen

45. Bacharach

46. View near Bingen

47. Tour aux Archives a Vernon

48. Coventry Cathedral Service, Good Friday, 1943

49. The Light Dragoons

50. Farmers Harvesting

51. Ruins on the Coast

52. La rue des Prouvaires et l'église saint Eustache, Paris

53. Corner of the Palais de Justice, Paris

54. I Will Pay No More Debts of Her Contracting

55. Manse and Church of Cults, the Birthplace of Wilkie

56. The Baron's Hall

57. Hunting Scene: The Meet

58. Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through

59. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

60. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

61. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

62. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

63. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

64. Views in the Levant: Death of Wolfe, Study of a Gem

65. The Tithe Barn at Abbotsbury with the Abbey on the hill...

66. Study for Bacchanal

67. Oh an Ill Wind that Blows Nobody Good

68. George Fox and Captain Keat

69. Sketch of Three Laborers

70. We Went Back to Our Inn...

71. George Fox and Captain Keat

72. The Smith's Yard

73. Nuts or Indian Jugglers