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Materials & Techniques wove paper

Width [cm] 15

Vanessa Bell Young Boy in Blue Shirt

Vanessa Bell, 1879–1961

Young Boy in Blue Shirt

undated

Robert Polhill Bevan Huntsman and Hounds

Print made by Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

1898-1899

Robert Polhill Bevan Under the Hammer

Robert Polhill Bevan, 1865–1925

Under the Hammer

between 1912 and 1913

Samuel Palmer Timber Wagon Crossing a Stream

Samuel Palmer, 1805–1881

Timber Wagon Crossing a Stream

undated

George Stubbs Plate VI, Human Body, Frontal View

Print made after George Stubbs, 1724–1806

Plate VI, Human Body, Frontal View

1804

George Stubbs Plate VIII, Human Body, Posterior View

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Edward Lear Opposite Melaghara, 5:20 PM

Edward Lear, 1812–1888

Opposite Melaghara, 5:20 PM

undated

Edward Lear Gebel Sheikh Eredi

Edward Lear, 1812–1888

Gebel Sheikh Eredi

1867

Edward Lear Haram el Ketab

Edward Lear, 1812–1888

Haram el Ketab

1867

Edward Lear Silsilis

Edward Lear, 1812–1888

Silsilis

1854

Edward Lear Near Edfu

Edward Lear, 1812–1888

Near Edfu

1867

Edward Lear Philae

Edward Lear, 1812–1888

Philae

1867

Edward Lear Sunset on the Nile

Edward Lear, 1812–1888

Sunset on the Nile

1867

Edward Lear Boat on the Nile

Edward Lear, 1812–1888

Boat on the Nile

January - March 1867

Edward Lear Near Dishna

Edward Lear, 1812–1888

Near Dishna

1867

Edward Lear Boat on the Nile

Edward Lear, 1812–1888

Boat on the Nile

January - March 1867

Edward Lear Edfu

Edward Lear, 1812–1888

Edfu

1867

Edward Lear Boats on the Nile

Edward Lear, 1812–1888

Boats on the Nile

1867

Edward Lear Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)

Edward Lear, 1812–1888

Between Ibreem and Wady Halfeh, 3.15 pm, 2 February 1867 (330)

1867

Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Edward Lear, 1812–1888

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear Haram el Ketab

Edward Lear, 1812–1888

Haram el Ketab

1867

Edward Lear Deir Kadige

Edward Lear, 1812–1888

Deir Kadige

1867

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "Turning his back to the Divine Vision..." (Plate 33)

Print made by William Blake, 1757–1827

"Turning his back to the Divine Vision..." (Plate 33)

1804 to 1820

William Blake "Elevate into the Region of Brotherhood..." (Plate 34)

Print made by William Blake, 1757–1827

"Elevate into the Region of Brotherhood..." (Plate 34)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake Frontispiece, Europe. A Prophecy

Print made by William Blake, 1757–1827

Frontispiece, Europe. A Prophecy

ca. 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Print made by William Blake, 1757–1827

"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

1804 to 1820

William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Print made by William Blake, 1757–1827

"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Print made by William Blake, 1757–1827

"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "And the Two that escaped..." (Plate 30)

Print made by William Blake, 1757–1827

"And the Two that escaped..." (Plate 30)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "When those who disregard all Mortal Things..." (Plate 55)

Print made by William Blake, 1757–1827

"When those who disregard all Mortal Things..." (Plate 55)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

George Romney Figure Composition Study 21 with a Face

George Romney, 1734–1802

Figure Composition Study 21 with a Face

undated

George Romney Figures

George Romney, 1734–1802

Figures

undated

George Romney Possibly Lapland Witches

George Romney, 1734–1802

Possibly Lapland Witches

undated

George Romney Possibly "The Effects of Pride" or "Injustice"

George Romney, 1734–1802

Possibly "The Effects of Pride" or "Injustice"

undated

George Romney Temptation of Christ

George Romney, 1734–1802

Temptation of Christ

undated

George Romney Fiends for the Temptation of Christ

George Romney, 1734–1802

Fiends for the Temptation of Christ

undated

George Romney Temptation of Christ

George Romney, 1734–1802

Temptation of Christ

undated

George Romney The Temptation of Christ

George Romney, 1734–1802

The Temptation of Christ

undated

Edward Goodall St. Anne's Hill, No. I

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Edward Goodall St. Pierre's Cottage

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

unknown artist Little Devil's Bridge

Print made by unknown artist

Little Devil's Bridge

between 1816 and 1820

Edward Goodall The Landing of Columbus

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

William Miller A Garden

Print made by William Miller, 1796–1882

A Garden

1834

Edward Goodall Cortes and Pizarro

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Edward Goodall Leaving Home

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Edward Goodall Keswick Lake

Print made by Edward Goodall, 1795–1870

Keswick Lake

1834

Edward Goodall A Village Fair

Print made by Edward Goodall, 1795–1870

A Village Fair

1834

William Miller An Old Manor House

Print made by William Miller, 1796–1882

An Old Manor House

1834

Edward Goodall St. Anne's Hill, No. I

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

William Miller Venice, The Rialto - Moonlight

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Henry Griffiths The Wreck

Print made by Henry Griffiths, 1835–1849

The Wreck

1828-1837

John Pye Tivoli

Print made by John Pye, 1782–1874

Tivoli

1830

Edward Goodall Marengo

Print made by Edward Goodall, 1795–1870

Marengo

1830

Edward Goodall Johnnie Armstrong's Tower

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Edward Goodall Johnnie Armstrong's Tower

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Robert Wallis Hermitage Castle

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Robert Mabon An English Child

Robert Mabon, died 1798

An English Child

undated

James Holland The Facade of the Royal Naval College, Greenwich

James Holland, 1799–1870

The Facade of the Royal Naval College, Greenwich

undated

Frederick William Hulme Man with a Gaff, June 13, 1851

Frederick William Hulme, 1816–1884

Man with a Gaff, June 13, 1851

1851

Robert Mabon A Cheetah killing an Antelope

Robert Mabon, died 1798

A Cheetah killing an Antelope

undated

Augustus Welby Northmore Pugin Designs for Gothic Ornamentation

Augustus Welby Northmore Pugin, 1812–1852

Designs for Gothic Ornamentation

undated

Edward Goodall A Hurricane in the Desert

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

William Miller Venice, The Rialto - Moonlight

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

Edward Goodall St. Julienne's Chapel

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834