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Materials & Techniques wove paper

Height [cm] 45

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

George Stubbs, 1724–1806

Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

1795 to 1806

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

George Barret Landscape with Trees and Sheep (Park Landscape with Sheep)

George Barret, ca. 1728/32–1784

Landscape with Trees and Sheep (Park Landscape with Sheep)

undated

John Bounarotti Papworth Design for a Country House

John Bounarotti Papworth, 1775–1847

Design for a Country House

undated

William Callow Walenstadt, from Weesen, Switzerland

William Callow, 1812–1908

Walenstadt, from Weesen, Switzerland

1842

George Cooke Part of Waterloo Bridge with the Shot Tower, &c.

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

William Ward Selling Rabbits

William Ward, 1766–1826

Selling Rabbits

1796

Charles Turner The Right Honorable Lord Collingwood

after ? Charles Turner, 1774–1857

The Right Honorable Lord Collingwood

1811

unknown artist One of Eleven Designs for Houses and Shops

unknown artist

One of Eleven Designs for Houses and Shops

ca. 1800

unknown artist One of Eleven Designs for Houses and Shops

unknown artist

One of Eleven Designs for Houses and Shops

ca. 1800

Scawen Honourable George, Lord Pigot

Scawen, active 1770s

Honourable George, Lord Pigot

undated

James Duffield Harding Cascades de Thiers, Auvergne

James Duffield Harding, 1798–1863

Cascades de Thiers, Auvergne

undated

William Havell Study of Trees and Shrubs with Seated Figure

Print made by William Havell, 1782–1857

Study of Trees and Shrubs with Seated Figure

1804, published 1806

Dame Elisabeth Frink Male Portrait Head, after 1950

Dame Elisabeth Frink, 1930–1993

Male Portrait Head, after 1950

1950s

David Hockney Ossie Seated

David Hockney, born 1937

Ossie Seated

1966

C. R. W. Nevinson The Wave

C. R. W. Nevinson, 1889–1946

The Wave

1917

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

Daniel Lysons Stained Glass Window of St. Catherine from Heston Church

Attributed to Daniel Lysons, 1762–1834

Stained Glass Window of St. Catherine from Heston Church

between 1796 and 1811

Edward Goodall Perugia

Print made by Edward Goodall, 1795–1870

Perugia

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Edward Goodall A Tempest – Voyage of Columbus

Print made by Edward Goodall, 1795–1870

A Tempest – Voyage of Columbus

1834

James C. Allen Lowestoffe Lighthouse

Print made by James C. Allen, active 1821–1831

Lowestoffe Lighthouse

ca. 1830

Edward Goodall The Forum

Print made by Edward Goodall, 1795–1870

The Forum

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Daniel Lysons Tomb of Dame Katherine Darcy from Isleworth Church

Attributed to Daniel Lysons, 1762–1834

Tomb of Dame Katherine Darcy from Isleworth Church

between 1796 and 1811

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Valentine Green Sir Joshua Reynolds

Valentine Green, 1739–1813

Sir Joshua Reynolds

1780

Alfred Henry Forrester The World is Folly's Toy

Print made by Alfred Henry Forrester, 1804–1872

The World is Folly's Toy

undated

Alfred Henry Forrester The Follies of Costume

Print made by Alfred Henry Forrester, 1804–1872

The Follies of Costume

undated

Alfred Henry Forrester Zoological Education

Print made by Alfred Henry Forrester, 1804–1872

Zoological Education

undated

Alfred Henry Forrester Very Fresh Fish

Print made by Alfred Henry Forrester, 1804–1872

Very Fresh Fish

undated

A. M. Gauci Lady Fragrant, at 7 Years Old

Print made by A. M. Gauci, fl.1848–1869

Lady Fragrant, at 7 Years Old

1870

William Ward The Newbus Ox

Print made by William Ward, 1766–1826

The Newbus Ox

1812

Edward Fisher The Ladies Amabel and Mary Jemina Yorke

Print made by Edward Fisher, 1722–1785

The Ladies Amabel and Mary Jemina Yorke

1762

John Dean Elizabeth, Countess of Derby

Print made by John Dean, 1754–1798

Elizabeth, Countess of Derby

1780

William Dickinson Lady Charles Spencer

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

William Alexander, 1767–1816

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

ca. 1799

Peter Vanderbank Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

Peter Vanderbank, 1649–1697

Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

undated

George Clint General James Stuart

George Clint, 1770–1854

General James Stuart

1802

Niccoló Schiavonetti Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

Niccoló Schiavonetti, 1771–1813

Charlotte (née Percy) Ashburnham, Viscountess St.Asaph

1812

Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

Charles Turner Hon. James Yorke, Bishop of Ely

Charles Turner, 1774–1857

Hon. James Yorke, Bishop of Ely

1810

Thomas Leeson Rowbotham A View of Rouen from the River

Thomas Leeson Rowbotham, 1783–1853

A View of Rouen from the River

undated

Isaac Weld Pffeffen Bad/ Switzerland

Isaac Weld, 1774–1856

Pffeffen Bad/ Switzerland

ca. 1817

James Henry Watt St. Cecilia

James Henry Watt, 1799–1867

St. Cecilia

1834

W. R. Smith Hospice of the Great St. Bernard II (The Dead-House)

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard II (The Dead-House)

1829

Edward Goodall Marengo

Print made by Edward Goodall, 1795–1870

Marengo

1830

John Pye Ehrenbreitstein, During the Demolition of the Fortress in 1817

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Daniel Allen Cristina

Print made by Daniel Allen, active 1830s

Cristina

1830

Daniel Allen An Etruscan Vase

Print made by Daniel Allen, active 1830s

An Etruscan Vase

1830

Daniel Allen A Grecian Drinking Cup

Print made by Daniel Allen, active 1830s

A Grecian Drinking Cup

1830

Edward Goodall St. Pierre's Cottage

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834