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George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
George Stubbs Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
George Stubbs, 1724–1806
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
Niccoló Schiavonetti Rustic Benevolence
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
Henry Hoppner Meyer View of the New Country Prison at Abingdon, Berkshire
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire
undated
Frederick Landseer Maur Griggs Anglia Pedita
Print made by Frederick Landseer Maur Griggs, 1876–1938
Anglia Pedita
1925
Thomas Rowlandson Stag at Bay - Scene near Taplow, Berks.
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
Sir William Russell Flint Design for a National Savings Birthday Card
Sir William Russell Flint, 1880–1969
Design for a National Savings Birthday Card
between 1938 and 1945
George Dawe Benjamin West, Esqr.
Print made by George Dawe, 1781–1829
Benjamin West, Esqr
1804
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
James Basire Plate XI: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
John Piper King's College, Cambridge, from Trinity
Print made by John Piper, 1903–1992
King's College, Cambridge, from Trinity
ca. 1954
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
John Leech Highland Regiment in Camp
John Leech, 1817–1864
Highland Regiment in Camp
undated
Thomas Rowlandson The Shipwrecked Sailors
Thomas Rowlandson, 1756–1827
The Shipwrecked Sailors
undated
Lilian Stannard The Flower-Covered Arch
Lilian Stannard, 1877 or 1884–1944
The Flower-Covered Arch
undated
James Dobie Horae Serenae
Print made by James Dobie, 1849–1911
Horae Serenae
1896
John Coplans Back Torso from Below
John Coplans, 1920–2003
Back Torso from Below
1985
John Harris the elder Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
Thomas Rowlandson The Doctor's Consultation
Thomas Rowlandson, 1756–1827
The Doctor's Consultation
1815-1820
Samuel Howitt A Zebra
Samuel Howitt, 1756–1822
A Zebra
ca. 1807
Charles Hamilton Smith Views from Spain towards the High Pyrenees
Charles Hamilton Smith, 1776–1859
Views from Spain towards the High Pyrenees
undated
Charles Hamilton Smith Town and Castle of Cardona
Charles Hamilton Smith, 1776–1859
Town and Castle of Cardona
undated
Charles Hamilton Smith Ruins at Amposta on the Ebro
Charles Hamilton Smith, 1776–1859
Ruins at Amposta on the Ebro
undated
Charles Hamilton Smith Views on the Tagus
Charles Hamilton Smith, 1776–1859
Views on the Tagus
undated
Charles Hamilton Smith View of the Douro towards Porto
Charles Hamilton Smith, 1776–1859
View of the Douro towards Porto
undated
Charles Hamilton Smith Monastery of San Just where Charles V died
Charles Hamilton Smith, 1776–1859
Monastery of San Just where Charles V died
undated
Charles Hamilton Smith Irun River between Lumbier and Sanguesa, Navarre
Charles Hamilton Smith, 1776–1859
Irun River between Lumbier and Sanguesa, Navarre
undated
Charles Hamilton Smith Straits of Gibraltar From the Back of the Rock
Charles Hamilton Smith, 1776–1859
Straits of Gibraltar From the Back of the Rock
undated
Charles Hamilton Smith Roman Castellum and Viaduct at Evora
Charles Hamilton Smith, 1776–1859
Roman Castellum and Viaduct at Evora
1835
Charles Hamilton Smith Sabugal
Charles Hamilton Smith, 1776–1859
Sabugal
undated
Charles Hamilton Smith Xeres from the Ramparts
Charles Hamilton Smith, 1776–1859
Xeres from the Ramparts
undated
Charles Hamilton Smith Quintel do Brula
Charles Hamilton Smith, 1776–1859
Quintel do Brula
undated
Charles Hamilton Smith Grollo of St. Anthony under Cape San Antonio
Charles Hamilton Smith, 1776–1859
Grollo of St. Anthony under Cape San Antonio
undated
Charles Hamilton Smith Eruption of the Volcanic Island Sabrina
Charles Hamilton Smith, 1776–1859
Eruption of the Volcanic Island Sabrina
undated
Charles Hamilton Smith Porto da Ilha, St. Michaels, Azores
Charles Hamilton Smith, 1776–1859
Porto da Ilha, St. Michaels, Azores
undated
Charles Hamilton Smith Espiel in the Sierra Morena
Charles Hamilton Smith, 1776–1859
Espiel in the Sierra Morena
undated
Charles Hamilton Smith Castelo Bom
Charles Hamilton Smith, 1776–1859
Castelo Bom
undated
Charles Hamilton Smith Col de Balaguer
Charles Hamilton Smith, 1776–1859
Col de Balaguer
undated
Charles Hamilton Smith Rock of Lisbon
Charles Hamilton Smith, 1776–1859
Rock of Lisbon
undated
Charles Hamilton Smith Villa Franca and Harbour
Charles Hamilton Smith, 1776–1859
Villa Franca and Harbour
undated
Charles Hamilton Smith Granada
Charles Hamilton Smith, 1776–1859
Granada
undated
Charles Hamilton Smith Bridge of Martorelle
Charles Hamilton Smith, 1776–1859
Bridge of Martorelle
undated
Charles Hamilton Smith Bridge of Castello Bom on the Coa
Charles Hamilton Smith, 1776–1859
Bridge of Castello Bom on the Coa
undated
Charles Hamilton Smith Tarifa in the Straits of Gibraltar
Charles Hamilton Smith, 1776–1859
Tarifa in the Straits of Gibraltar
undated
Charles Hamilton Smith Three images: Don Miguel's Country House, Belem, On the Tagus Towards Belem
Charles Hamilton Smith, 1776–1859
Three images: Don Miguel's Country House, Belem, On the Tagus Towards Belem
undated
Charles Hamilton Smith Levria
Charles Hamilton Smith, 1776–1859
Levria
undated
Charles Hamilton Smith Punta Delgada
Charles Hamilton Smith, 1776–1859
Punta Delgada
undated
Charles Hamilton Smith Entrance to Burgos
Charles Hamilton Smith, 1776–1859
Entrance to Burgos
undated
Charles Hamilton Smith Pass in the Sierra Morena
Charles Hamilton Smith, 1776–1859
Pass in the Sierra Morena
undated
Charles Hamilton Smith Pass of the Ebro
Charles Hamilton Smith, 1776–1859
Pass of the Ebro
undated
Charles Hamilton Smith Bright extremity of the Lines of Lisbon at Alhandra on the Tagus
Charles Hamilton Smith, 1776–1859
Bright extremity of the Lines of Lisbon at Alhandra on the Tagus
undated
Charles Hamilton Smith Terceira
Charles Hamilton Smith, 1776–1859
Terceira
undated
Charles Hamilton Smith Bridge & Arch of Martorel, Catalonia
Charles Hamilton Smith, 1776–1859
Bridge & Arch of Martorel, Catalonia
undated