Materials & Techniques: wove paper / Height [cm]: 41 - YCBA Collections Search Search Results

1. Human Skeleton, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Pen with iron gall ink, and graphite squared for transfer on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 x 10 3/4 inches (41.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.6 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Pity

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:: Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

49. Cascade at St. Anns

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 7 7/8 inches (26.7 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Maraccas Waterfall

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Hotel de Ville, Hague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1859
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Adrian Hope's House I: View from the Road

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink on slightly texture, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 20 inches (40.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Mr. Thompson's Wire Mill, Tintern

Creator:: James Ward, 1769–1859
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 25 1/2 inches (40.6 x 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Design for Commodes for Lady Poulett's Room, Stratford Place

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: 1807
Materials & Techniques:: Graphite and pen and brown ink on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 16 1/4 × 12 3/16 inches (41.3 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Full Length Study of Mr. Gardner

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 × 9 3/4 inches (40.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. The Three Marys

Creator:: Benjamin West, 1738–1820
Date:: 1783
Materials & Techniques:: Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/16 x 8 1/4 inches (41.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1818
Materials & Techniques:: Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Queen Victoria

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Graphite and brown wash on smooth, thick, brown wove paper on thick wove paper
Dimensions:: Sheet: 16 1/8 × 12 1/16 inches (41 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1820
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. St. Michael's Mount, Ultrecht

Creator:: Louis Haghe, 1806–1885
Date:: 1849
Materials & Techniques:: Watercolor, white gouache, graphite and gum arabic on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 12 3/8 inches (41 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Battleship

Creator:: Peter Lanyon, 1918–1964
Date:: ca. 1944
Materials & Techniques:: Watercolor and gouache on medium, moderately textured, white wove paper and medium, smooth, brown wove paper
Dimensions:: Sheet: 16 1/8 x 13 inches (41 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

62. Beauvais Cathedral

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/16 × 10 9/16 inches (40.8 × 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

63. Waterfall near Lynton

Creator:: Robert Marris, 1750–1827
Date:: 1780
Materials & Techniques:: Watercolor gouache, pen and black ink, black crayon, graphite, and scraping out on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Falstaff Carrying Dead Hotspur

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Cobham Hall, Kent: First and Second Floor Plans

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: 1715 to 1725
Materials & Techniques:: Etching on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 16 × 11 inches (40.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Launce Teaching His Dog Crab

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. High Street, Oxford

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1812
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Aske Hall

Creator:: Print made by John Scott, 1774–1828
Date:: 1821
Materials & Techniques:: Etching; engraver's proof (a), open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 22 1/4 inches (41 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Destruction of Both Houses of Parliament

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. King's College, Cambridge, from Trinity

Creator:: Print made by John Piper, 1903–1992
Date:: ca. 1954
Materials & Techniques:: Lithograph on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 20 3/8 x 26 7/8 inches (51.8 x 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Abbotsford

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 10 7/8 inches (40.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Unidentified Tower

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and brown wash on slightly textured, medium cream wove paper
Dimensions:: Sheet: 16 × 9 3/4 inches (40.6 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Miss Murray

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1839
Materials & Techniques:: Mezzotint (proof) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 inches (41.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. North Front of the Bank

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 16 1/16 × 12 1/16 inches (40.8 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Penmanmawr

Creator:: David Cox, 1783–1859
Date:: 1855
Materials & Techniques:: Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream wove paper
Dimensions:: Mount: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Undertakers Regaling

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/16 × 21 inches (44 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The Great Court and Chapel of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1798
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 27 5/16 inches (53.5 × 69.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Cambridge University: Queens College

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/16 × 26 1/16 inches (46.8 × 66.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Kings College, the Chapel and Clare Hall in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Aquatint with etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/4 × 27 inches (54 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The East Front of the Library of Trinity College in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 25 7/8 inches (47.6 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. John Burnet, Author of "Practical Hints on Painting"

Creator:: Charles Fox, 1749–1809
Date:: 1827
Materials & Techniques:: Etching and stipple engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 x 11 7/16 inches (40.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Plate XII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Tony Nuttall, Stage 1 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

90. Tony Nuttall, Stage 5 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

91. Tony Nuttall, Stage 7 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

92. Tony Nuttall, Stage 3 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

93. Mr. Jonas Webb, of Babraham, and his Three Rams

Creator:: Print made by John West Giles, active 1827–1865
Date:: 1842
Materials & Techniques:: Lithograph with hand coloring on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 3/4 x 23 1/4 inches (47.6 x 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Winter Afternoon

Creator:: Print made by Francis Dodd, 1874–1949
Date:: 1910
Materials & Techniques:: Drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 x 11 5/16 inches (40.9 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

95. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Connubial Happiness

Creator:: Print made by E. J. Dumée, active 1790
Date:: 1786
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/16 × 17 1/2 inches (56 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. Man Wearing a Hat

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 12 5/8 inches (46.3 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

98. S. Andreas

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 3/16 x 14 7/16 inches (53.8 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Admiral William Sidney Smith and The Seige of Acre

Creator:: Anthony Cardon, 1772–1813
Date:: 1804
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 9 1/16 inches (40.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. View of the New Country Prison at Abingdon, Berkshire

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: undated
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 18 9/16 inches (41.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Height [cm] 41

Search Results

1. Human Skeleton, Lateral View

2. Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)

3. Tiger Body, Lateral View

4. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

5. Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

6. Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)

7. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

8. Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)

9. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

10. Tiger Body, Lateral View

11. 'Emblem of that which shall awake the dead' (Page 19)

12. 'Disease invades the chastest temperence' (Page 10)

13. 'The present moment terminates our sight' (Page 13)

14. 'O treacherous conscience!' (Page 27)

15. 'Tis greatly wise to talk with our past hours' (Page 31)

16. 'Love, and love only, is the loan for love' (Page 37)

17. 'One radiant mark, – the death-bed of the just' (Page 41)

18. 'Where sense runs savage broke from reason's chain' (Page 46)

19. 'As if the sun could envy, check'd his beam' (Page 49)

20. 'Teaching, we learn; and giving, we retain' (Page 35)

21. 'Angels should paint it, angels ever there' (Page 40)

22. Night the Third. Narcissa; Title Page

23. 'Till death, that mighty hunter, earths them all' (Page 70)

24. 'This King of Terrors is the Prince of Peace' (Page 63)

25. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

26. 'Oft bursts my song beyond the bounds of life' (Page 16)

27. 'Behold him, when past by; what then is seen' (Page 25)

28. 'Tis greatly wise to talk with our past hours' (Page 31)

29. 'Angels should paint it, angels ever there' (Page 40)

30. 'One radiant mark, – the death-bed of the just' (Page 41)

31. Night the Third. Narcissa; Title Page

32. 'This King of Terrors is the Prince of Peace' (Page 63)

33. 'As if the sun could envy, check'd his beam' (Page 49)

34. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

35. 'Death! great proprietor of all! 'tis thine' (Page 8)

36. 'Disease invades the chastest temperence' (Page 10)

37. 'The present moment terminates our sight' (Page 13)

38. 'O treacherous conscience! while she seems to sleep" (Page 27)

39. 'Like that, the dial speaks; and points to thee' (Page 33)

40. 'Teaching, we learn; and giving, we retain' (Page 35)

41. 'Love, and love only, is the loan for love' (Page 37)

42. 'Emblem of that which shall awake the dead' (Page 19)

43. 'Till at Death's toll, whose restless iron tongue' (Page 7)

44. 'The longest night though longer far, would fail' (Page 15)

45. 'Till at Death's toll, whose restless iron tongue' (Page 7)

46. 'The longest night though longer far, would fail' (Page 15)

47. Pity

48. Sealing the Stone and Setting a Watch

49. Cascade at St. Anns

50. Maraccas Waterfall

51. Hotel de Ville, Hague

52. Adrian Hope's House I: View from the Road

53. Mr. Thompson's Wire Mill, Tintern

54. Design for Commodes for Lady Poulett's Room, Stratford Place

55. Full Length Study of Mr. Gardner

56. The Three Marys

57. Joshua Commanding the Sun to Stand Still

58. Queen Victoria

59. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

60. St. Michael's Mount, Ultrecht

61. Battleship

62. Beauvais Cathedral

63. Waterfall near Lynton

64. Falstaff Carrying Dead Hotspur

65. Cobham Hall, Kent: First and Second Floor Plans

66. Launce Teaching His Dog Crab

67. High Street, Oxford

68. Aske Hall

69. Destruction of Both Houses of Parliament

70. Cologne on the Rhine

71. King's College, Cambridge, from Trinity

72. Abbotsford

73. Unidentified Tower

74. Miss Murray