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George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
George Stubbs Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
George Stubbs Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
George Stubbs Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
George Stubbs, 1724–1806
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
Michel Jean Cazabon Cascade at St. Anns
Michel Jean Cazabon, 1813–1888
Cascade at St. Anns
1851
Michel Jean Cazabon Maraccas Waterfall
Michel Jean Cazabon, 1813–1888
Maraccas Waterfall
1851
Thomas Shotter Boys Hotel de Ville, Hague
Thomas Shotter Boys, 1803–1874
Hotel de Ville, Hague
1859
Henry Phillip Hope Adrian Hope's House I: View from the Road
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View from the Road
undated
James Ward Mr. Thompson's Wire Mill, Tintern
James Ward, 1769–1859
Mr. Thompson's Wire Mill, Tintern
1807
Charles Heathcote Tatham Design for Commodes for Lady Poulett's Room, Stratford Place
Charles Heathcote Tatham, 1772–1842
Design for Commodes for Lady Poulett's Room, Stratford Place
1807
Sir Walter Thomas Monnington Full Length Study of Mr. Gardner
Sir Walter Thomas Monnington, 1902–1976
Full Length Study of Mr. Gardner
undated
Benjamin West The Three Marys
Benjamin West, 1738–1820
The Three Marys
1783
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1818
John James Chalon Queen Victoria
John James Chalon, 1778–1854
Queen Victoria
undated
Alfred Edward Chalon Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
Alfred Edward Chalon, 1780–1860
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
Louis Haghe St. Michael's Mount, Ultrecht
Louis Haghe, 1806–1885
St. Michael's Mount, Ultrecht
1849
Peter Lanyon Battleship
Peter Lanyon, 1918–1964
Battleship
ca. 1944
Samuel Prout Beauvais Cathedral
Samuel Prout, 1783–1852
Beauvais Cathedral
undated
Robert Marris Waterfall near Lynton
Robert Marris, 1750–1827
Waterfall near Lynton
1780
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans
Print made by Henry Hulsberg, active 1700s–died 1729
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Samuel Middiman High Street, Oxford
Etched by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1812
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1821
James Tibbits Willmore Destruction of Both Houses of Parliament
Print made by James Tibbits Willmore, 1800–1863
Destruction of Both Houses of Parliament
1835
Edward Goodall Cologne on the Rhine
Print made by Edward Goodall, 1795–1870
Cologne on the Rhine
1824
John Piper King's College, Cambridge, from Trinity
Print made by John Piper, 1903–1992
King's College, Cambridge, from Trinity
ca. 1954
Henry Le Keux Abbotsford
Print made by Henry Le Keux, 1787–1868
Abbotsford
1834
Lewis Vulliamy Unidentified Tower
Lewis Vulliamy, 1791–1871
Unidentified Tower
between 1818 and 1822
George H. Phillips Miss Murray
Print made by George H. Phillips, active 1819–1825
Miss Murray
1839
unknown artist North Front of the Bank
unknown artist
North Front of the Bank
1797
David Cox Penmanmawr
David Cox, 1783–1859
Penmanmawr
1855
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Thomas Rowlandson Undertakers Regaling
Thomas Rowlandson, 1756–1827
Undertakers Regaling
1801
unknown artist St. Vincent's Rocks, Clifton (Hotwell House and Baths)
Print made by unknown artist
St. Vincent's Rocks, Clifton (Hotwell House and Baths)
ca. 1840
Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
Thomas Malton the Younger Cambridge University: Queens College
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
Thomas Malton the Younger Kings College, the Chapel and Clare Hall in the University of Cambridge
Thomas Malton the Younger, 1748–1804
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
Thomas Malton the Younger The East Front of the Library of Trinity College in the University of Cambridge
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
Sutton Nicholls Southampton or Bloomsbury Square
Sutton Nicholls, active 1725
Southampton or Bloomsbury Square
1754
Charles Fox John Burnet, Author of "Practical Hints on Painting"
Charles Fox, 1749–1809
John Burnet, Author of "Practical Hints on Painting"
1827
James Basire Plate XII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
James Basire Plate XI: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
James Basire Plate XIII: St Stephen's Chapel
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
Richard Hamilton Tony Nuttall, Stage 1 Proof
Richard Hamilton, 1922–2011
Tony Nuttall, Stage 1 Proof
2004 to 2005
Richard Hamilton Tony Nuttall, Stage 5 Proof
Richard Hamilton, 1922–2011
Tony Nuttall, Stage 5 Proof
2004 to 2005
Richard Hamilton Tony Nuttall, Stage 7 Proof
Richard Hamilton, 1922–2011
Tony Nuttall, Stage 7 Proof
2004 to 2005
Richard Hamilton Tony Nuttall, Stage 3 Proof
Richard Hamilton, 1922–2011
Tony Nuttall, Stage 3 Proof
2004 to 2005
John West Giles Mr. Jonas Webb, of Babraham, and his Three Rams
Print made by John West Giles, active 1827–1865
Mr. Jonas Webb, of Babraham, and his Three Rams
1842
Francis Dodd Winter Afternoon
Print made by Francis Dodd, 1874–1949
Winter Afternoon
1910
Thomas Rowlandson Stag at Bay - Scene near Taplow, Berks.
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
E. J. Dumée Connubial Happiness
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
Johann Jacobus Haid Man Wearing a Hat
Print made by Johann Jacobus Haid, 1704–1767
Man Wearing a Hat
undated
Johann Jacobus Haid S. Andreas
Print made by Johann Jacobus Haid, 1704–1767
S. Andreas
undated
Anthony Cardon Admiral William Sidney Smith and The Seige of Acre
Anthony Cardon, 1772–1813
Admiral William Sidney Smith and The Seige of Acre
1804
Henry Hoppner Meyer View of the New Country Prison at Abingdon, Berkshire
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire
undated