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Materials & Techniques wove paper

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Cornfield and Church by Moonlight
Creator:
Samuel Palmer, 1805–1881
Date:
early 1830s
Materials & Techniques:
Brush and black ink on very thick, smooth, cream wove paper
Dimensions:
Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Waves
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gray and brown washes with white gouache over graphite on thick, slightly textured, gray wove paper
Dimensions:
Sheet: 5 13/16 × 8 7/8 inches (14.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Probably made as the basis for a key figure)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, and pen with iron gall ink, with traces of red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 x 21 1/8 inches (39.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Skeleton, Lateral View (Finished Study for Table IV)
Creator:
George Stubbs, 1724–1806
Date:
between 1795 and 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:
Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 inches (40.3 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bruiser
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 inches (40 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas S. Holman, New York, NY
Siracusa, 12. June 1847
Creator:
Edward Lear, 1812–1888
Date:
1847
Materials & Techniques:
Pen in brown ink over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 13/16 x 11 9/16 inches (40.2 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Ungrateful, shall we grieve their hovering shades' (Page 55)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Is lost in love! thou great Philanthropist' (Page 87)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Like that, the dial speaks; and points to thee' (Page 33)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'And vapid; sense and reason shew the door' (Page 72)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Is lost in love! thou great Philanthropist' (Page 87)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'When faith is virtue, reason makes it so' (Page 92)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The vale of death! that hush'd cimmerian vale' (Page 54)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Ungrateful, shall we grieve their hovering shades' (Page 55)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night the Second. On Time, Death and Friendship; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night the First. On Life, Death and Immortality; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Its favours here are trials, not rewards' (Page 12)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Time, in advance, behind him hides his wings' (Page 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Swift on his downy pinion flies from woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'That touch, with charm celestial heals the soul' (Page 90)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Measuring his motions by revolving spheres' (Page 26)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'What, though my soul fantastick measures trod' (Page 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The Sun beheld it – No, the shocking scene' (Page 75)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'But for the blessing wrestle not with heaven' (Page 88)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The goddess bursts in thunder and in flame' (Page 95)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Its favours here are trials, not rewards' (Page 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rustic Benevolence
Creator:
Niccoló Schiavonetti, 1771–1813
Date:
1804
Materials & Techniques:
Stipple engraving, colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 19 3/8 inches (41.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Porch, Harfleur
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 7 1/4 inches (40 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate X: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lodge Gate
Creator:
Lionel Edwards, 1878–1966
Date:
1922
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 13 7/8 x 9 13/16in. (35.2 x 24.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. David Cox

David Cox
Creator:
Print made by Samuel Bellin, 1799–1894
Date:
undated
Materials & Techniques:
Mezzotint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 20 1/2 x 16 9/16 inches (52 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Creator:
Print made by W. Pyott, active late 18th century
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 x 14 3/4 inches (48.9 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

54. Princess

Princess
Creator:
Print made by David Mach, born 1956
Date:
1996
Materials & Techniques:
Screen print on thick, moderately textured, white wove paper
Dimensions:
Sheet: 22 x 29 3/8 inches (55.9 x 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation
William Hodges, R.A.
Creator:
Print made by William Daniell, 1769–1837
Date:
1810
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 7/8 x 11 5/16 inches (40.3 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Survey of Tunstall Marshes
Creator:
Isaac Johnson, 1754–1835
Date:
1753
Materials & Techniques:
Graphite, pen and black ink, watercolor and gouache on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 3/4 × 22 7/8 inches (40 × 58.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
Creator:
Print made by James Mason, 1710–1783
Date:
1778
Materials & Techniques:
Line engraving on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 22 1/4 inches (47 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Hunting Doctor
Creator:
Attributed to John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, and watercolor on medium, slightly textured, white wove paper
Dimensions:
Image: 10 × 16 5/8 inches (25.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice, Evening, Sheet 14
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 2
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 5
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 3
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 1
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 4
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 8
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 11
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 15
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
This is NOT the Baron of Oakland, in the Opera of the Haunted Tower
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 15 7/8 x 11 3/4 inches (40.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie
Venice, Evening, Sheet 10
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 13
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 12
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 7
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 9
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 6
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
Venice, Evening, Sheet 16
Creator:
Print made by Sir Howard Hodgkin, 1932–2017
Date:
1995
Materials & Techniques:
Lift-ground etching, aquatint, and carborundum with hand coloring on Velin Arches 300gsm white wove paper
Dimensions:
Sheet: 15 3/4 × 19 1/2 inches (40 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Marla Price
The North Country Mails at The Peacock Inn, Islington
Creator:
James Pollard, 1792–1867
Date:
1815
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Bongley

Bongley
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 15/16 × 10 5/16 inches (35.4 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
Plant Sketches
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
The Sitala Temple
Creator:
Print made by Ernest Stephen Lumsden, 1883–1948
Date:
1916
Materials & Techniques:
Etching with drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 10 3/8 inches (40 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Lithograph from a Collection of 14, 1952-1954
Creator:
Print made by Reg Butler, 1913–1981
Date:
1954
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Study after the Story of Apollo and Daphne
Creator:
Attributed to John Ruskin, 1819–1900
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 1/4 inches (40 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Elliot Sussman, MD, MBA, Yale BA 1973
Palace Ruins, Pillar and Temple Gateway, Madurai, Tamil Nadu
Creator:
Thomas Daniell, 1749–1840
Date:
July 1792
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 25 inches (40.3 x 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri
Creator:
Thomas Daniell, 1749–1840
Date:
July 1795
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 17 13/16 × 20 5/16 inches (45.2 × 51.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
Creator:
Lionel Grimston Fawkes, 1849–1931
Date:
1881
Materials & Techniques:
Graphite and watercolor on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 8 3/8 inches (40 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
James Northcote
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
1824
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper with cream chine colle
Dimensions:
Sheet: 22 1/16 × 17 5/16 inches (56 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
A View of the Estate at Esholt Hall, Yorkshire
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 33 5/8 inches (40 x 85.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett
Charles Fox
Creator:
Print made by William Carpenter, 1818–1899
Date:
1849
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, beige wove paper with beige chine collé
Dimensions:
Sheet: 15 9/16 x 10 1/4 inches (39.6 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir William Beechey, R. A.
Creator:
Print made by Richard Cooper the Younger, 1740–1814
Date:
1814
Materials & Techniques:
Crayon manner, stipple engraving, and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Resurrection of the Dead
Creator:
Conrad Martin Metz, 1749–1827
Date:
1801
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Geoffrey and Renée Hartman
Elevation of an Unidentified Church
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wollaton Hall, Nottingham: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1801
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, white wove paper
Dimensions:
Sheet: 15 9/16 × 21 5/8 inches (39.5 × 55 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wollaton Park, Nottingham: South Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1801
Materials & Techniques:
Pen and black and brown ink, graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 21 3/4 inches (39.7 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the East India Docks
Creator:
Print made by William Daniell, 1769–1837
Date:
1808
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 × 32 7/8 inches (50.2 × 83.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Forum of Trajan
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1857
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 15 7/8 × 12 1/8 inches (40.3 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Bas-relief of the Biga, Arch of Titus
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 15 13/16 × 12 inches (40.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
Creator:
Upper print made by unknown artist
Date:
1862
Materials & Techniques:
Wood-engraving and letterpress with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
Lion Walking
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 16 5/8in. (29.1 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rocks, River and Boats
Creator:
George Chinnery, 1774–1852
Date:
between 1826 and 1852
Materials & Techniques:
Graphite, pen and brush and brown ink on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 23 7/8 inches (39.7 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unloading the Shipping
Creator:
Thomas Rowlandson, 1756–1827
Date:
1799
Materials & Techniques:
Watercolor, pen and ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Lubetkin