Materials & Techniques: wove paper / Height [cm]: 30 - YCBA Collections Search Search Results

1. Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf

Creator:: Vanessa Bell, 1879–1961
Date:: ca. 1941
Materials & Techniques:: Pen and black ink and graphite
Dimensions:: Sheet: 11 7/8 × 8 7/8 inches (30.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Lucia Woods Lindley

2. A London Church

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1924
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. Mountains by the Traveller's Rest near Dolgelly

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor and gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Trees in a Meadow

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Graphite, watercolor, black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 9 7/8 inches (29.5 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Salisbury Cathedral From the Meadows

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:: Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Fulham Church from across the River

Creator:: John Constable, 1776–1837
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Drawing of the Clyde

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching printed in brown ink; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Procris and Cephalus

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/4 inches (29.5 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Mildmay Sea-Piece

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Calm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (g) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Fluelen: Morning (Looking towards the Lake)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1845
Materials & Techniques:: Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. St. Catherine's Hill, Guildford, Surrey

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, graphite, scraping out and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sheep-Washing, Windsor

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Hind Head Hill

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young Anglers

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/2 inches (30.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fettered Urizen Weeping (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "They call'd her Pity, and fled..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Praying Child and Howling Dog (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Chapter II, "Muster around the bleak desarts..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Urizen Swims through Dark Waters (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Urizen (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Urizen (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Chapter V, "The globe of life blood trembled..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. From a Globe of Blood Rises Enitharmon (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Chapter IX, "They lived a period of years..." (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Los with the child Orc and Enitharmon (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "In living creations appear'd..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Chapter III, "As the stars are apart from the earth..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Urizen (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Urizen (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "The Ox in the slaughter house moans..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Garden of Thomas Sandby's House at Englefield Green near Windsor

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1800
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/4 inches (29.5 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Bridge Crossing River

Creator:: William Sawrey Gilpin, 1762–1843
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 15 7/8 inches (30 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

58. Maria

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Studies of Two Men and a Hand

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 14 1/2 inches (29.8 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Newbury from Speen Hill

Creator:: Print made by William Byrne, 1743–1805
Date:: 1805
Materials & Techniques:: Etching and line engraving with chine collé; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 7/8 inches (29.5 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Poole, Dorsetshire

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; 1st state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 11/16 inches (29.8 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1812
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Lulworth Cove, Dorset

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1811-1812
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Portrait of an Elderly Gentleman and Portrait of an Elderly Woman

Creator:: James Havard Thomas, 1854–1921
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper mounted on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 10 inches (30.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Havard Thomas (through Mrs. Kate H. Goodbody) 1932

66. A Boy Playing a Drum in the Garden of a Country House

Creator:: William Henry Pyne, 1769–1843
Date:: 1793
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Figure Study for the Painting of Victory of Lord Duncan: Study for the Figure of Admiral de Winter

Creator:: John Singleton Copley, 1738–1815
Date:: undated
Materials & Techniques:: Black and white chalk on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 11 7/8 x 8 7/8 inches (30.2 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Mill on the Tavy

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Church of the Holy Sepulchre

Creator:: William James Muller, 1812–1845
Date:: between 1838 and 1840
Materials & Techniques:: Watercolor with pen in brown ink, over graphite, with gouache on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Taj Mahal from the River

Creator:: unknown artist
Date:: 1818
Materials & Techniques:: Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 18 7/8 inches (30.2 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Statue from near the Cayish Pagoda in Gunnyghaum

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 19 5/8 inches (30.2 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View in Oheitepeha Bay, Otaheite

Creator:: John Webber, 1752–1793
Date:: 1791
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 7/8 inches (29.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Sailing Canoe of Otaheite

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Toopapaoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad

Creator:: John Webber, 1752–1793
Date:: 1788
Materials & Techniques:: Graphite; verso: transferred soft ground and graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 5/8 inches (29.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Balagans or Summer Habitations, with the Method of Drying Fish, at St. Peter and Paul, Kamtschatka

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View in Macao, Including the Residence of Camoens, When He Wrote his Lusiad

Creator:: John Webber, 1752–1793
Date:: 1788
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Dunloh Castle, Killarney, Ireland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 19 3/16 inches (30.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. General Joseph Sabine

Creator:: Attributed to Edward Byng, c. 1676–1753
Date:: undated
Materials & Techniques:: Pen and brown ink, black ink, and gray wash on thin, slightly textured, beige wove paper, mounted to medium, slightly textured, brown wove paper
Dimensions:: Sheet: 11 3/4 × 10 1/4 inches (29.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Boats, Fishermen and Peasents near a Weir

Creator:: George Robertson, 1749–1788
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 1/2 inches (29.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, yellow gouache, pen and black ink, and graphite on moderately thick, slightly textured, green wove paper
Dimensions:: Sheet: 11 5/8 × 4 7/8 inches (29.5 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on thick, slightly textured, green wove paper
Dimensions:: Sheet: 11 5/8 × 7 inches (29.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Ancient Crosses at Whalley

Creator:: Print made by James Basire II, 1769–1822
Date:: 1800
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 9 1/4 inches (29.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Wickham from the Marlow Road

Creator:: Print made by William Byrne, 1743–1805
Date:: 1803
Materials & Techniques:: Etching and line engraving with chine collé; published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Abingdon, from the Thames Navigation

Creator:: Print made by William Byrne, 1743–1805
Date:: 1805
Materials & Techniques:: Etching and line engraving with chine collé; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Windsor from the Forest, Berks

Creator:: Print made by John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 10 1/8 inches (32.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Donnington Castle

Creator:: Print made by William Byrne, 1743–1805
Date:: 1805
Materials & Techniques:: Etching and line engraving with chine collé; published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Windsor from the Forest, Berks

Creator:: Print made by John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Pope's Villa

Creator:: Engraved by John Pye, 1782–1874
Date:: 1810
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 16 1/2 inches (32.4 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Keep, Arundel Castle

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen, brown ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 10 1/4 inches (23.2 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Eton, from the Slough Road

Creator:: Print made by William Byrne, 1743–1805
Date:: 1803
Materials & Techniques:: Etching and line engraving with chine collé; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching on thick, rough, cream wove paper
Dimensions:: Sheet: 11 13/16 × 17 1/2 inches (30 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Taormina, Sicily

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: undated
Materials & Techniques:: Graphite with white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 22 7/8 inches (30.2 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Brighton Town and Church

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching with chine collé; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1824
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (4) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Height [cm] 30

Search Results

1. Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf

2. A London Church

3. Mountains by the Traveller's Rest near Dolgelly

4. The Vine

5. The Vine

6. The Early Ploughman

7. The Herdsman's Cottage

8. The Sleeping Shepherd

9. The Weary Ploughman

10. Trees in a Meadow

11. Salisbury Cathedral From the Meadows

12. Fulham Church from across the River

13. The Drawing of the Clyde

14. Procris and Cephalus

15. Winchelsea, Sussex

16. The Bridge and Goats

17. The Mildmay Sea-Piece

18. Calm

19. Fluelen: Morning (Looking towards the Lake)

20. St. Catherine's Hill, Guildford, Surrey

21. Barnard Castle

22. Sheep-Washing, Windsor

23. River Wye

24. Chain of Alps from Grenoble to Chamberi

25. Hind Head Hill

26. Young Anglers

27. London from Greenwich

28. Fettered Urizen Weeping (Plate 12)

29. "They call'd her Pity, and fled..." (Plate 17)

30. Praying Child and Howling Dog (Plate 24)

31. Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

32. Chapter II, "Muster around the bleak desarts..." (Plate 4)

33. Urizen Swims through Dark Waters (Plate 5)

34. Urizen (Plate 8)

35. Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

36. Urizen (Plate 14)

37. Chapter V, "The globe of life blood trembled..." (Plate 15)

38. From a Globe of Blood Rises Enitharmon (Plate 16)

39. Chapter IX, "They lived a period of years..." (Plate 25)

40. Los with the child Orc and Enitharmon (Plate 18)

41. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

42. Title Page, The First Book of Urizen (Plate 1)

43. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

44. "In living creations appear'd..." (Plate 6)

45. Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

46. Chapter III, "As the stars are apart from the earth..." (Plate 7)

47. Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

48. Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

49. Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

50. Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

51. Urizen (Plate 21)

52. Urizen (Plate 22)

53. "The Ox in the slaughter house moans..." (Plate 23)

54. The Garden of Thomas Sandby's House at Englefield Green near Windsor

55. Death's Door

56. The Reunion of the Soul & the Body

57. Bridge Crossing River

58. Maria

59. Studies of Two Men and a Hand

60. Newbury from Speen Hill

61. St. Michael's Mount, Cornwall

62. Poole, Dorsetshire

63. Lulworth Cove, Dorset

64. Lulworth Cove, Dorset

65. Portrait of an Elderly Gentleman and Portrait of an Elderly Woman

66. A Boy Playing a Drum in the Garden of a Country House

67. Figure Study for the Painting of Victory of Lord Duncan: Study for the Figure of Admiral de Winter

68. Mill on the Tavy

69. The Church of the Holy Sepulchre

70. The Taj Mahal from the River

71. Statue from near the Cayish Pagoda in Gunnyghaum

72. View in Oheitepeha Bay, Otaheite

73. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

74. A Sailing Canoe of Otaheite