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Vanessa Bell Dahlias
Print made by Vanessa Bell, 1879–1961
Dahlias
1918
Francis Danby Oberon and Titania
Francis Danby, 1793–1861
Oberon and Titania
1837
Robert Polhill Bevan A Harrow in the Orchard
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Bright Cloud
Samuel Palmer, 1805–1881
The Bright Cloud
undated
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Study of Waves
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
Joseph Mallord William Turner Teignmouth, Devonshire
Joseph Mallord William Turner, 1775–1851
Teignmouth, Devonshire
ca. 1813
Joseph Mallord William Turner Gloucester Cathedral
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
Edward Lear Peppering. 20 October. 1834
Edward Lear, 1812–1888
Peppering. 20 October. 1834
1834
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Avenue of Trees
Edward Lear, 1812–1888
Avenue of Trees
1867
Edward Lear Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
Edward Lear, 1812–1888
Colósaneh, 5:45 - 6:00 p.m., January 3, 1867 (62)
1867
Edward Lear Sheikh El Wachshee, El Luxor
Edward Lear, 1812–1888
Sheikh El Wachshee, El Luxor
1867
Edward Lear Lago d'Iseo
Edward Lear, 1812–1888
Lago d'Iseo
1867
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
William Blake Urizen (Plate 14)
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
William Blake Chapter V, "The globe of life blood trembled..." (Plate 15)
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
William Blake Urizen (Plate 22)
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
William Blake Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
1794
William Blake Los Falls through Fire (Plate 21)
Print made by William Blake, 1757–1827
Los Falls through Fire (Plate 21)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 22)
1794
William Blake "The Ox in the slaughter house moans..." (Plate 26)
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 26)
1794
William Blake The First Book of Urizen, Plate 28 (Bentley 27)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 28 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)
1794
William Blake "In living creations appear'd..." (Plate 8)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 8)
1794
William Blake Chapter II, "Muster around the bleak desarts..." (Plate 6)
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 6)
1794
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake From a Globe of Blood Rises Enitharmon (Plate 11)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 11)
1794
William Blake Chapter IV, "Los smitten with astonishment..." (Plate 12)
Print made by William Blake, 1757–1827
Chapter IV, "Los smitten with astonishment..." (Plate 12)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 13)
1794
William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
1794
William Blake "They call'd her Pity, and fled..." (Plate 19)
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 19)
1794
William Blake Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 20)
1794
William Blake "Los howld in a dismal stupor..." (Plate 10)
Print made by William Blake, 1757–1827
"Los howld in a dismal stupor..." (Plate 10)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 24)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 27)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 27)
1794
William Blake "In living creations appear'd..." (Plate 6)
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
William Blake Chapter III, "As the stars are apart from the earth..." (Plate 7)
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
William Blake Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
William Blake From a Globe of Blood Rises Enitharmon (Plate 16)
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
William Blake Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
William Blake Praying Child and Howling Dog (Plate 24)
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
William Blake Chapter IX, "They lived a period of years..." (Plate 25)
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
William Blake Title Page, The First Book of Urizen (Plate 1)
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
William Blake Urizen (Plate 8)
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake Title Page, The Book of Thel (Plate 2)
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
George Romney Figure Composition Study 35
George Romney, 1734–1802
Figure Composition Study 35
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Possibly One Reclining Figure and One Dancing Figure
George Romney, 1734–1802
Possibly One Reclining Figure and One Dancing Figure
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney The Temptation of Christ
George Romney, 1734–1802
The Temptation of Christ
undated
George Romney Hell
George Romney, 1734–1802
Hell
undated
George Romney Sibyl
George Romney, 1734–1802
Sibyl
undated
Sir John Gilbert Wayfarers
Sir John Gilbert, 1817–1897
Wayfarers
undated
James Holland The Zattere, Sunset
James Holland, 1799–1870
The Zattere, Sunset
undated
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
John Hassell The Entrance to King John's Palace, Eltham, Kent
John Hassell, 1767–1825
The Entrance to King John's Palace, Eltham, Kent
ca. 1812
Charles Green The Visiting Card - Langham Sketching Club Subject
Charles Green, 1840–1898
The Visiting Card - Langham Sketching Club Subject
undated
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856
River Tamar, near Endsleigh, Devon
ca. 1832
George Jones Interior of a Blacksmith's Forge
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
George Morland Peasants Resting
George Morland, 1763–1804
Peasants Resting
1795
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
Francis Nicholson Cader Idris, North Wales
Francis Nicholson, 1753–1844
Cader Idris, North Wales
undated
John Nixon On the Sands at Brighton: Figures Walking on the Shore
John Nixon, ca. 1760–1818
On the Sands at Brighton: Figures Walking on the Shore
undated
Frederick Mackenzie The West Door, Rochester Cathedral, Kent
Frederick Mackenzie, 1788–1854
The West Door, Rochester Cathedral, Kent
undated
George Pyne Design for Gameskeeper's Cottage
George Pyne, 1800–1884
Design for Gameskeeper's Cottage
undated
Francesco Bartolozzi Sincerity
Print made by Francesco Bartolozzi, 1728–1815
Sincerity
1781
John Graham Knowle Park, the Seat of the Earl of Plymouth
John Graham, 1754–1817
Knowle Park, the Seat of the Earl of Plymouth
1837
James McNeill Whistler Figures Outside a Doorway, possibly painted in Brittany
James McNeill Whistler, 1834–1903
Figures Outside a Doorway, possibly painted in Brittany
ca. 1893
Thomas Shotter Boys On the Seine
Thomas Shotter Boys, 1803–1874
On the Seine
1831
George Gladwin York House: Plan of Principle Floor
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
Florence Claxton Lady with Harp
Florence Claxton, active 1855–1889
Lady with Harp
undated
Spencer Frederick Gore Cave of the Golden Calf: Study of Two Frenzied Dancers
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
John Greig Godalming, Surrey
John Greig, active 1803–1853
Godalming, Surrey
1820
George Cruikshank London. A Street: 'Henry IV Part II,' Act II, Scene I
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
unknown artist Lady Anne Fenoulhet (née Day)
unknown artist
Lady Anne Fenoulhet (née Day)
ca.1760
Sawrey Gilpin Two People: One Standing, One Seated on a Horse
Sawrey Gilpin, 1733–1807
Two People: One Standing, One Seated on a Horse
1760
Sir Robert Smirke the younger Outside the Gate of S. Gallo, Florence
Sir Robert Smirke the younger, 1781–1867
Outside the Gate of S. Gallo, Florence
1802-1804
Sir Robert Smirke the younger Mountains in the Distance
Sir Robert Smirke the younger, 1781–1867
Mountains in the Distance
1802-1804