Materials & Techniques: wove paper / Height [cm]: 15 / Subject Terms: landscape (representation)

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855

Lyme Regis, Dorsetshire

1814

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1814 to 1826

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1824

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828-1832

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828 to 1837

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 2

1828-1837

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828-1832

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878

Ehrenbreitstein

1833

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by James Tibbits Willmore, 1800–1863

Clairmont

1833

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1833

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1831

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 1

1828

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828-1837

Print made by Robert Wallis, 1794–1878

Virginia Water, No. 2

1828

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1828-1837

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1831

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1831

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

1832

Print made by William Radclyffe, 1780–1855

Blenheim, Oxfordshire

1833

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by Edward Goodall, 1795–1870

Carlisle

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Miller, 1796–1882

Dryburgh Abbey

1833

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Materials & Techniques wove paper

Height [cm] 15

Subject Terms landscape (representation)

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Materials & Techniques wove paper

Height [cm] 15

Subject Terms landscape (representation)

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