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Materials & Techniques wove paper

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William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake "Therefore God becomes as we are..." (Plate 9)
Print made by William Blake, 1757–1827
"Therefore God becomes as we are..." (Plate 9)
ca. 1788
William Blake I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Print made by William Blake, 1757–1827
I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
ca. 1788
William Blake II. "Reason or the ratio of all we have already known..." (Plate 11)
Print made by William Blake, 1757–1827
II. "Reason or the ratio of all we have already known..." (Plate 11)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
Bernard Lens II Annuciation
Print made by Bernard Lens II, 1659–1725
Annuciation
undated
Bernard Lens II Head of a Mogul
Print made by Bernard Lens II, 1659–1725
Head of a Mogul
undated
Sir Robert Smirke the younger Porch to a Private House in Padua
Sir Robert Smirke the younger, 1781–1867
Porch to a Private House in Padua
1802-1804
unknown artist Interior of Stone Building
unknown artist
Interior of Stone Building
undated
Robert Smirke Master William Page and Sir Hugh Evans
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Richard Parkes Bonington Le Retour
Print made by Richard Parkes Bonington, 1802–1828
Le Retour
1826
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
Augustus Welby Northmore Pugin Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
James Tibbits Willmore The Sea! The Sea!
Print made by James Tibbits Willmore, 1800–1863
The Sea! The Sea!
1836
James Tibbits Willmore The Sea! The Sea!
Print made by James Tibbits Willmore, 1800–1863
The Sea! The Sea!
1836
James C. Allen Harborough Sands
Print made by James C. Allen, active 1821–1831
Harborough Sands
ca. 1830
James C. Allen Harborough Sands
Print made by James C. Allen, active 1821–1831
Harborough Sands
ca. 1830
Edward Scriven Sir Frederick William Herschel
Edward Scriven, 1775–1841
Sir Frederick William Herschel
ca.1830
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Thomas Sully Small Waterfall in Forest
Thomas Sully, 1783–1872
Small Waterfall in Forest
undated
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845
Malvolio Dancing
1827
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
James Tibbits Willmore The Sea! The Sea!
Print made by James Tibbits Willmore, 1800–1863
The Sea! The Sea!
1836
James Smetham Cutting Reviews
James Smetham, 1821–1889
Cutting Reviews
undated
George Jones Head of a Donkey
George Jones, 1786–1869
Head of a Donkey
undated
George Cruikshank The First Step
Print made by George Cruikshank, 1792–1878
The First Step
undated
George Cruikshank An Awkward Post
Print made by George Cruikshank, 1792–1878
An Awkward Post
undated
Francesco Bartolozzi Miss Eyre
Print made by Francesco Bartolozzi, 1728–1815
Miss Eyre
1778
Peter DeWint Still Life with a Jug and Copper Pan
Peter DeWint, 1784–1849
Still Life with a Jug and Copper Pan
undated
Francesco Bartolozzi Mrs. Lenox
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792
Robert Cooper Daniel O'Connell, Esqr.
Print made by Robert Cooper, active ca. 1800–1836
Daniel O'Connell, Esqr
1825
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
unknown artist Samuel Johnson
unknown artist
Samuel Johnson
undated
James C. Allen Harborough Sands
Print made by James C. Allen, active 1821–1831
Harborough Sands
1819-1826
John Linnell The Vision of Eliphaz
circle of John Linnell, 1792–1882
The Vision of Eliphaz
undated
John Linnell The Fall of Satan
circle of John Linnell, 1792–1882
The Fall of Satan
undated
Frederick Bromley Joseph Wilton, Esq.
Print made by Frederick Bromley, active 1856–1860
Joseph Wilton, Esq
1862
Alexander George Fraser A Seated Man Drinking
Print made by Alexander George Fraser, 1786–1865
A Seated Man Drinking
undated
Graham Vivian Sutherland Barrow Hedges Farm
Print made by Graham Vivian Sutherland, 1903–1980
Barrow Hedges Farm
1924
Frederick Bromley Sir Robert Chambers
Print made by Frederick Bromley, active 1856–1860
Sir Robert Chambers
1862
Robert Cooper A. More
Print made by Robert Cooper, active ca. 1800–1836
A. More
1826
George H. Every Sir Joshua Reynolds
George H. Every, 1837–1910
Sir Joshua Reynolds
1866
Sir Anthony Van Dyck William Cavendish, Duke of Newcastle
after Sir Anthony Van Dyck, 1599–1641
William Cavendish, Duke of Newcastle
1836
Eileen Hogan Beehive Orchard
Print made by Eileen Hogan, born 1946
Beehive Orchard
2013
Constance Pierce Sketchbook
Constance Pierce, born 1946
Sketchbook
1998
Edward Francis Finden Ancient Temple at Kunkhul
Print made by Edward Francis Finden, 1791–1857
Ancient Temple at Kunkhul
ca. 1840
Frank Meadow Sutcliffe A Study
Frank Meadow Sutcliffe, 1853–1941
A Study
1871
unknown artist Portrait of a Young Woman
Print made by unknown artist
Portrait of a Young Woman
undated
unknown artist Tomb Effigy of Three Knights in Medieval Armor
unknown artist
Tomb Effigy of Three Knights in Medieval Armor
undated
Bill Jay Untitled
Bill Jay, 1940–2009
Untitled
before 1992
Frederick Henry Evans Crépuscule au Printemps, France
Frederick Henry Evans, 1853–1943
Crépuscule au Printemps, France
before 1900