Materials & Techniques: wove paper / Work Type: watercolor / Subject Terms: branches

1. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Fruit trees, 3 April 1863

Creator:: Edward Lear, 1812–1888
Date:: 1863
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 16 13/16 x 10 inches (42.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

4. The Angel (Plate 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Little Boy Lost (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Laughing Song (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Tyger (Plate 42)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. My Pretty Rose Tree (Plate 47)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Human Abstract (Plate 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Fly (Plate 48)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Little Girl Lost (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Night (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Songs of Experience, Frontispiece (Plate 32)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. A Poison Tree (Plate 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Lamb (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Little Girl Found (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Divine Image (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A Cradle Song (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Earth's Answer (Plate 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Clod & the Pebble (Plate 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Holy Thursday (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Little Girl Lost (Plate 44)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Title Page, The Book of Thel (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "And One stood forth from the Divine Family..." (Plate 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "His face and bosom with petrific hardness..." (Plate 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. "Bath, healing City!..." (Plate 45)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Shepherd (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Ecchoing Green (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Introduction (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Chimney Sweeper (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Little Black Boy (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Spring (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Ecchoing Green (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Lamb (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Cytherea's Day..." (Design 45)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Divine Image (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Infant Joy (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Night (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Little Boy Lost (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Laughing Song (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "The Four Zoa's clouded rage..." (Plate 74)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A Cradle Song (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Introduction (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Little Girl Found (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Nurse's Song (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. On Anothers Sorrow (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Spring (Plate 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Little Black Boy (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. 'What, though my soul fantastick measures trod' (Page 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Purple Year awaking from the Roots of Nature (Design 3)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Enitharmon slept. ..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Title Page, The First Book of Urizen (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Entrance Front of Hayley's House at Eartham

Creator:: William Blake, 1757–1827
Date:: 1801
Materials & Techniques:: Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Autumn Trees by a Lake

Creator:: Joseph Barber, 1757–1811
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 3/8 inches (21.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Castle and Figures in a Landscape

Creator:: Joseph Barber, 1757–1811
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 inches (21.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Part of Regent's Park

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1805
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 5 inches (16.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Macrocarpa

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 3/16 inches (33.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Cottage and Foot Bridge

Creator:: William Henry Pyne, 1769–1843
Date:: 1794
Materials & Techniques:: Watercolor, graphite, pen and gray ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 × 6 7/8 inches (12.9 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Chestnut Tree at Little Wymondley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 x 10 3/4 inches (19.4 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Peasant Girls

Creator:: attributed to John Absolon, 1815–1895
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 1/2 inches (32.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Landscape

Creator:: John Minton, 1917–1957
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

80. "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 10 13/16 inches (21.1 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Tree Study (Autumn Foliage)

Creator:: attributed to John Linnell, 1792–1882
Date:: ca. 1828
Materials & Techniques:: Gouache and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 12 1/8 inches (25.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Old Olive Tree

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 5 inches (15.2 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Landscape, Corsica

Creator:: John Minton, 1917–1957
Date:: 1947
Materials & Techniques:: Watercolor, pen and black ink and pen and gray-blue ink with wash, white wax crayon and pastel on medium, moderately textured, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 19 1/2 inches (38.1 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Peasants Resting

Creator:: George Morland, 1763–1804
Date:: 1795
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 15/16 × 8 1/16 inches (15.1 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Allegory of Napoleonic Battles

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 x 5in. (7.9 x 12.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. In Rydal Park

Creator:: Joseph Powell, 1780–1834
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 8 inches (28.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Lear in the Storm

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with gouache and scraping, partially varnished on moderately thick, slightly textured, cream wove paper mounted on thick, slightly textured, peach wove paper with contemporary drawn border
Dimensions:: Contemporary drawn border: 30 1/16 x 24 15/16 inches (76.3 x 63.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. A Fallen Oak

Creator:: attributed to William Henry Hunt, 1790–1864
Date:: ca. 1815
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Composition: The Edge of a Wood

Creator:: Dr. Thomas Monro, 1759–1833
Date:: undated
Materials & Techniques:: Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 15/16 × 8 9/16 inches (20.2 × 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Fish Ponds

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 × 7 1/16 inches (12.9 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Family Group

Creator:: John Absolon, 1815–1895
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 20 x 14 7/8 inches (50.8 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage

Creator:: Richard Dadd, 1817–1886
Date:: 1874
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 14 7/8 inches (25.1 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Trees by a Pool

Creator:: John Absolon, 1815–1895
Date:: Undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 16 5/8 × 21 7/8 inches (42.2 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Trees and Barns in Ashstead Park, Surrey

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 13 1/2 × 9 1/2 inches (34.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Beech Trees

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 1/8 inches (21.3 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Devil's Bridge, Aberystwyth

Creator:: Rev. Charles Annesley, 1787–1863
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A Kingfisher

Creator:: Thomas Atwood, active ca. 1761–1766
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 5 3/4 inches (15.2 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Ashtead

Creator:: Attributed to Hon. Daniel Finch, 1789–1868
Date:: 1833
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 inches (20.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Group of Peasants with Musical Instruments

Creator:: Attributed to John Absolon, 1815–1895
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, pen, and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Woody Nightshade

Creator:: Edwin Alexander, 1870–1926
Date:: 1904
Materials & Techniques:: Watercolor, gouache and graphite on thick, moderately textured, brown wove paper mounted on board
Dimensions:: Sheet: 13 5/8 × 11 3/4 inches (34.6 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Work Type watercolor

Subject Terms branches

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1. The Weald of Kent

2. Corpo di Cava, 28 June 1838

3. Fruit trees, 3 April 1863

4. The Angel (Plate 40)

5. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

6. Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)

7. Title Page, The First Book of Urizen (Plate 1)

8. The Little Boy Lost (Plate 16)

9. Laughing Song (Plate 14)

10. The Tyger (Plate 42)

11. My Pretty Rose Tree (Plate 47)

12. The Human Abstract (Plate 46)

13. The Fly (Plate 48)

14. The Little Girl Lost (Plate 20)

15. Night (Plate 30)

16. Songs of Experience, Frontispiece (Plate 32)

17. A Poison Tree (Plate 41)

18. The Lamb (Plate 18)

19. The Little Girl Found (Plate 22)

20. The Divine Image (Plate 24)

21. A Cradle Song (Plate 26)

22. Earth's Answer (Plate 35)

23. The Clod & the Pebble (Plate 36)

24. Holy Thursday (Plate 38)

25. A Little Girl Lost (Plate 44)

26. Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)

27. "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

28. Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

29. Title Page, The Book of Thel (Plate 2)

30. I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

31. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

32. "And One stood forth from the Divine Family..." (Plate 37)

33. "His face and bosom with petrific hardness..." (Plate 38)

34. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

35. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

36. "Bath, healing City!..." (Plate 45)

37. 'What, though my soul fantastick measures trod' (Page 4)

38. The Shepherd (Plate 4)

39. The Ecchoing Green (Plate 8)

40. Introduction (Plate 3)

41. The Chimney Sweeper (Plate 10)

42. The Little Black Boy (Plate 6)

43. Spring (Plate 12)

44. "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)

45. "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)

46. "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)

47. The Ecchoing Green (Plate 10)

48. The Lamb (Plate 8)

49. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

50. "Cytherea's Day..." (Design 45)

51. The Divine Image (Plate 12)

52. Infant Joy (Plate 14)

53. Night (Plate 16)

54. The Little Boy Lost (Plate 20)

55. Laughing Song (Plate 28)

56. "The Four Zoa's clouded rage..." (Plate 74)

57. "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

58. A Cradle Song (Plate 18)

59. Introduction (Plate 3)

60. The Little Girl Found (Plate 6)

61. Nurse's Song (Plate 22)

62. On Anothers Sorrow (Plate 24)

63. Spring (Plate 26)

64. The Little Black Boy (Plate 30)

65. 'What, though my soul fantastick measures trod' (Page 4)

66. "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)

67. The Purple Year awaking from the Roots of Nature (Design 3)

68. "Enitharmon slept. ..." (Plate 10)

69. Title Page, The First Book of Urizen (Plate 1)

70. "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)

71. The Entrance Front of Hayley's House at Eartham

72. Autumn Trees by a Lake

73. Castle and Figures in a Landscape