Materials & Techniques: wove paper / Work Type: watercolor / Height [cm]: 41

1. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Till death, that mighty hunter, earths them all' (Page 70)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Where sense runs savage broke from reason's chain' (Page 46)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Emblem of that which shall awake the dead' (Page 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Behold him, when past by; what then is seen' (Page 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. 'The present moment terminates our sight' (Page 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. 'Oft bursts my song beyond the bounds of life' (Page 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'Tis greatly wise to talk with our past hours' (Page 31)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. 'Death! great proprietor of all! 'tis thine' (Page 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. 'Disease invades the chastest temperence' (Page 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. 'Angels should paint it, angels ever there' (Page 40)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Night the Third. Narcissa; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. 'As if the sun could envy, check'd his beam' (Page 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. 'This King of Terrors is the Prince of Peace' (Page 63)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. 'Till at Death's toll, whose restless iron tongue' (Page 7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. 'The longest night though longer far, would fail' (Page 15)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827
Date:: 1800 to 1803
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

38. Pity

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:: Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Hotel de Ville, Hague

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1859
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Creator:: Alfred Edward Chalon, 1780–1860
Date:: ca. 1820
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/2 × 13 1/2 inches (31.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. St. Michael's Mount, Ultrecht

Creator:: Louis Haghe, 1806–1885
Date:: 1849
Materials & Techniques:: Watercolor, white gouache, graphite and gum arabic on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 12 3/8 inches (41 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Paladi Pontine da Velletri

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of an Island with Sailboat

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, over grayphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Isle of Capri Seen on the South

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Bay of Naples

Creator:: Henry Swinburne, 1743–1803
Date:: 1777 to 1778
Materials & Techniques:: Gray wash, and graphite, on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Court of the Lions in the Alhambra of Granada

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Gates of the Alhambra: Puerta de los Siete Suelos

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and brown ink, black ink, gray wash, black wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 3/16 inches (41.4 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Blue and White (Portrait of a Lady)

Creator:: Ambrose McEvoy, 1878–1927
Date:: undated
Materials & Techniques:: Graphite and watercolor on Thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

49. Penmanmawr

Creator:: David Cox, 1783–1859
Date:: 1855
Materials & Techniques:: Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream wove paper
Dimensions:: Mount: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Waterfall near Lynton

Creator:: Robert Marris, 1750–1827
Date:: 1780
Materials & Techniques:: Watercolor gouache, pen and black ink, black crayon, graphite, and scraping out on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Full Length Study of Mr. Gardner

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Graphite and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/16 × 9 3/4 inches (40.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. Shanklin Church/ Isle of Wight

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 16 3/16 × 21 13/16 inches (41.1 × 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Harlech Castle and Twgwyn Ferry

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Launce Teaching His Dog Crab

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. Falstaff Carrying Dead Hotspur

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. The Three Marys

Creator:: Benjamin West, 1738–1820
Date:: 1783
Materials & Techniques:: Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 3/16 x 8 1/4 inches (41.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Joshua Commanding the Sun to Stand Still

Creator:: John Martin, 1789–1854
Date:: 1818
Materials & Techniques:: Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Queen Victoria

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Graphite and brown wash on smooth, thick, brown wove paper on thick wove paper
Dimensions:: Sheet: 16 1/8 × 12 1/16 inches (41 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Battleship

Creator:: Peter Lanyon, 1918–1964
Date:: ca. 1944
Materials & Techniques:: Watercolor and gouache on medium, moderately textured, white wove paper and medium, smooth, brown wove paper
Dimensions:: Sheet: 16 1/8 x 13 inches (41 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

60. Views of Polar Regions

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Views of Spain, Volume I

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Stone Bridge

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Landscape, With view of coast and Palm trees in the Distance

Creator:: Henry Swinburne, 1743–1803
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 16 5/16 × 9 5/16 inches (41.4 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Cascade at St. Anns

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 7 7/8 inches (26.7 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Maraccas Waterfall

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite, and white gouache with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Entrance to Hengrave Hall, 1819

Creator:: Anna Mills, active 1819
Date:: 1819
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper in contemporary wove paper insert with wash boader
Dimensions:: Sheet: 15 15/16 x 10 5/8 inches (40.5 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Stag at Bay - Scene near Taplow, Berks.

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1801
Materials & Techniques:: Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A Zebra

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1807
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Design for a National Savings Birthday Card

Creator:: Sir William Russell Flint, 1880–1969
Date:: between 1938 and 1945
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 × 14 1/2 inches (40.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Windsor Castle, Berkshire: View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1830
Materials & Techniques:: Pen and blak ink and graphite with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 28 5/8 inches (41.3 × 72.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Windsor Castle, Berkshire: View

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: after 1830
Materials & Techniques:: Pen and black ink and wash on wove paper with single black ink boarder
Dimensions:: Sheet: 16 1/4 × 28 5/8 inches (41.3 × 72.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Highland Regiment in Camp

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Town Crier

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink, gray ink over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 9 1/8 inches (29.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Doctor's Consultation

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1815-1820
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 8 11/16 inches (27.5 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Shipwrecked Sailors

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 8 inches (26.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A Town House on the Thames

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 40 1/8 inches (40.6 x 101.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

77. Thames Side Buildings

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

78. The Flower-Covered Arch

Creator:: Lilian Stannard, 1877 or 1884–1944
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 16 1/4 × 20 1/2 inches (41.3 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, In Memory of Helen G. and Charles H. Warner Sr.

79. Landlord and Tenant

Creator:: George John Pinwell, 1842–1875
Date:: 1871
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 22 5/8 inches (40.6 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

80. Cordora looking down the Guadalquiver

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Views from Spain towards the High Pyrenees

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Entrance to the Hall of Ambassadors, Alcazar at Seville

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Canlavieja

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Prison of the Inquisition at Cordova

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Grotto of Montserrat

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Hermitage of St. Trinidad, Montserrat

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Triumphal Arch of Bara

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Town and Castle of Cardona

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Corunna

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1814
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Torre Moncorvo in Tra los Montes

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Outeiro

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Ponta del Grada

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Tomb of the Scipio's near Tarragona

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Monastery of San Just where Charles V died

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Bridge over the Coa near Almeida

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Irun River between Lumbier and Sanguesa, Navarre

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Cascade of St Miguel del Fai near Barcelona

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Chapel of San Juan de la Pena, Coast of Biscay

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Trajan's Bridge at Alcantara

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Mathada Lorda & Coa

Creator:: Charles Hamilton Smith, 1776–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques wove paper

Work Type watercolor

Height [cm] 41

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1. 'The present moment terminates our sight' (Page 13)

2. 'Emblem of that which shall awake the dead' (Page 19)

3. 'Teaching, we learn; and giving, we retain' (Page 35)

4. 'Love, and love only, is the loan for love' (Page 37)

5. 'One radiant mark, – the death-bed of the just' (Page 41)

6. Night the Third. Narcissa; Title Page

7. 'As if the sun could envy, check'd his beam' (Page 49)

8. 'Till death, that mighty hunter, earths them all' (Page 70)

9. 'O treacherous conscience!' (Page 27)

10. 'Tis greatly wise to talk with our past hours' (Page 31)

11. 'Angels should paint it, angels ever there' (Page 40)

12. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

13. 'This King of Terrors is the Prince of Peace' (Page 63)

14. 'Disease invades the chastest temperence' (Page 10)

15. 'Where sense runs savage broke from reason's chain' (Page 46)

16. 'Till at Death's toll, whose restless iron tongue' (Page 7)

17. 'Emblem of that which shall awake the dead' (Page 19)

18. 'Behold him, when past by; what then is seen' (Page 25)

19. 'O treacherous conscience! while she seems to sleep" (Page 27)

20. 'The present moment terminates our sight' (Page 13)

21. 'The longest night though longer far, would fail' (Page 15)

22. 'Oft bursts my song beyond the bounds of life' (Page 16)

23. 'Tis greatly wise to talk with our past hours' (Page 31)

24. 'Like that, the dial speaks; and points to thee' (Page 33)

25. 'One radiant mark, – the death-bed of the just' (Page 41)

26. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

27. 'Death! great proprietor of all! 'tis thine' (Page 8)

28. 'Disease invades the chastest temperence' (Page 10)

29. 'Teaching, we learn; and giving, we retain' (Page 35)

30. 'Love, and love only, is the loan for love' (Page 37)

31. 'Angels should paint it, angels ever there' (Page 40)

32. Night the Third. Narcissa; Title Page

33. 'As if the sun could envy, check'd his beam' (Page 49)

34. 'This King of Terrors is the Prince of Peace' (Page 63)

35. 'Till at Death's toll, whose restless iron tongue' (Page 7)

36. 'The longest night though longer far, would fail' (Page 15)

37. Sealing the Stone and Setting a Watch

38. Pity

39. Hotel de Ville, Hague

40. Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

41. St. Michael's Mount, Ultrecht

42. Paladi Pontine da Velletri

43. View of an Island with Sailboat

44. Isle of Capri Seen on the South

45. Bay of Naples

46. Court of the Lions in the Alhambra of Granada

47. Gates of the Alhambra: Puerta de los Siete Suelos

48. Blue and White (Portrait of a Lady)

49. Penmanmawr

50. Waterfall near Lynton

51. Full Length Study of Mr. Gardner

52. Shanklin Church/ Isle of Wight

53. Harlech Castle and Twgwyn Ferry

54. Launce Teaching His Dog Crab

55. Falstaff Carrying Dead Hotspur

56. The Three Marys

57. Joshua Commanding the Sun to Stand Still

58. Queen Victoria

59. Battleship

60. Views of Polar Regions

61. Views of Spain, Volume I

62. Stone Bridge

63. Landscape, With view of coast and Palm trees in the Distance

64. Cascade at St. Anns

65. Maraccas Waterfall

66. The Entrance to Hengrave Hall, 1819

67. Stag at Bay - Scene near Taplow, Berks.

68. A Zebra

69. Design for a National Savings Birthday Card

70. Windsor Castle, Berkshire: View

71. Windsor Castle, Berkshire: View

72. Highland Regiment in Camp

73. A Town Crier