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Materials & Techniques wove paper

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Work Type watercolor

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Height [cm] 21

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John R. Skeaping Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
John R. Skeaping, 1901–1980
Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
1972
Robert Polhill Bevan Swiss Cottage, Hampstead
Robert Polhill Bevan, 1865–1925
Swiss Cottage, Hampstead
between 1912 and 1913
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
Joseph Mallord William Turner Windsor Castle and Park with Deer
Joseph Mallord William Turner, 1775–1851
Windsor Castle and Park with Deer
undated
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
Print made by William Blake, 1757–1827
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake Fettered Urizen Weeping (Plate 12)
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
Robert Smirke Scene from Don Quixote
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
Robert Smirke Five Vignettes of Scenes from Antiquity
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
Boge Raj Madhavrao Ballajirao Peshwa
Boge Raj, active eighteenth century
Madhavrao Ballajirao Peshwa
undated
James Holland The Facade of the Royal Naval College, Greenwich
James Holland, 1799–1870
The Facade of the Royal Naval College, Greenwich
undated
Gangaram Chintaman Tambat Praying Man
Attributed to Gangaram Chintaman Tambat, active 1790s
Praying Man
undated
James de Carle Sowerby A Parrot
James de Carle Sowerby, 1787–1871
A Parrot
undated
James Sowerby A Bird
James Sowerby, 1756–1822
A Bird
undated
James de Carle Sowerby A Cockatoo
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
William Bradford Pass in the Mountains Between Nisa and Villa Velha
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
Sir Charles D'Oyly Government House from St. Andrew's Library - Calcutta
Sir Charles D'Oyly, 1781–1845
Government House from St. Andrew's Library - Calcutta
undated
Sir Charles D'Oyly Statue of the Marquis of Hastings in Tank Square - Calcutta
Sir Charles D'Oyly, 1781–1845
Statue of the Marquis of Hastings in Tank Square - Calcutta
undated
James Sowerby Meadow Pipit
James Sowerby, 1756–1822
Meadow Pipit
undated
James Sowerby A European Goldfinch
James Sowerby, 1756–1822
A European Goldfinch
undated
James Sowerby A Shrew
James Sowerby, 1756–1822
A Shrew
undated
James Sowerby A Dog
James Sowerby, 1756–1822
A Dog
undated
James Sowerby Great Blue Turaco
James Sowerby, 1756–1822
Great Blue Turaco
undated
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
James Ward Harlech
James Ward, 1769–1859
Harlech
undated
Edward Francis Burney Apollo and Phaeton
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
Henry William Bunbury The Prince Regent and the Moneylenders
Henry William Bunbury, 1750–1811
The Prince Regent and the Moneylenders
undated
David Cox Eton from the Thames
attributed to David Cox, 1783–1859
Eton from the Thames
between 1800 and 1829
James Sowerby A Vole
James Sowerby, 1756–1822
A Vole
undated
Robert Barnes Boy Tying a Girl's Shoe
Print made by Robert Barnes, 1840–1895
Boy Tying a Girl's Shoe
undated
Robert Barnes Boy Holding an Apple for a Girl with Two Girls Beyond
Print made by Robert Barnes, 1840–1895
Boy Holding an Apple for a Girl with Two Girls Beyond
undated
Evelyn Gibbs Three Figures Resting by a Roadside
Evelyn Gibbs, 1905–1991
Three Figures Resting by a Roadside
undated
Richard Parkes Bonington Ile de la Cite
Richard Parkes Bonington, 1802–1828
Ile de la Cite
undated
Florence Claxton Gentleman and a Lady
Florence Claxton, active 1855–1889
Gentleman and a Lady
undated
Richard Parkes Bonington Near Honfleur
Richard Parkes Bonington, 1802–1828
Near Honfleur
ca. 1823
George Augustus Sala Englishman in Inca Costume
George Augustus Sala, 1828–1895
Englishman in Inca Costume
undated
Sir Robert Smirke the younger Design for London Bridge Approach
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
George Shepheard The Village of Aldbury, Hertfordshire
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
William Turner of Oxford Tysoe Windmill and Church, Warwickshire
William Turner of Oxford, 1789–1862
Tysoe Windmill and Church, Warwickshire
1849
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
Hercules Brabazon Brabazon Figures in an eastern colonnade
Hercules Brabazon Brabazon, 1821–1906
Figures in an eastern colonnade
undated
Myles Birket Foster Lago Maggior, Italy
Myles Birket Foster, 1825–1899
Lago Maggior, Italy
undated
unknown artist Plymouth Harbor
unknown artist
Plymouth Harbor
undated
Louis Philippe Boitard Self-Portrait with Two Young Men
Louis Philippe Boitard, active 1734–1760
Self-Portrait with Two Young Men
between 1730 and 1740
Sir James Thornhill Sheet of Classical Figure Studies
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
Isaac Weld View of the Falls of Niagara
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
Isaac Weld Mt. St. Bernard (Switzerland)
Isaac Weld, 1774–1856
Mt. St. Bernard (Switzerland)
1816
unknown artist Paddle Steamer Near Weymouth
unknown artist
Paddle Steamer Near Weymouth
ca. 1830
Isaac Weld On the Tiber/ Castle of St. Angelo
Isaac Weld, 1774–1856
On the Tiber/ Castle of St. Angelo
1818
unknown artist Gloucester Cathedral
unknown artist
Gloucester Cathedral
ca. 1795
Joseph Cartwright Side View of Single Barque
Joseph Cartwright, c.1789–1829
Side View of Single Barque
undated
Joseph Cartwright Adelaide: Side View of Schooner
Joseph Cartwright, c.1789–1829
Adelaide: Side View of Schooner
undated
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
Robert Hills Budds Green, Kent
Robert Hills, 1769–1844
Budds Green, Kent
undated
William Howes Hunt View of Yarmouth
William Howes Hunt, 1806–1879
View of Yarmouth
1874
Sir Robert Smirke the younger The Amphitheatre at Nîmes
Sir Robert Smirke the younger, 1781–1867
The Amphitheatre at Nîmes
1803
Sir Robert Smirke the younger Kalamata, Greece
Sir Robert Smirke the younger, 1781–1867
Kalamata, Greece
1802-1804
Henry Swinburne The Great Bath of the Alhambra
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
Louisa Anne Beresford Haymakers
Louisa Anne Beresford, 1818–1891
Haymakers
undated
Lewis Vulliamy Perspective View of a Fanciful Acropolis Complex
Lewis Vulliamy, 1791–1871
Perspective View of a Fanciful Acropolis Complex
undated
John Henry Campbell Landscape with a Distant View of London
John Henry Campbell, 1757–1829
Landscape with a Distant View of London
undated
Michel Jean Cazabon Village of Arima and Mount Tamana
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
Michel Jean Cazabon The Cottage, Mount Tamana
Michel Jean Cazabon, 1813–1888
The Cottage, Mount Tamana
1851
Paul Sandby Munn View of Side Farm, Patterdale
Paul Sandby Munn, 1773–1845
View of Side Farm, Patterdale
ca. 1802
John Thomas Smith Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
John Varley A Village Street
pupil of John Varley, 1778–1842
A Village Street
undated
unknown artist Norris Castle, Isle of Wight
unknown artist
Norris Castle, Isle of Wight
ca. 1800
unknown artist View of a Farmyard
unknown artist
View of a Farmyard
undated