Materials & Techniques: wove paper / Work Type: intaglio print / Width [cm]: 55

Print made by William Blake, 1757–1827

The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)

1827

Print made by William Blake, 1757–1827

The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

1827

Print made by William Blake, 1757–1827

The Serpent Attacking Buoso Donati (Plate 5)

1827

Francis David Soiron, Born 1764

St. James's Park

1790

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by George Cooke, 1781–1834

Antiquities at Pola, Frontispiece

1818

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

William Ward, 1766–1826

Sailors Conversation

1802

John Rubens Smith, 1775–1849

Breaking the Ice

1798

Print made by Thomas Girtin, 1775–1802

View of the Pantheon taken from the Arsenal

1803

Print made by Samuel Rawle, 1771–1860

Hylton Castle, County of Durham

1816 to 1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Horsburgh, 1791–1869

Folkestone Harbour and Coast to Dover

1831

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by Samuel William Reynolds, 1773–1835

Georgiana Elizabeth Duchess of Newcastle

1825

Charles Rosenberg, active 1828–1848

Harwich

1841

Print made by Henri Toussaint, 1849–1911

John Paul Jones

1906

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

William Ward, 1766–1826

Sailors Conversation

1802

Thomas Malton the Younger, 1748–1804

Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

1798

Thomas Malton the Younger, 1748–1804

Kings College, the Chapel and Clare Hall in the University of Cambridge

1799

Thomas Malton the Younger, 1748–1804

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

1799

Sir Francis Seymour Haden, 1818–1910

A Lancashire River

1881

Print made by John Porter, active 1838

The Chillington Oxen

1838

Print made by Henry Walter, 1786–1849

Londres. Vue Prise de la Tour de l'Eglise de St. Paul

1860

George Vertue, 1684–1756

Charles I and Henrietta

1742

Thomas Girtin, 1775–1802

View of the City with the Louvre &c., taken from Pont Marie

1802

Thomas Girtin, 1775–1802

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

1802

Thomas Girtin, 1775–1802

View of the Village of Chaillot &c., taken from Pont de la Concorde

1802

Thomas Girtin, 1775–1802

View of the City with the Louvre &c. taken from Pont Marie

1802

James Basire II Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

Print made by James Basire II, 1769–1822

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842