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Materials & Techniques wove paper

Work Type intaglio print

Height [cm] 41

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

ca. 1797

William Blake 'O treacherous conscience!' (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience!' (Page 27)

ca. 1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

Henry Hulsberg Cobham Hall, Kent: First and Second Floor Plans

Print made by Henry Hulsberg, active 1700s–died 1729

Cobham Hall, Kent: First and Second Floor Plans

1715 to 1725

Samuel Middiman High Street, Oxford

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

John Scott Aske Hall

Print made by John Scott, 1774–1828

Aske Hall

1821

James Tibbits Willmore Destruction of Both Houses of Parliament

Print made by James Tibbits Willmore, 1800–1863

Destruction of Both Houses of Parliament

1835

Edward Goodall Cologne on the Rhine

Print made by Edward Goodall, 1795–1870

Cologne on the Rhine

1824

Henry Le Keux Abbotsford

Print made by Henry Le Keux, 1787–1868

Abbotsford

1834

George H. Phillips Miss Murray

Print made by George H. Phillips, active 1819–1825

Miss Murray

1839

unknown artist North Front of the Bank

unknown artist

North Front of the Bank

1797

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Thomas Rowlandson Undertakers Regaling

Thomas Rowlandson, 1756–1827

Undertakers Regaling

1801

Thomas Malton the Younger The Great Court and Chapel of Trinity College in the University of Cambridge

Thomas Malton the Younger, 1748–1804

The Great Court and Chapel of Trinity College in the University of Cambridge

1798

Thomas Malton the Younger Cambridge University: Queens College

Print made by Thomas Malton the Younger, 1748–1804

Cambridge University: Queens College

1800

Thomas Malton the Younger Kings College, the Chapel and Clare Hall in the University of Cambridge

Thomas Malton the Younger, 1748–1804

Kings College, the Chapel and Clare Hall in the University of Cambridge

1799

Thomas Malton the Younger The East Front of the Library of Trinity College in the University of Cambridge

Thomas Malton the Younger, 1748–1804

The East Front of the Library of Trinity College in the University of Cambridge

1800

Sutton Nicholls Southampton or Bloomsbury Square

Sutton Nicholls, active 1725

Southampton or Bloomsbury Square

1754

Charles Fox John Burnet, Author of "Practical Hints on Painting"

Charles Fox, 1749–1809

John Burnet, Author of "Practical Hints on Painting"

1827

James Basire Plate XII: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate XII: St Stephen's Chapel

1795

James Basire Plate XI: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate XI: St Stephen's Chapel

1795

James Basire Plate XIII: St Stephen's Chapel

Print made by James Basire, 1730–1802

Plate XIII: St Stephen's Chapel

1795

Francis Dodd Winter Afternoon

Print made by Francis Dodd, 1874–1949

Winter Afternoon

1910

E. J. Dumée Connubial Happiness

Print made by E. J. Dumée, active 1790

Connubial Happiness

1786

Johann Jacobus Haid Man Wearing a Hat

Print made by Johann Jacobus Haid, 1704–1767

Man Wearing a Hat

undated

Johann Jacobus Haid S. Andreas

Print made by Johann Jacobus Haid, 1704–1767

S. Andreas

undated

Anthony Cardon Admiral William Sidney Smith and The Seige of Acre

Anthony Cardon, 1772–1813

Admiral William Sidney Smith and The Seige of Acre

1804

Henry Hoppner Meyer View of the New Country Prison at Abingdon, Berkshire

Henry Hoppner Meyer, ca. 1782–1847

View of the New Country Prison at Abingdon, Berkshire

undated

George Dawe Benjamin West, Esqr.

Print made by George Dawe, 1781–1829

Benjamin West, Esqr

1804

James Tibbits Willmore Fire at Sea

Print made by James Tibbits Willmore, 1800–1863

Fire at Sea

1835

Samuel Arlent Edwards Juliette Récamier

Print made by Samuel Arlent Edwards, 1861–1938

Juliette Récamier

undated

William Walker A Literary Party at Sir Joshua Reynolds

William Walker, 1791–1867

A Literary Party at Sir Joshua Reynolds

1848

Niccoló Schiavonetti Rustic Benevolence

Niccoló Schiavonetti, 1771–1813

Rustic Benevolence

1804

Edward Scriven George Colman, The Elder

Edward Scriven, 1775–1841

George Colman, The Elder

1813

Charles Turner William Spencer, Duke of Devonshire

Print made by Charles Turner, 1774–1857

William Spencer, Duke of Devonshire

1813

William Say The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon

William Say, 1768–1834

The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon

1811

unknown artist The Tenant's Daughter

Print made by unknown artist

The Tenant's Daughter

1798

William Say Hagar and Ishmael

Print made by William Say, 1768–1834

Hagar and Ishmael

1812

Henri Emile Lefort Benjamin Franklin

Print made by Henri Emile Lefort, 1852–1916

Benjamin Franklin

1896

Johann Jacobus Haid S. Philippus

Print made by Johann Jacobus Haid, 1704–1767

S. Philippus

undated

Johann Jacobus Haid S. Ionnes

Print made by Johann Jacobus Haid, 1704–1767

S. Ionnes

undated

Johann Jacobus Haid S. Jacobus Major

Print made by Johann Jacobus Haid, 1704–1767

S. Jacobus Major

undated

Johann Jacobus Haid S. Bartholomaeus

Print made by Johann Jacobus Haid, 1704–1767

S. Bartholomaeus

undated

unknown artist The Landlord's Daughter

Print made by unknown artist

The Landlord's Daughter

1798

Frederick Landseer Maur Griggs Anglia Pedita

Print made by Frederick Landseer Maur Griggs, 1876–1938

Anglia Pedita

1925

Charles Wilkin The Right Honourable Lady Charlotte Duncombe

Print made by Charles Wilkin, 1750–1814

The Right Honourable Lady Charlotte Duncombe

1797

Samuel Cousins The Countess of Blessington

Print made by Samuel Cousins, 1801–1887

The Countess of Blessington

1837

George H. Phillips Lady Wallscourt

Print made by George H. Phillips, active 1819–1825

Lady Wallscourt

1839

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

Edward Francis Finden Santa Maria della Spina, Pisa

Print made by Edward Francis Finden, 1791–1857

Santa Maria della Spina, Pisa

1832-1834

Ernest Stephen Lumsden The Lamas

Print made by Ernest Stephen Lumsden, 1883–1948

The Lamas

1919

Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

Peltro W. Tomkins, 1760–1840

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

W. R. Smith Dido and Aeneas; The Morning of the Chase

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Caroline Kirkley Sir Joshua Reynolds

Print made by Caroline Kirkley, active 1796–1797

Sir Joshua Reynolds

1795

Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

George Baxter George Pritchard, Her Britannic Majesty's Consul

Print made by George Baxter, 1804–1867

George Pritchard, Her Britannic Majesty's Consul

1845

Thomas Malton Lleweney Bleach Works

Thomas Malton, 1726–1801

Lleweney Bleach Works

1798

William Ward Jack in the Bilboes

William Ward, 1766–1826

Jack in the Bilboes

1790

Thomas Malton the Younger Cambridge University: Emmanuel College

Thomas Malton the Younger, 1748–1804

Cambridge University: Emmanuel College

1799

Thomas Malton the Younger South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

Thomas Malton the Younger, 1748–1804

South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge

1799

Sir David Young Cameron The Five Sisters, York Minister

Print made by Sir David Young Cameron, 1865–1945

The Five Sisters, York Minister

1907

William S. Leney Taming the Shrew, Act III, Scene II

William S. Leney, 1769–1831

Taming the Shrew, Act III, Scene II

1793

Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

Robert Mitchell Meadows, Died before 1812

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

Francesco Bartolozzi Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

Print made by Francesco Bartolozzi, 1728–1815

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

William Henry Boucher Over the Nuts and Wine!

Print made by William Henry Boucher, 1842–1906

Over the Nuts and Wine!

1889

George Shaw Twelve Short Walks 12

Print made by George Shaw, born 1966

Twelve Short Walks 12

2005

James Dobie Horae Serenae

Print made by James Dobie, 1849–1911

Horae Serenae

1896