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Materials & Techniques wove paper

Remove constraint Materials & Techniques: wove paper

Creator Ward, James, 1769–1859

Remove constraint Creator: Ward, James, 1769–1859

Subject Terms sporting art

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Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
Creator:
James Ward, 1769–1859
Date:
ca. 1822
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 1/8 × 10 11/16 inches (23.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Mare, Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Charcoal on medium, slightly textured, brown wove paper
Dimensions:
Mount: 11 1/4 × 15 5/16 inches (28.6 × 38.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
1827
Materials & Techniques:
Black chalk and white chalk on medium, smooth, brown wove paper
Dimensions:
Sheet: 9 5/8 x 12 1/2 inches (24.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horse's Foreleg: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 6 13/16 inches (14.6 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portraits of a Gray Horse and a Black and White Spaniel, the Property of the Right Honorable C. Arbuthnot, Esq., M.P.
Creator:
unknown artist
Date:
1822
Materials & Techniques:
Graphite on very thick, smooth, cream wove paper
Dimensions:
Sheet: 11 × 16 5/8 inches (27.9 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ralph John Lambton on His Hunter, "Undertaker"
Creator:
James Ward, 1769–1859
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 7/8 × 11 5/8 inches (20 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black chalk on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 8 inches (23.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horseman in a Landscape
Creator:
James Ward, 1769–1859
Date:
1814
Materials & Techniques:
Pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 13/16 inches (25.2 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Graphite and gray wash on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 9 9/16 × 8 5/16 inches (24.3 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Plunging Eagle
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Varnish over graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boots, Etc. Cromwell's Time, Haddon Hall, Jan. 9, 1825
Creator:
James Ward, 1769–1859
Date:
1825
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection