Materials & Techniques: wove paper / Image Available: Available / Height [cm]: 45 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques wove paper

Image Available Available

Height [cm] 45

George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

George Stubbs, 1724–1806

Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)

1795 to 1806

George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

George Stubbs, 1724–1806

Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)

1795 to 1806

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

William Blake Night the First. On Life, Death and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death and Immortality; Title Page

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

William Blake 'But for the blessing wrestle not with heaven' (Page 88)

Print made by William Blake, 1757–1827

'But for the blessing wrestle not with heaven' (Page 88)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

John Farey Jr. Machinery for the Manufacture of Paper

John Farey Jr., 1791–1851

Machinery for the Manufacture of Paper

ca. 1810

John Frederick Lewis Study for the Proclamation of Don Carlos

John Frederick Lewis, 1804–1876

Study for the Proclamation of Don Carlos

between 1834 and 1838

John Glover St. Donat's Castle, Glamorganshire

John Glover, 1767–1849

St. Donat's Castle, Glamorganshire

undated

James C. Allen Lowestoffe Lighthouse

Print made by James C. Allen, active 1821–1831

Lowestoffe Lighthouse

ca. 1830

Daniel Lysons Stained Glass Window of St. Catherine from Heston Church

Attributed to Daniel Lysons, 1762–1834

Stained Glass Window of St. Catherine from Heston Church

between 1796 and 1811

Daniel Lysons Tomb of Dame Katherine Darcy from Isleworth Church

Attributed to Daniel Lysons, 1762–1834

Tomb of Dame Katherine Darcy from Isleworth Church

between 1796 and 1811

Edward Goodall Perugia

Print made by Edward Goodall, 1795–1870

Perugia

1830

Edward Goodall The Forum

Print made by Edward Goodall, 1795–1870

The Forum

1830

Edward Goodall Galileo's Villa

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Edward Goodall Marengo

Print made by Edward Goodall, 1795–1870

Marengo

1830

Edward Goodall Venice

Print made by Edward Goodall, 1795–1870

Venice

1830

John Pye Ehrenbreitstein, During the Demolition of the Fortress in 1817

Print made by John Pye, 1782–1874

Ehrenbreitstein, During the Demolition of the Fortress in 1817

1828

Augustus Welby Northmore Pugin Design for the Roof Truss, Rampisham Rectory

Augustus Welby Northmore Pugin, 1812–1852

Design for the Roof Truss, Rampisham Rectory

between 1846 and 1848

Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Samuel Davis Man of War Moored in Harbor, Mountains in the Background

Samuel Davis, 1760–1819

Man of War Moored in Harbor, Mountains in the Background

undated

Joseph Bishop Pratt Mrs. Gregory

Print made by Joseph Bishop Pratt, 1854–1910

Mrs. Gregory

1898

William Ward Portrait of the Short Horned Bull Patriot

Print made by William Ward, 1766–1826

Portrait of the Short Horned Bull Patriot

1810

Francesco Bartolozzi The Cottagers

Print made by Francesco Bartolozzi, 1728–1815

The Cottagers

1794

William Dickinson Lady Charles Spencer

Print made by William Dickinson, 1746–1823

Lady Charles Spencer

1776

Peter Vanderbank Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

Peter Vanderbank, 1649–1697

Frederick Schomburg, 1st Duke of Schonberg, 1st Count Mertola

undated

Joseph Grozer Shepherdess (Miss Mary Palmer as the Young Shepherdess)

Joseph Grozer, ca. 1755–1798

Shepherdess (Miss Mary Palmer as the Young Shepherdess)

1799

William Dickinson A Lady and Children

Print made by William Dickinson, 1746–1823

A Lady and Children

1780

Leopold Flameng Grolier with the Printer Aldus Manutius

Print made by Leopold Flameng, 1831–1911

Grolier with the Printer Aldus Manutius

1882

Johnson The Italian Bird Catcher

Print made by Johnson, active 1766

The Italian Bird Catcher

1766

William Ward Compassionate Children

William Ward, 1766–1826

Compassionate Children

1793

John Banting Untitled

John Banting, 1902–1972

Untitled

1932

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Charles Rosenberg Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Alfred Henry Forrester Alfred Crowquill's Christmas

Print made by Alfred Henry Forrester, 1804–1872

Alfred Crowquill's Christmas

undated

John Banting The 100th Lie

John Banting, 1902–1972

The 100th Lie

1931

John Banting The Oracle

John Banting, 1902–1972

The Oracle

1932

Alfred Henry Forrester Why... Because...

Print made by Alfred Henry Forrester, 1804–1872

Why... Because..

undated

William Ward The Citizens Retreat

William Ward, 1766–1826

The Citizens Retreat

1796

William Ward A Vegetable Market

William Ward, 1766–1826

A Vegetable Market

1803

Alfred Henry Forrester Very Fresh Fish

Print made by Alfred Henry Forrester, 1804–1872

Very Fresh Fish

undated

Alfred Henry Forrester Zoological Education

Print made by Alfred Henry Forrester, 1804–1872

Zoological Education

undated

A. M. Gauci Lady Fragrant, at 7 Years Old

Print made by A. M. Gauci, fl.1848–1869

Lady Fragrant, at 7 Years Old

1870

Samuel Howitt The Kill

Samuel Howitt, 1756–1822

The Kill

undated

James Sharples The Forge

Print made by James Sharples, 1825–1892

The Forge

1859

Sir David Wilkie The Dragoman of Mr. Moore, English Consul at Beyrout

Sir David Wilkie, 1785–1841

The Dragoman of Mr. Moore, English Consul at Beyrout

1841

Augustus Edwin John The Chemise

Augustus Edwin John, 1878–1961

The Chemise

undated

William Woollett The Rural Cott

William Woollett, 1735–1785

The Rural Cott

1797

William Ward Selling Rabbits

William Ward, 1766–1826

Selling Rabbits

1796

Alfred Henry Forrester The Follies of Costume

Print made by Alfred Henry Forrester, 1804–1872

The Follies of Costume

undated

Victor Marie Picot Winter

Victor Marie Picot, 1744–1805

Winter

1794

Alfred Henry Forrester The World is Folly's Toy

Print made by Alfred Henry Forrester, 1804–1872

The World is Folly's Toy

undated

Robert Thew King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Print made by Robert Thew, 1758–1802

King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

1801

Thomas Daniell Rohtas Garh, Bihar

Thomas Daniell, 1749–1840

Rohtas Garh, Bihar

undated

Thomas Daniell Tremal Naig's Choultry, Madura

Thomas Daniell, 1749–1840

Tremal Naig's Choultry, Madura

1792

John Doyle ('H.B.') Supposed Colloquy between a Top Sawyer and his Brother Labourer

Print made by John Doyle ('H.B.'), 1797–1868

Supposed Colloquy between a Top Sawyer and his Brother Labourer

1843

Edward Rooker The Magicians Marching off After the Success of their Incantations

Edward Rooker, 1724–1774

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Edward Rooker, 1724–1774

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

David Hockney Ossie Seated

David Hockney, born 1937

Ossie Seated

1966

C. R. W. Nevinson The Wave

C. R. W. Nevinson, 1889–1946

The Wave

1917