Materials & Techniques: wove paper / Genre: architectural subject / Associated Places: Greater London

Joseph Mallord William Turner, 1775–1851

Interior of St. John's Palace, Eltham

ca. 1793

Benjamin West, 1738–1820

Greenwich from the Park

undated

John Preston Neale, 1771/80–1847

The Quadrangle of the Royal Exchange

undated

Thomas Malton the Younger, 1748–1804

York Water Gate

1795

William Henry Hunt, 1790–1864

The Portico of St. Martin-in-the-Fields

ca. 1862

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

John Linnell, 1792–1882

Edgware Road, London

1806

John Linnell, 1792–1882

A Scene in the Edgware Road, London

1806

Print made by George Baxter, 1804–1867

The Great Exhibition: Exterior View from the Southwest

1851

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by George Baxter, 1804–1867

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Print made by George Cooke, 1781–1834

Part of Waterloo Bridge with the Shot Tower, &c

1832

Charles Heath, 1785–1848

Tower Hill

1825

George Gladwin, active 1820s–1830s

York House: Longitudinal Section from North to South

1827

George Gladwin, active 1820s–1830s

York House: Plan of Principle Floor

1827

Print made by Thomas Allom, 1804–1872

The Ceremony of Opening London Bridge, August 1, 1831

undated

Print made by J. Blore

Window in St. Dunstan's in the West, London

1834

Print made by Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Print made by John Fairburn, active 19th century

Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

1796

Print made by Benjamin Baker, 1766–1841

Plan of the West India Docks

1802

Print made by Day & Co., 1824–1913

South East View, Lincoln's Inn

between 1845 and 1850

Print made by Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Charles Heath, 1785–1848

Regent's Canal Basin, City Road

undated

Print made by Samuel Freeman, 1773–1857

Statue of Achilles in Hyde Park

1827

Print made by Thomas Mann Baynes, 1794–1854

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

George Gladwin, active 1820s–1830s

York House: Plan of the Ground Floor

1827

William Ellis, 1747–1810

Beddington

1792

Charles Heath, 1785–1848

The Penitentiary and Distant View of Westminster Bridge

1825

Print made by Day & Co., 1824–1913

North West View, Lincoln's Inn

between 1845 and 1850

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Print made by John Burnet, 1784–1868

Buckingham House, St. James' Park

1810

Print made by George Cooke, 1781–1834

Tooting Church

1827

Spencer Frederick Gore, 1878–1914

Cave of the Golden Calf: Study for Mural

1912

Print made by Thomas Bonnor, ca. 1740–ca. 1812

St. Martin's Church Westminster

1810

George Belton Moore, 1805–1875

A Proposed plan for Trafalgar Square

1841

Paul Sandby, 1731–1809

The Gunpowder Magazine, Hyde Park

ca. 1793