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Remove constraint Materials & Techniques: wove paperExhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)Search Results
1
- A Moonlit Scene with a Winding River
- ca. 1827
2
- Ancient Trees, Lullingstone Park
- 1828
3
- Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
- between 1795 and 1806
4
- Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
- 1795 to 1806
5
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
6
- The Channel Sketchbook
- ca. 1845
7
- Fluelen: Morning (looking towards the lake)
- 1845
8
- Saint Augustine's Gate, Canterbury
- ca. 1793
9
- Vesuvius in Eruption
- between 1817 and 1820
10
- Mer de Glace, in the Valley of Chamonix
- 1803
11
- Upper Fall of the Reichenbach: Rainbow
- 1810
12
- "Leaning against the pillars..." (Plate 32)
- 1804 to 1820
13
- "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
- 1804 to 1820
14
- Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)
- 1804 to 1820
15
- "And One stood forth from the Divine Family..." (Plate 37)
- 1804 to 1820
16
- "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
- 1804 to 1820
17
- Frontispiece. Albion's Angel (Plate 1)
- 1793
18
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
19
- "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
- 1793
20
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
21
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
22
- "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
- 1793
23
- The Pit of Disease: The Falsifiers (Plate 6)
- 1827
24
- Dante Striking against Bocca Degli Abati (Plate 7)
- 1827
25
- The Baffled Devils Fighting (Plate 3)
- 1827
26
- The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
- 1827
27
- The Serpent Attacking Buoso Donati (Plate 5)
- 1827
28
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
29
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
30
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
31
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
32
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
33
- The Circle of the Lustful: Francesca da Rimini, 'The Whirlwind of Lovers' (Plate 1)
- 1827
34
- Ciampolo the Barrator Tormented by the Devils (Plate 2)
- 1827
35
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
36
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
37
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
38
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
39
- Title Page. America, A Prophecy (Plate 2)
- 1793
40
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
41
- "Silent as despairing love, and strong as jealousy..." (Plate 4)
- 1793
42
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
43
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
44
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
45
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
46
- "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)
- 1804 to 1820
47
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
48
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820
49
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
50
- "Her voice pierc'd Albions clay cold ear..." (Plate 95)
- 1804 to 1820
51
- The Parable of the Wise and Foolish Virgins
- ca. 1825
52
- Mary Magdalen at the Sepulchre
- ca. 1805
53
- Caliban, from The Tempest
- 1775
54
- Lear, from King Lear, Act III, Scene ii
- 1776
55
- Tryfan, Carnarvonshire
- 1826
56
- A Human Skeleton
- undated
57
- A Human Skeleton
- undated
58
- Cavalry Charging
- 1801
59
- Seated Turk
- between 1840 and 1841
60
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
61
- Study of a Lion and Study of a Lioness' Head
- ca. 1820
62
- A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
- 1856
63
- Study of a Lioness
- ca. 1824
64
- Crater of Vesuvius
- 1816
65
- Portia and Bassanio
- ca. 1826
66
- Saint Cuthbert's Holy Island
- 1797
67
- The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
- December 1, 1801
68
- The Great Temple of Amon Karnak, The Hypostyle Hall
- 1838
69
- Study of a Plunging Eagle
- undated
70
- The Creation of the Heavens
- ca. 1790
71
- A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
- 1834
72
- The Lake of Albano and Castel Gandolfo
- between 1783 and 1785
73
- Tree Study
- between 1800 and 1805
74
- Castle Acre Priory, Norfolk
- ca. 1804
75
- Illustrations to Dante's Divine Comedy
- 1827