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Materials & Techniques wove paper

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Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

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Samuel Palmer Cornfield and Church by Moonlight
Samuel Palmer, 1805–1881
Cornfield and Church by Moonlight
early 1830s
Samuel Palmer View from Rook's Hill, Kent
Samuel Palmer, 1805–1881
View from Rook's Hill, Kent
1843
Samuel Palmer Old Cedar Tree in Botanic Garden, Chelsea
Samuel Palmer, 1805–1881
Old Cedar Tree in Botanic Garden, Chelsea
1854
Samuel Palmer A Barn with a Mossy Roof, Shoreham
Samuel Palmer, 1805–1881
A Barn with a Mossy Roof, Shoreham
undated
Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881
At Hailsham, Sussex: a Storm Approaching
1821
Samuel Palmer Pistil Mawddach, North Wales
Samuel Palmer, 1805–1881
Pistil Mawddach, North Wales
between 1835 and 1836
Samuel Palmer Sunset
Samuel Palmer, 1805–1881
Sunset
ca. 1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
George Stubbs Labourers
Print made by George Stubbs, 1724–1806
Labourers
1789
George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
George Stubbs Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View, Undissected (Finished Study for Table VIII)
between 1795 and 1806
George Stubbs Fowl Skeleton, Lateral View (Finished Study for Table V)
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Finished Study for Table V)
between 1795 and 1806
George Stubbs Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
George Stubbs, 1724–1806
Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)
between 1795 and 1806
George Stubbs Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
George Stubbs, 1724–1806
Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)
between 1795 and 1806
George Stubbs Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
George Stubbs, 1724–1806
Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)
between 1795 and 1806
George Stubbs Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
Between 1795 and 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
George Stubbs Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
George Stubbs, 1724–1806
Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
between 1795 and 1806
George Stubbs A Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
George Stubbs Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
George Stubbs, 1724–1806
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
George Stubbs Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
George Stubbs A Tiger and a Sleeping Leopard
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
Edward Lear Dendera, 9:00 am, 15 January 1867 (156)
Edward Lear, 1812–1888
Dendera, 9:00 am, 15 January 1867 (156)
1867
Edward Lear Abu Simbel, 9:00 am, 8 February 1867 (372A)
Edward Lear, 1812–1888
Abu Simbel, 9:00 am, 8 February 1867 (372A)
1867
Edward Lear Abu Simbel, 4:30 pm, 8 February 1867 (379)
Edward Lear, 1812–1888
Abu Simbel, 4:30 pm, 8 February 1867 (379)
1867
Edward Lear Abu Simbel, 1:00 pm, 9 February 1867 (384)
Edward Lear, 1812–1888
Abu Simbel, 1:00 pm, 9 February 1867 (384)
1867
Edward Lear Abu Simbel, 10:30 am, 9 February 1867 (383)
Edward Lear, 1812–1888
Abu Simbel, 10:30 am, 9 February 1867 (383)
1867
Edward Lear Abu Simbel, 1:10 pm, 9 February 1867 (385)
Edward Lear, 1812–1888
Abu Simbel, 1:10 pm, 9 February 1867 (385)
1867
Edward Lear Luxor, 7:30 am, 20 January 1867 (199)
Edward Lear, 1812–1888
Luxor, 7:30 am, 20 January 1867 (199)
1867
Edward Lear Dendera, 15 January 1867 (155)
Edward Lear, 1812–1888
Dendera, 15 January 1867 (155)
1867
Edward Lear Dendera, 9:15 am, 15 January 1867 (157)
Edward Lear, 1812–1888
Dendera, 9:15 am, 15 January 1867 (157)
1867
Edward Lear Dendera, 15 January 1867 (158)
Edward Lear, 1812–1888
Dendera, 15 January 1867 (158)
1867
Edward Lear Luxor, 7:00 am, 20 January 1867 (198)
Edward Lear, 1812–1888
Luxor, 7:00 am, 20 January 1867 (198)
1867
Edward Lear Near Suez, 1 pm, 16 January 1849 (48)
Edward Lear, 1812–1888
Near Suez, 1 pm, 16 January 1849 (48)
1849
Edward Lear Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
Edward Lear, 1812–1888
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)
1849
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
Paul Sandby The Gunpowder Magazine, Hyde Park
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
Paul Sandby Bridgenorth, Shropshire
Paul Sandby, 1731–1809
Bridgenorth, Shropshire
ca. 1801
George Richmond Portrait of Samuel Palmer, February 5, 1828
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
John Frederick Lewis Sheik Hussein of Gebel Tor and His Son
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
John Frederick Lewis A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
George Richmond Samuel Palmer
George Richmond, 1809–1896
Samuel Palmer
1830
George Richmond Portrait of Samuel Palmer, Head and Shoulders
George Richmond, 1809–1896
Portrait of Samuel Palmer, Head and Shoulders
1830
John Frederick Lewis A Bedouin Encampment; or, Bedouin Arabs
John Frederick Lewis, 1804–1876
A Bedouin Encampment; or, Bedouin Arabs
between 1841 and 1851
John Frederick Lewis The Ramesseum at Thebes
John Frederick Lewis, 1804–1876
The Ramesseum at Thebes
between 1841 and 1851
Paul Sandby Two Women holding a Basket
Paul Sandby, 1731–1809
Two Women holding a Basket
ca. 1759
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Paul Nash Worth Matravers, Dorset
Paul Nash, 1889–1946
Worth Matravers, Dorset
1936
Edward Calvert The Return Home
Print made by Edward Calvert, 1799–1883
The Return Home
1830
Edward Calvert The Sheep of His Pasture
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828
Frederick Landseer Maur Griggs Maur's Farm
Print made by Frederick Landseer Maur Griggs, 1876–1938
Maur's Farm
1913
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
Sir Lawrence Alma-Tadema Study for Thermaie Antoniniane
Sir Lawrence Alma-Tadema, 1836–1912
Study for Thermaie Antoniniane
1899
David Roberts The Great Temple of Amon Karnak, The Hypostyle Hall
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
Thomas Forster Banqueting House, Whitehall: Front Elevation
Thomas Forster, ca. 1677–after 1712
Banqueting House, Whitehall: Front Elevation
undated
Thomas Gainsborough Wooded Landscape with Country Cart and Figures
Thomas Gainsborough, 1727–1788
Wooded Landscape with Country Cart and Figures
between 1785 and 1788
Elizabeth Pringle A Tiger Lying in the Entrance of a Cave
Elizabeth Pringle, active ca. 1800
A Tiger Lying in the Entrance of a Cave
1796