Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
2
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
3
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
4
Edward Lear, 1812–1888
Albenga
1864
5
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
6
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
7
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
8
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey
1828
9
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
10
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
11
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
12
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
13
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
14
George Price Boyce, 1826–1897
Brickfield at Pitland Street, Surrey
1866
15
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
16
John Linnell, 1792–1882
Beddgelert
1834
17
Print made by Sir David Young Cameron, 1865–1945
The Leaf Cart
1894
18
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
19
William Howes Hunt, 1806–1879
View of Yarmouth
1874
20
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
21
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828
22
George Richmond, 1809–1896
A Bushy Lane with a Field Beyond
1866
23
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
24
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
25
Henry Moore, 1831–1895
Showery June, Picardy
between 1870 and 1880
26
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
27
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
28
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
29
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
30
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
31
John Linnell, 1792–1882
View from Mr. Sheppard's Window, The Ridge, Gloucestershire
undated
32
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
33
George Lothian Hall, 1825–1888
The Rock of Gibraltar, from the North Front Guard Room
1843
34
William Henry Hunt, 1790–1864
The Flagstaff, Margate
undated
35
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
36
John Linnell, 1792–1882
Rye House
1814
37
John Linnell, 1792–1882
Tythrop
1817
38
imitator of John Linnell, 1792–1882
Terraced Cottages with Fallen Trees
undated
39
John Martin, 1789–1854
Landscape with Courting Couple
1839
40
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
41
George Hollis, 1792–1842
Christ Church from the Meadows
undated
42
William Turner of Oxford, 1789–1862
View from the Dean's Garden, Christ Church, Oxford
undated
43
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
44
David Charles Read, 1790–1851
Landscape with Hills in the Distance
undated
45
John Linnell, 1792–1882
Donkey Beside a Tree, Hampstead
undated
46
Print made by Gabriel Charton, active 1810
Paysan des environs de Cracouie; Costume des environs de Cracouie
ca. 1810
47
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
48
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
49
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
50
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
51
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
52
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
53
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
54
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
55
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
56
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
57
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
58
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
59
Henry Thomas Alken, 1785–1851
Gone Away
undated
60
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
61
Henry Thomas Alken, 1785–1851
'Rather Too Fast'
undated
62
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping in and Out of a Lane
undated
63
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
64
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
65
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
66
Edwin Gill, active 1810, died 1868
Grouse Shooting
undated
67
James Pollard, 1792–1867
Partridge Shooting
undated
68
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: Preparing to Start
undated
69
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
70
George Alken, 1794–active 1837
Exercising a Racehorse
undated
71
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
72
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
73
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
74
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
75
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
76
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
77
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
78
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
79
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
80
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
81
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
82
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
83
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
84
Henry Thomas Alken, 1785–1851
Grouse Shooting
undated
85
Justinian Gantz, 1802–1862
The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845